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Music In Virtual Space: Theories And Techniques For Sound Spatialization And Virtual Reality-Based Stage Performance, Zachary Andrew Berkowitz
Music In Virtual Space: Theories And Techniques For Sound Spatialization And Virtual Reality-Based Stage Performance, Zachary Andrew Berkowitz
LSU Doctoral Dissertations
This research explores virtual reality as a medium for live concert performance. I have realized compositions in which the individual performing on stage uses a VR head-mounted display complemented by other performance controllers to explore a composed virtual space. Movements and objects within the space are used to influence and control sound spatialization and diffusion, musical form, and sonic content. Audience members observe this in real-time, watching the performer's journey through the virtual space on a screen while listening to spatialized audio on loudspeakers variable in number and position. The major artistic challenge I will explore through this activity is …
A Background, Analysis, And Performance Guide For Eugene Goossens's Concerto In One Movement For Oboe And Orchestra, Grace Ellen Woodworth
A Background, Analysis, And Performance Guide For Eugene Goossens's Concerto In One Movement For Oboe And Orchestra, Grace Ellen Woodworth
LSU Doctoral Dissertations
Sir Eugene Goossens (1893-1962) was a leading English composer and conductor of the early twentieth century. Though his music is relatively unknown today, at the height of his popularity as a composer in the 1920s and 30s, Goossens’ music was considered equal to that of British contemporaries Ralph Vaughan Williams, Benjamin Britten, Malcolm Arnold, Arnold Bax, and Gordon Jacob. A public scandal towards the end of his career resulted in his works falling into relative obscurity, with the exception of his oboe concerto. Despite the concerto’s popularity within the oboe community, few in-depth studies of the work exist. This monograph …
On The Use And Development Of The Pentatonic Scale Through The Works Of Antonín Dvořák, Andrew W. Brinkman
On The Use And Development Of The Pentatonic Scale Through The Works Of Antonín Dvořák, Andrew W. Brinkman
LSU Master's Theses
Concepts related to style change have been discussed thoroughly by theorists such as Leonard Meyer and others. In the case of Czech scholar, Antonín Dvořák, this change relates directly to his pentatonic style. While many musicologists suggest that the composer's travels to the United States in the early 1890's had a profound effect on the birth of his pentatonic style, this thesis posits that Dvořák's pentatonicism is apparent from even his earliest works. In examining evidence of this pentatonicism it becomes clear that, for Dvořák, there are two types: thematic and cadential. Thematic pentatonicism arises from themes of works or …
Character Studies Of Time: A Two Movement Work For Orchestra, Crystal Darcell Birdsong
Character Studies Of Time: A Two Movement Work For Orchestra, Crystal Darcell Birdsong
LSU Master's Theses
The idea behind The Character Studies of Time: A Two Movement Work for Orchestra should be reminiscent of, and is inspired by the character pieces of Robert Schumann’s Carnival. Although the works of Robert Schumann are originally short piano solos, the spirit of the character piece and all that it entails could be found throughout The Character Studies of Time. This symphony does not follow a strict form of 19th century writing, although the elements of romanticism can be found throughout the piece. The “characters” as they relate to time are quite literally “night” and “day.” The individual titles are …
A Performance Guide To Etüden Für Flöte(N) Solo By Isang Yun, Brian Dunbar
A Performance Guide To Etüden Für Flöte(N) Solo By Isang Yun, Brian Dunbar
LSU Doctoral Dissertations
Born in Korea, Isang Yun (1917-1995) became one of the most prominent avant-garde composers in the world. Yun made use of a distinctive musical language that synthesized Far East Asian philosophy, especially Chinese Taoism, with Western techniques and Korean traditional instrumental idioms. Isang Yun left more that 100 works, including twelve works that feature the flute. This essay will discuss Yun’s five Etüden für Flöte(n) solo (Etudes for solo flute(s)), which are highly representative of Yun’s solo music for flute. The document will include a discussion and performance guide for each of the five etudes. This document will present an …