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The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
Electronic Theses and Dissertations
These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …
But Also Full Of Seeds For A Future That Could Have Turned Out Differently., Megan Marie Bickel
But Also Full Of Seeds For A Future That Could Have Turned Out Differently., Megan Marie Bickel
Electronic Theses and Dissertations
This thesis examines the relationship between "illusion," "allusion," and their relationship to contemporary images which announce, shield, or reference information. Beginning by discussing Casualist and Post-Digital Painting discourse, two styles I work within, we see connecting tissue in announcing and shielding of meaning. We look at the meaning of marks, and in the parallel exhibition, marks that utilize camouflage strategies appear as a metaphor for illuding to information which appears as conveying depth when there is none, and using paintings' symbols in objects that are not paintings. The work 'alludes' to what the viewer has seen before and relies on …
American Nocturne., Zahid Saeed
American Nocturne., Zahid Saeed
Electronic Theses and Dissertations
American Nocturne is a photographic meditation on the nature of America. There is a long tradition of American photographers looking around their localities to look for this feeling. Using the aesthetics of straight photography, I have worked with a largeformat view camera to search for America. The prism through which I view America is a mixture of both a veneration, an abiding fascination, and at the same time a deep ambivalence towards an overbuilding, overproducing, and over wasting culture. My hope with American Nocturne is to present my view of America, with its contradictions and its beauty. For me the …
An Uncertain Line: Making Art About Photographs Of American War And Violence., Cassidy Meurer
An Uncertain Line: Making Art About Photographs Of American War And Violence., Cassidy Meurer
College of Arts & Sciences Senior Honors Theses
Photography’s power in capturing a moment in history is indisputable, but inevitably flawed. Assumptions of objectivity and truth are made that do not count for the bias of the photographer, or the bias of the viewer. These assumptions do not explain the warped effect of freezing life at a fraction of a second. Information is left outside the frame; stories are fragmented in their retelling. Certain historical photographs have become iconic over time. My interest lies in images of American battle, violence, and trauma; those that have political and propagandic weight. Coded, controversial, and inherently emotional, these photographs have become …
The Disjointed Moment : Marking, Mapping, And Making The Real In William Eggleston's Election Eve (1976)., Joel Darland
The Disjointed Moment : Marking, Mapping, And Making The Real In William Eggleston's Election Eve (1976)., Joel Darland
Electronic Theses and Dissertations
This thesis analyzes the photographic book Election Eve (1976) produced by photographer William Eggleston. Eggleston’s photographs represent a complex network of connections between material objects and the potential truth of depiction. The often-nondescript locations that Eggleston photographed in Sumter County, GA in October 1976 appear specific at the outset, but quickly lose their adherence to the supposed realities that they depict. Since his first major exhibition in the mid 1970s, Eggleston’s photographs have presented difficulty because they from often-disparate material sources. Despite of the complexity of Eggleston’s engagement with both art and non-art photography, scholarship continues describe Eggleston’s “snapshot aesthetic” …
Traces Of The (Un)Familiar : Family, Identity, And The Return Of The Repressed In The Photographs Of Ralph Eugene Meatyard., Hunter Martin Kissel
Traces Of The (Un)Familiar : Family, Identity, And The Return Of The Repressed In The Photographs Of Ralph Eugene Meatyard., Hunter Martin Kissel
Electronic Theses and Dissertations
This thesis explores the ways in which photographs by Ralph Eugene Meatyard provoke the uncanny—or Das unheimlich as Freud originally wrote in 1919—by breaking from conventions of mid-twentieth century family photography often utilized to establish and maintain genealogical unity. Meatyard’s photographs of his family and friends are accentuated by blurring techniques, prolonged exposures, and the incorporation of dime-store masks, and as a result depict moments when reality is disrupted by the return of repressed material from childhood. For a multitude of reasons, Meatyard’s photographs elicit comparisons to Surrealist photography as well as certain American modernists who also explored the notion …
Horizon Cross : A Parafictional History Through Photographs., Tom Legoff
Horizon Cross : A Parafictional History Through Photographs., Tom Legoff
Electronic Theses and Dissertations
Horizon Cross: A Parafictional History Through Photographs is a body of work that dwells within the intersection between truth and fiction in photography. It is informed by the history of hoax photographs and my fascination with the Large Hadron Collider in Switzerland and black holes, the space-time boundary of which is known as an event horizon. I have imagined into being a community in northern Ontario Province, equipped with the technology of the mid-nineteenth century but also with concepts far ahead of their time. To portray the inhabitants of Horizon Cross I have created photographic portraits of fictional people that …