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Ouachita Baptist University

Theses/Dissertations

Johann Sebastian Bach

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Bridging The Gap: A Study Of Compositional Similarities Across Time, The 'Realization' Techniques Of Johann Sebastian Bach And Louis Armstrong, Erin Cheshire Jan 2016

Bridging The Gap: A Study Of Compositional Similarities Across Time, The 'Realization' Techniques Of Johann Sebastian Bach And Louis Armstrong, Erin Cheshire

Honors Theses

This study is an examination of certain compositional techniques during the Baroque and jazz eras and how there are unexpected similarities throughout. The premise of this argument draws attention to the notion that, although the world has changed, this particular compositional technique has remained relatively unaltered. Given the aesthetic differences between these two compositional styles, the unlikely conclusion is that some aspects of music truly never go away, they simply change procedures.

By examining the emergence of the figured-bass style in the Baroque period and certain notational features in jazz, the evidence will trace the origins of these compositional techniques …


Bach's Theocentric World View, Jarrell M. Lyles Jan 1999

Bach's Theocentric World View, Jarrell M. Lyles

Honors Theses

Bach's life spanned the gulf between the old-world age of faith and the new-world age of reason. seventeenth-century Germany, especially those portions with a strong Lutheran influence, remained strangely isolated and insulated against the rising storm of skepticism and inquiry, raging elsewhere in Europe. The full force of the Enlightenment broke suddenly over Bach during his latter years in Leipzig, where the younger generation was growing less sympathetic to the ideals of art Bach and others of his generation cherished.

Those who wish to understand Johann Sebastian Bach must first understand his world view, the lens which colored his perception …


The Keyboard Suites Of Johann Sebastian Bach, Karen Shank Jan 1971

The Keyboard Suites Of Johann Sebastian Bach, Karen Shank

Honors Theses

The suite developed over a period of years in several European countries. At first suites were simply collections of songs performed together. The form gradually stabilized to contain the specific dances now included, although the order of the dances varied. The dance forms used came from such countries as England, France, Germany, Italy and Spain. composers in France and Italy had written suites before Bach did, but he perfected the form. In all, Bach wrote thirteen suites for the harpsichord: six French Suites, six English Suites, six Partitas, and the Overture in the French Manner.

The suite is a musical …