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Arts and Humanities

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University of Texas Rio Grande Valley

2009

Communication and the arts

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A Quest For Understanding Finding My Way Back, Juan Saenz Dec 2009

A Quest For Understanding Finding My Way Back, Juan Saenz

Theses and Dissertations - UTB/UTPA

My work reflects my place in nature and how through its documentation I have been given the opportunity to mend family ties. In my paintings I capture the essence of those things that bring me peace of mind and good health. The aim of my work is not solely for the purpose of self reflection but also an attempt to bring my viewers back to a different time in their lives. The following works are an example of my direction and experimentation.


The Return To Aztlan, Eliseo Moreno Dec 2009

The Return To Aztlan, Eliseo Moreno

Theses and Dissertations - UTB/UTPA

With this thesis I will focus on my Chicano artistic influences as well as on my life experiences as a third-generation Chicano growing up in the barrios of Browntown, “Tejas” (Brownsville, Texas) I will also examine in my paintings the Chicano identity; its culture, traditions, beliefs, and lifestyle. In this thesis like my artwork I will depict the myth of “Atzlan” via eras of the Chicano movement. I will start my writings with the mid-nineteen forties, the “Zoot Suit” era, which I believe is the original beginning of the Chicano movement, and advance to the nineteen sixties and seventies where …


A Realization And Application Of Appropriate French Baroque Ornamentation For The First Four Preludes Of “L'Art De Toucher Le Clavecin” By Francois Couperin, Andres Javier Lopez Dec 2009

A Realization And Application Of Appropriate French Baroque Ornamentation For The First Four Preludes Of “L'Art De Toucher Le Clavecin” By Francois Couperin, Andres Javier Lopez

Theses and Dissertations - UTB/UTPA

In his work, L’Art de Toucher le Clavecin (1716-1717), Francois Couperin (1668-1733) details specific instructions for the correct playing of his ornamentation. In addition to the text, Couperin composes a series of didactic preludes in ascending order of difficulty to illustrate his ornamentation in the context of his work. I will focus on the proper interpretation of Couperin’s ornamentation and include a realization of four Couperin preludes. They contain the majority of issues presented by his ornamentation. I shall seek to properly realize Couperin’s ornamentation and use of unequal rhythms using the first four preludes of L’Art de Toucher le …


Quest For Spirituality, Teodoro Estrada Dec 2009

Quest For Spirituality, Teodoro Estrada

Theses and Dissertations - UTB/UTPA

Quest for Spirituality is a body of work that confronted and validated suppressed spiritual experiences. I credit Our Lady Virgin of Guadalupe for my resurrection from ignoring my creative gift and bringing me home.

Desire for limelight, stability, and fulfilling the gallery-going public’s desire overshadowed numerous invitations and opportunities to explore spirituality. A fruitful lifestyle suppressed the nuance of spirituality never expressed until the silence vanished. My mother’s passing, a spiritual epiphany unraveled memories giving expression to these experiences. The vicious cycle of gallery going public’s desire for my art crumbled the day I returned to my homeland. Time has …


Set And Light Design For “Con Mis Manos/With My Hands”: A Play In Two Acts By Misael Martinez, Lawrence Andrew Lopez Dec 2009

Set And Light Design For “Con Mis Manos/With My Hands”: A Play In Two Acts By Misael Martinez, Lawrence Andrew Lopez

Theses and Dissertations - UTB/UTPA

An examination and analysis of the process of creating and executing a set and light design for a new show in a new space. This thesis will delve into the problems and solutions that helped to create the set for Con Mis Manos/With My Hands, a play by Misael Martinez, for production in the Albert L. Jeffers Theatre at the University of Texas-Pan American.


Verdad Y Sus Tintes Modálicos En La Conversación, Beatriz C. Solis Aug 2009

Verdad Y Sus Tintes Modálicos En La Conversación, Beatriz C. Solis

Theses and Dissertations - UTB/UTPA

En el siguiente estudio, hago uso de dos corpus para llevar a cabo un análisis cualitativo y cuantitativo de los usos de verdad y sus variantes reducidas verdad y veda, que difieren en cuanto a su función y carga semántica de su uso canónico como sustantivo, en cuyo caso funciona como sujeto y objeto de la frase. Demuestro que los hablantes en Lopezville y San Isidro Texas hacen uso de verdad como marcador que incrementa la cohesión discursiva y que en esta variedad del español fronterizo verdad ha desarrollado maneras innovadoras de codificar el significado modal. En su función de …


Edge Of Existence, Mack Liao May 2009

Edge Of Existence, Mack Liao

Theses and Dissertations - UTB/UTPA

The painting, Edge of Existence best describes my surreal world at its current state. The idea started with the crisis of global warming. I want to express the peril of the creatures that are on the frontier of the global warming effect. The idea for the structure of the painting came from a Magritte painting called, The Domain of Arnheim. He has transformed an undeniably grand impression of a moonlit mountain landscape by means of a mental technique related to that of Poe and his imaginary friend Ellison, who described a magnificent, complicated, and weird landscape in which the natural …


The Borderline Between The Personal And Political, Celeste De Luna May 2009

The Borderline Between The Personal And Political, Celeste De Luna

Theses and Dissertations - UTB/UTPA

This paper is a documentation of the form, content, techniques, and processes of the body of visual artwork I created for my M.F.A. graduate coursework. My work frequently uses themes based on the migrant/border experiences of women, children, and families throughout generations in the context of the larger American experience. My acrylic paintings on canvas, assemblages and installations validate Latino/Chicano experiences and invites reflection and learning. My work is influenced and relates to contemporary Chicano and Post-Chicano Art, Feminist Art, and the writings of Gloria A. Anzaldua.