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Representations Of The Catholic Inquisition In Two Eighteenth-Century Gothic Novels: Punishment And Rehabilitation In Matthew Lewis' The Monk And Ann Radcliffe's The Italian, Jarad Fennell

Electronic Theses and Dissertations

The purpose of this thesis is to determine how guilt and shame act as engines of social control in two Gothic narratives of the 1790s, how they tie into the terror and horror modes of the genre, and how they give rise to two distinct narrative models, one centered on punishment and the other on rehabilitation. The premise of the paper is that both Matthew G. Lewis's The Monk and Ann Radcliffe's The Italian harness radically different emotional responses, one that demands the punishment of the aberrant individual and the other that reveres the reformative power of domestic felicity. The …