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On The Influence Of Jazz Rhythm In The Music Of Aaron Copland, Stanley V. Kleppinger
On The Influence Of Jazz Rhythm In The Music Of Aaron Copland, Stanley V. Kleppinger
Glenn Korff School of Music: Faculty Publications
Surveys scholarly views of jazz's rhythmic and metrical structures in the 1920s (at the outset of Copland's career) focusing especially on Copland's own writings on the subject. Analyses of selected passages from Copland's piano concerto, the second piece of Four piano blues, the Piano variations, the piano sonata, the clarinet concerto, and Appalachian spring help to assess the ambiguity surrounding the identification of jazz-based rhythmic influences in Copland's music.
Review Of Gareth Curtis, Ed. Fifteenth-Century Liturgical Music, Iv: Early Masses And Mass-Pairs, Peter M. Lefferts
Review Of Gareth Curtis, Ed. Fifteenth-Century Liturgical Music, Iv: Early Masses And Mass-Pairs, Peter M. Lefferts
Glenn Korff School of Music: Faculty Publications
The volume under review is the latest entry in a slowly unfolding series, entitled Fifteenth-Century Liturgical Music, within the larger Early English Church Music (EECM) enterprise. It follows three previous volumes, namely I: Antiphons and Music for Holy Week and Easter (EECM 8, 1969, ed. Andrew Hughes), II: Four Anonymous Masses (EECM 22, 1979, ed. Margaret Bent) and III: The Brussels Masses (EECM 34, 1989, ed. Gareth Curtis). However, in his Foreword to the present volume, John Caldwell, General Editor of the Early English Church Music Committee of the British Academy, announces that this book heralds a new initiative, inaugurating …