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Arts and Humanities

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Old Dominion University

2015

United States

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Ethnic Historians And The Mainstream: Shaping America's Immigration Story, Elizabeth Zanoni Jan 2015

Ethnic Historians And The Mainstream: Shaping America's Immigration Story, Elizabeth Zanoni

History Faculty Publications

Historians rarely reflect publicly on how lived experiences in families and communities influence academic trajectories. For this reason, Ethnic Historians and the Mainstream: Shaping America’s Immigration Story is a welcome and invaluable collection for scholars and students of immigration and US history. Editors Alan Kraut and David Gerber recognize that “historians often seem to write their autobiographies with the subjects they address in their books and articles” (189). This speaks especially to immigration historians writing about their own ethnic communities; for them, concerns about navigating the rich, but oftentimes difficult, terrain of family life and identity politics are particularly pronounced.


Mobile Production: Spatialized Labor, Location Professionals, And The Expanding Geography Of Television Production, Myles Mcnutt Jan 2015

Mobile Production: Spatialized Labor, Location Professionals, And The Expanding Geography Of Television Production, Myles Mcnutt

Communication & Theatre Arts Faculty Publications

This article addresses the spatial challenges facing television laborers amid an increasingly expansive and contingent environment of local production incentives. Pushing away from the term runaway production and its limited engagement with local, spatialized dynamics of labor, I argue for a consideration of “mobile production,” wherein television series are capable of being executed in an increasingly wide range of locations—not necessarily Los Angeles—and capable of being moved should changes in an incentive system create the need to do so. Through personal interviews and analysis of industry discourse, this case study of location professionals considers how the mobility of production affects …


Queer Provisionality: Mapping The Generative Failures Of The Transborder Immigrant Tool, Alison R. Reed Jan 2015

Queer Provisionality: Mapping The Generative Failures Of The Transborder Immigrant Tool, Alison R. Reed

English Faculty Publications

Alison Reed investigates the border- and boundary-crossing performance of Electronic Disturbance Theater 2.0’sTransBorder Immigrant Tool (TBT), an incomplete cell phone program that offers GPS, guidance, and poetry to those attempting to cross into the United States across the Mexico/US border. Reed suggests a provocation-based performance of “queer provisionality,” revealing the aesthetics of oppressive power structures by juxtaposing them to social utopias. Interrogating the national neoliberal project of both US liberalism and US conservatism, Reed’s essay is also a transcription of the performances launched around TBT, the social and political machinery set into motion by Electronic Disturbance Theater’s failed utopian project.