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Jorge Oteiza's Modernity And His Latin American Travels , Marina Pérez De Mendiola
Jorge Oteiza's Modernity And His Latin American Travels , Marina Pérez De Mendiola
Studies in 20th & 21st Century Literature
Along with Eduardo Chillida, Jorge Oteiza is one of the best-known Basque sculptors of his generation. Although many scholars have written on Oteiza's significant contribution to the field of sculpture, and have analyzed his theories on the meaning of art, very few take into consideration Oteiza's 13 years in Latin America, much less acknowledge that these years had a decisive impact on his art and particularly on his critical essays and poetry. In this essay, I explore how Oteiza's stay in Latin America contributed to his reevaluation of the avant-garde movements in Europe and Latin America, and how it led …
From The Atlantic To The Pacific: Maruja Mallo In Exile , Shirley Mangini
From The Atlantic To The Pacific: Maruja Mallo In Exile , Shirley Mangini
Studies in 20th & 21st Century Literature
Maruja Mallo's life (1902-1995) and art represent one woman's odyssey from the European vanguards to political commitment during the Spanish Republic (1931-1939) and finally to a unique transcendent art form after her wrenching exile from Spain and her residence in Latin America from 1937 to 1965. In her early career she was a leader among the avant-garde painters when few Spanish women were recognized as creative artists. In Latin America, her work diverged radically from European avant-garde trends and from her ideologically oriented subject matter of the 1930s; Mallo not only reflects the impact of her discovery of the Pacific …
"Soy Tú. Soy Él": African Immigration And Otherness In The Spanish Collective Conscience, Michael Ugarte
"Soy Tú. Soy Él": African Immigration And Otherness In The Spanish Collective Conscience, Michael Ugarte
Studies in 20th & 21st Century Literature
The commonly heard statement "Spain is different" contains a series of contradictions, paradoxes, and questions concerning Iberia's place within the global community, a community that is itself deeply contradictory—more and more the same and yet more and more fragmented. Immigration highlights the sameness/otherness dichotomy in Spanish culture, and the situation of African immigrants has especially caused the Spanish national consciousness an ethical quandary. Here I examine four recent cultural representations of African immigration in Spain—two journalistic works: Mikel Azurmendi's Estampas del Ejido and Antonio Elorza's articles in El País; and two documentary films: Básel Ramsis's El otro lado: un …