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The Crisis Of Identity In Post-Revolutionary Cuban Film: A Sociological Analysis Of Strawberry And Chocolate, Andrew Zachary Shultz
The Crisis Of Identity In Post-Revolutionary Cuban Film: A Sociological Analysis Of Strawberry And Chocolate, Andrew Zachary Shultz
Kaleidoscope
This paper analyzes Tomás Gutiérrez Alea and Juan Carlos Tabío´s Strawberry and Chocolate (1993) from the sociological perspective of film as a cultural text informed by the political, historical, and social world in which it is produced. A symbolic interactionist/cultural studies model is used as a guide for the interpretive and qualitative methods utilized in approaching the film. Of particular interest to the sociological analysis of the film is the changing political context of the Cuban Revolution during the “special period” of the early 1990s, the use of stereotypes in the characterization of the actors, and finally its representation of …
The Scottish Pipe Band In North America: Tradition, Transformation, And Transnational Identity, Erin F. Walker
The Scottish Pipe Band In North America: Tradition, Transformation, And Transnational Identity, Erin F. Walker
Theses and Dissertations--Music
For Scots and non-Scots alike, the sounds of the bagpipes and the pipe band serve as a cultural metaphor for Scottish identity: the skirl of the pipes, the crisp sound of the snare drums, and the unique lilt of the music conjure an imagined Scotland of fierce, kilted clansmen and rugged, picturesque Highland scenery. This nearly global association appears to have been constructed on a series of transformations of cultural practices within Scotland itself, as well as throughout greater Britain and the lands of the Scottish diaspora, that began with the early “kiltophiles” in the late eighteenth century. …