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Fuckstutter, Anthony Francis Ramstetter
Fuckstutter, Anthony Francis Ramstetter
LSU Master's Theses
This manuscript is my Master thesis, which I have compiled to fulfill the requirements of a creative writing examination in poetry. It collects various pathways of poetry in terms of both form & content into professional & publishable finality. The thesis presents sections (untitled) which include subsequent themes & variations that qualifies, consolidates, & measures the poet’s work during this program of writing herein.
The False Idealization Of Heteronormativity And The Repression Of Queerness, Catherine Lynn Thurmond
The False Idealization Of Heteronormativity And The Repression Of Queerness, Catherine Lynn Thurmond
LSU Master's Theses
In this thesis, entitled “The False Idealization of Heteronormativity and the Repression of Queerness,” I examine heteronormativity as a social structure that is idealized over, and against, queerness. In the first chapter, I define heteronormativity and queerness. “Heteronormativity,” here, is simply a set of standards that dictate what one must do with their gender and sexuality, such as having sexual relations with the opposite sex, getting married, or having children. Heteronormativity is visible, validated, and normalized in society. Conversely, “queerness” refers to the social structures that dictate what one must not do with their gender and sexuality. Thus, queerness is …
Hijos De La Decadencia: Transgressive Representations Of Gender In The Works Of Emilia Pardo Bazán, Sarah Berard
Hijos De La Decadencia: Transgressive Representations Of Gender In The Works Of Emilia Pardo Bazán, Sarah Berard
LSU Master's Theses
This thesis explores the transgressive representations of gender in the works of Emilia Pardo Bazán. In her short story “Cuento primitivo” (1893) and her novels Memorias de un solterón (1896), La quimera (1905), and Dulce dueño (1911), the myths and images that surround the figures of New Woman, femme fatales, and dandies expose the fear fin de siècle Spanish society felt toward these models that did not conform to the gender stereotypes expected of them. Their straying from the established norm was seen as the symptom of decadence and the herald of the destruction of the race. Each of the …
Unveiled Pandemonium, Christina Marie Johnson
Unveiled Pandemonium, Christina Marie Johnson
LSU Master's Theses
Unveiled Pandemonium is a body of work that acknowledges my struggles, as a woman, with skewed self-perception and how frayed, decayed bits of self-love affect interaction with daily life: the public sphere versus the private. Using both large-scale graphite drawings and intimately sized, full-color digital narrative sequences, I portray movement, as a state of freedom, while capturing each character in a position of physical or emotional constraint. To increase the tension each figure interacts with another visually and in narrative; a war with the self begins. Within the engagement of internal and external tensions, each character’s body becomes a battlefield …
Beating The Red Stick, Tracey Anne Duncan
Beating The Red Stick, Tracey Anne Duncan
LSU Master's Theses
My thesis explores the history of Roller Derby, its modern revival, and the way that it changes the lives of the women who play it. From October 2009 to March 2011, I conducted ethnographic research and interviews with the Red Stick Roller Derby in Baton Rouge, Louisiana. My perspective is that of an observer turned player, and the piece centers around my own story of personal transformation. This work is part cultural history, part ethnography, and part memoir, written from an explicitly feminist perspective.
Moppet*Sense, Tyler Rochelle Mackie
Moppet*Sense, Tyler Rochelle Mackie
LSU Master's Theses
Moppet*Sense is a hybrid collaboration between my adult self and a fictionalized version of me as a young girl, or moppet. Through use of craft, textiles, sound, light, color and narrative the work describes a space where both woman and moppet can join to engage with one another in a playful exchange of knowledge and experience. Saturated hues, exaggerated scale and a playful approach to the handicrafts offer the viewer an overwhelming, hyper-realistic experience of girlhood and play, which they can each physically explore and navigate throughout. The work refers to the nostalgic and domestic through its employment of familiar …
Mothers Grimm And Other House Held Tales, Holly Kay Streekstra
Mothers Grimm And Other House Held Tales, Holly Kay Streekstra
LSU Master's Theses
Mothers Grimm and Other House Held Tales is a body of work that uses fairy tale archetypes and narrative traditions to comment upon tensions and conflicts in sexual self-understanding. This is achieved through a reflection on attitudes that women adopt regarding their own sexuality. Such a reflection is instigated through a presentation of prominent cultural archetypes that exist, no longer as received ideas, but as a bold and entertaining expression of how sex can change our attitude towards those ideas that we often take for granted. Through an assemblage of objects and video, this body of work evokes a domestic …
"Sacred Duties": How Historical Constructs Of Gender And Work Inform Women's Involvement In U.S. Higher Education, Amber Leigh Vlasnik
"Sacred Duties": How Historical Constructs Of Gender And Work Inform Women's Involvement In U.S. Higher Education, Amber Leigh Vlasnik
LSU Master's Theses
This thesis explores how arguments about gender and labor roles have determined women's exclusion from or acceptance to the academy throughout the history of the United States. Race, gender, and class are identified as interlocking identities that shape experiences and women's gendered relationship to labor is demonstrated through the use of a materialist feminist framework. By tracing the distinct eras of colonial and United States history, the thesis illustrates the debates and public mindset of each time period and how they relate to women and higher education. The thesis concludes that popular social conceptions of the female body and women's …
Feminism In Frances Trollope's Domestic Manners Of The Americans, The Vicar Of Wrexhill, The Life And Adventures Of Jonathan Jefferson Whitlaw And Jessie Phillips, Jessica S. Boulard
Feminism In Frances Trollope's Domestic Manners Of The Americans, The Vicar Of Wrexhill, The Life And Adventures Of Jonathan Jefferson Whitlaw And Jessie Phillips, Jessica S. Boulard
LSU Master's Theses
In The Domestic Manners of the Americans (1832), the travelogue that launched Trollope's career as a literary figure, she accounts the four years spent living in America with the majority of her children and without her husband. The Life and Adventures of Jonathan Jefferson Whitlaw (1836), published fifteen years before Uncle Tom's Cabin, is the first anti-slavery novel written in English. Other novels, like The Vicar of Wrexhill (1834) and Jessie Phillips (1844) discuss legal matters. A common thread connects much of Trollope's work. That thread is feminism, which places her in the company of (and somewhere in between) Mary …
Heidegger, Levinas, And The Feminine, Andrea Danielle Conque
Heidegger, Levinas, And The Feminine, Andrea Danielle Conque
LSU Master's Theses
Herein, I will reconsider the works of Martin Heidegger and Emmanuel Levinas with a feminist focus. Through a careful analysis of both the Heideggerian and Levinasian placement of the feminine and of sexual difference, I will suggest alternatives to some traditional readings of these two prolific figures offered by feminists and feminist philosophers. I will argue, in effect, for a Heideggerian model for re-thinking sexual difference. In addition, I will offer what I believe should be a 'new' goal toward which feminism should work, one beyond the goals that have been in place thus far and one based upon a …