Digital Commons Network^™

Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts

Sarah T. Roberts

In this chapter from the forthcoming Intersectional Internet: Race, Sex, Class and Culture Online (Noble and Tynes, Eds., 2016), I introduce both the concept of commercial content moderation (CCM) work and workers, as well as the ways in which this unseen work affects how users experience the Internet of social media and user-generated content (UGC). I tie it to issues of race and gender by describing specific cases of viral videos that transgressed norms and by providing examples from my interviews with CCM workers. The interventions of CCM workers on behalf of the platforms for which they labor directly contradict …

"Go Back To Your Loom Dad": Weaving Nostos In The Twenty-First Century, Corinne Ondine Pache

Corinne Pache

For centuries writers and artists have adapted and transformed Homer's Odyssey in endlessly inventive and surprising ways. Yet the disposition of genders in the poem is seldom altered from its ancient pattern: a man leaves, a woman stays at home and waits until he returns. In her 2007 play, Current Nobody, Melissa Gibson departs from this conventional fidelity to the ancient narrative by rewriting the Odyssey as a twenty-first century family story with a wandering wife and a husband who is left behind. In Gibson's playful tragicomedy, Pen, a female war photographer, leaves her husband, Od, and daughter Tel …

The Black And The White Bride: Dualism, Gender, And Bodies In European Fairy Tales, Jeana Jorgensen

Jeana Jorgensen

Fairy tales are one of the most important folklore genres in Western culture, spanning literary and oral cultures, folk and elite cultures, and print and mass media forms. As Jack Zipes observes: ‘The cultural evolution of the fairy tale is closely bound historically to all kinds of storytelling and different civilizing processes that have undergirded the formation of nation-states.’¹⁴³ Studying fairy tales thus opens a window onto European history and cultures, ideologies, and aesthetics.

Anticipatory Socialization Of Pregnant Women: Learning Fetal Sex And Gendered Interactions, Medora Barnes

Medora W. Barnes

A Queer Vegan Manifesto, Rasmus R. Simonsen

Rasmus R Simonsen, PhD

What does it mean for a person to declare her or his veganism to the world? How does the transition from one diet to another impact one’s sense of self? Veganism challenges the foundational character of how we “act out” our selves—not least of all in the context of sexuality and gender. In my paper, I am thus interested in the potential of veganism to disrupt the “natural” bond between gender formations and the consumption of animal products, as this relates to social and cultural genealogies. Consequently, I will explore a queer form of veganism that affirms the radical impact …

Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower

Kathrin M. Bower

A reconceptualization of Germanness, combined with a reconsideration of what constitutes “Germanness” and “Turkishness” and how they are linked, is a central theme in the programs of a younger generation of Turkish German cabaret artists and comedians. As a member of the new generation of performers, Serdar Somuncu stands out, not only for his unapologetic embrace of political theater critical of both German and Turkish social politics, but also for his assertion of a right and responsibility to engage with Germany’s past, coupled with an insistence on differentiation and balanced comparison when discussing integration. After gaining notoriety through his Mein …

Feminist Aesthetics And Copyright Law: Genius, Value, And Gendered Visions Of The Creative Self, Carys J. Craig

Carys Craig

Copyright law is fundamentally concerned with the value of cultural works — both the recognition and the creation of this value. Yet it is seldom acknowledged that copyright law makes or requires any value judgment in the sense of an aesthetic evaluation of copyright’s subject matter. Indeed, it is often emphasized that copyright protects original works of authorship regardless of their quality or merit. That copyright protection demands the satisfaction of only the most minimal of qualitative standards does not, however, dispose of the larger claim that forms the basis of this chapter: our copyright system is dominated by a …

Responding To Gendered Dynamics: Experiences Of Women Working Over 25 Years At One University, Ellen Broido, Kirsten R. Brown, Katie Stygles

Kirsten R. Brown, Ph.D.