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A History Of The Violin Étude To About 1800 Volume Ii, K. Marie Stolba
A History Of The Violin Étude To About 1800 Volume Ii, K. Marie Stolba
Fort Hays Studies Series
The purpose of this study is to investigate and ascertain the history and development of the étude as a specific form of didactic literature for the violin. All influential factors, both non-musical and musical, are considered; in a study of this type, however, more space is devoted to the musical than to the non-musical elements. This being the case, an investigation of instructional materials for the violin comprises the major portion of this writing. The period covered is form 1523 to around 1800.
A Comparative Analysis Of The Rhetoric Of Two Negro Women Orators-Sojourner Truth And Frances E. Watkins Harper, Janey Weinhold Montgomery
A Comparative Analysis Of The Rhetoric Of Two Negro Women Orators-Sojourner Truth And Frances E. Watkins Harper, Janey Weinhold Montgomery
Fort Hays Studies Series
The purpose of this study was to compare the rhetoric of two Negro women orators--Sojurner Truth and Frances Ellen Watkins Harper as shown by a critical analysis of selected speeches from 1851 to 1875.
A History Of The Violin Étude To About 1800 Volume I, K. Marie Stolba
A History Of The Violin Étude To About 1800 Volume I, K. Marie Stolba
Fort Hays Studies Series
The purpose of this study is to investigate and ascertain the history and development of the étude as a specific form of didactic literature for the violin. All influential factors, both non-musical and musical, are considered; in a study of this type, however, more space is devoted to the musical than to the non-musical elements. This being the case, an investigation of instructional materials for the violin comprises the major portion of this writing. The period covered is form 1523 to around 1800.
Parallelism In Romans, Paul M. Biays
Parallelism In Romans, Paul M. Biays
Fort Hays Studies Series
This work concerns a study of the epistle to the Romans in light of the ancient Jewish poetical trait of parallelism. The intent is to show the influence of the poetical trait in Paul's most systematic prose writing.
Alessandro Raujerij's Collection Of Canzoni Per Sonare (Venice, 1608) Volume Ii Edition, Leland Earl Bartholomew
Alessandro Raujerij's Collection Of Canzoni Per Sonare (Venice, 1608) Volume Ii Edition, Leland Earl Bartholomew
Fort Hays Studies Series
Among the Venetian printers who published music in the opening decade of the seventeenth century, Alessandro Rauerij was one o fthe most active. The Canzoni consists of nine part-books-- eight for the melodic voices; the ninth, an organ-bass. The collection contains thirty-six instrumental canzonas. The present volume constitutes a modern edition of Rauerij's collection and is presented in an open score.
Alessandro Rauerij's Collection Of Canzoni Per Sonare (Venice, 1608) Volume I Historical And Analytical Study, Leland Earl Bartholomew
Alessandro Rauerij's Collection Of Canzoni Per Sonare (Venice, 1608) Volume I Historical And Analytical Study, Leland Earl Bartholomew
Fort Hays Studies Series
The crowning musical achievements of the Renaissance lay chiefly within the realm of vocal music. The masters of the sixteenth century brought to supreme climax the development of Mass and motet, chanson and madrigal; yet the Renaissance also witnessed a flowering of instrumental music, destined ultimately to supplant in importance the older, vocal art.