Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Fiction (4)
- Creative writing (3)
- Culture (3)
- Children's literature (2)
- Creative Writing (2)
-
- Early modern drama (2)
- Feminism (2)
- France (2)
- Gender (2)
- Identity (2)
- Isolation (2)
- Knowledge (2)
- Literature (2)
- Masculinity (2)
- Medieval Europe (2)
- Public health (2)
- Qualitative (2)
- Shakespeare (2)
- Short story (2)
- War (2)
- Abolition (1)
- Academic freedom (1)
- Activists (1)
- Adaptation (1)
- Adaptations (1)
- Addiction (1)
- Adult Education (1)
- Advertisements (1)
- Advertising industry (1)
- Affect Studies (1)
- Publication
- Publication Type
Articles 1 - 30 of 88
Full-Text Articles in Entire DC Network
The Snake-Bit Boy, Will Watson
Noise Complaint, Megan Wilkinson
Coastlines Issue 4 - Editors' Acknowledgements
The Orphan, Therron Ducharme
Coastlines Issue 4 - Front Matter
Once Upon A Streetcar, Elaine Mcdermott
Wild Air, Harriet Hornblower
I Asked That They Let Me Be Great, Joma Shelby
A Reminder, Judy Davies
The Case Of The Stolen Jackpot, Phillip Levin
Horse-Medicine-Seeing: Predilections Of Hawks-Mice, James Inabinet
Horse-Medicine-Seeing: Predilections Of Hawks-Mice, James Inabinet
Coastlines
No abstract provided.
The Crossing, Holly Rutledge
Poems: Yellow Warbler’S Songbook, The Garden--An Ordinary Wednesday, Reaching For The Moon, Elaine Mcdermott
Poems: Yellow Warbler’S Songbook, The Garden--An Ordinary Wednesday, Reaching For The Moon, Elaine Mcdermott
Coastlines
No abstract provided.
The Dancer, Cristin Williams
The Field, Justin Miller
Monsters, Cody Fricke
Jazz - Improvisations Of Life Through Jazzy Structure, Heather Miller
Jazz - Improvisations Of Life Through Jazzy Structure, Heather Miller
Coastlines
No abstract provided.
Eminent Domain, Lori Beth Stewart
Embracing Adventure, Katacha Diaz
Book Review: Russell Brand's *Revolution Of Love*, Shelby Payne
Book Review: Russell Brand's *Revolution Of Love*, Shelby Payne
Coastlines
No abstract provided.
Hurricane Oak, Rebecca S. Orfila
People And Other Things That I Want To Be In Love With, Lee Hope
People And Other Things That I Want To Be In Love With, Lee Hope
Coastlines
No abstract provided.
Hellavetica, Lee Hope
By: Jordan, Lee Hope
Hit, Richie Henry
Baptismal Window At St. Rose De Lima Bay St. Louis, Mississippi: Palm Sunday, March 29, 2015, Thomas C. Shellnut
Baptismal Window At St. Rose De Lima Bay St. Louis, Mississippi: Palm Sunday, March 29, 2015, Thomas C. Shellnut
Coastlines
No abstract provided.
The Dog Chief And The Nature Of Mobility In *One Flew Over The Cuckoo's Nest*, Cody Fricke
The Dog Chief And The Nature Of Mobility In *One Flew Over The Cuckoo's Nest*, Cody Fricke
Coastlines
No abstract provided.
Puddles Of Malcontent, Gary Len Weatherly
Robert Frost’S New Hampshire, Philip Larkin’S England, And Seamus Heaney’S Ireland: Non-Urban Place And Democratic Poetry, Faisal I. Rawashdeh
Robert Frost’S New Hampshire, Philip Larkin’S England, And Seamus Heaney’S Ireland: Non-Urban Place And Democratic Poetry, Faisal I. Rawashdeh
Dissertations
In Anglo-American Modernist poetry, place is reduced to an analogue for the cultural degradation brought forth by the disruptive experience of modernity. This demotion stands in sharp contrast to the representation of place as a center of value in the poetry of Robert Frost, Philip Larkin, and Seamus Heaney. In this dissertation, I shall explain this value in terms of its connection to a particular cultural substance which Frost, Larkin, and Heaney deem foundational for their non-ideological terms of belonging to place. Frost embraces New England vernacularism first as the basis for his egalitarianism and second as the core substance …
Dual-Interval Spaces: Interrelations Between Interval Classes 1 And 5, Local Pitch Centers And Form In Dmitri Shostakovich's Piano Sonata No. 1, Op. 12, Tae Young Hong
Master's Theses
Dmitri Shostakovich’s Piano Sonata No. 1, written in 1926, is one of his most complex and lengthy works for piano. In contrast to the conservative style used in his critically-acclaimed Symphony No. 1, Op. 10, composed a year earlier, the sonata employs a highly modernistic idiom which predominated the composer’s output in the late 1920’s. The musical surface of the sonata was crafted by an extensive use of interval classes 1 and 5 which serve as the primary means of structuring pitch material.
This paper examines the surface combinations of two interval classes as well as their interaction with …