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A Study Of White Spiritual Music And Twelve Related Concepts, Charles Douglas Barber

Masters Theses

As in other folk art, White spiritual music has not been welI-documented. In this particular case, there does not even exist a clear definition of this somewhat unknown and often misunderstood phenomenon.

The intent of this thesis is to present and justify a comprehensive definition of White spiritual music. To arrive at this goal, a two-fold approach was taken. The first chapter of the thesis does not deal precisely with White spiritual music, but rather with related and complementary concepts which are more familiar to the average person. This writer feels that what one may know or think he knows …