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Writing With Light: Cameraless Photography And Its Narrative In The 1920s, Karen K. Barber
Writing With Light: Cameraless Photography And Its Narrative In The 1920s, Karen K. Barber
Dissertations, Theses, and Capstone Projects
Cameraless photography’s resurgence in the 1920s has long been discussed by art historians and critics as either a facet of modernist “new photography,” or as a specialized practice associated with prominent figures of the interwar avant-garde. In their discussions of the medium, scholars have aligned cameraless photography with specific movements, groups, schools, or individuals, as a means of situating its emergence and subsequent popularity in the 1920s. This dissertation broadens the understanding of cameraless photography (also referred to as photograms) and its narrative by shifting the focus to the publications responsible for the medium’s articulation and dissemination in the years …
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Still Life: Growing Up With Death - A Visual Memoir, Lindsey Roth-Rosen
Still Life: Growing Up With Death - A Visual Memoir, Lindsey Roth-Rosen
Dissertations, Theses, and Capstone Projects
This capstone is a multidimensional visual narrative project that incorporates heuristic methodology to illustrate complicated grief that emerged from early childhood loss. The memoir’s intention is to exemplify grief as a complex and mutable composite response to the death of my mother. One objective of this capstone is to understand melancholy, commonly associated with mental illness or symptomatic of depression, as an aesthetic emotion as well as a conduit for philosophical reflection. I use non-verbal approaches to the genre of a memoir by incorporating my photography to epitomize art as a powerful means to comprehend the totality of loss: as …
Contesting Representations Of Gender And Womanhood In Mexico The Photomontages Of Lola Álvarez Bravo, 1935–1958, Alana Hernandez
Contesting Representations Of Gender And Womanhood In Mexico The Photomontages Of Lola Álvarez Bravo, 1935–1958, Alana Hernandez
Theses and Dissertations
Lola Álvarez Bravo (1903–1993), a Mexican photographer, photojournalist, portraitist, and teacher created approximately thirty photomontages during the span of her fifty-year career. This thesis argues that Álvarez Bravo turned to photomontage during targeted periods of her career in order to contest and challenge prevailing discourses on motherhood and femininity. A close analysis of eight photomontages produced between 1935 to the last printed in 1958 make evident the manifold ways Álvarez Bravo represented gender as a contested, political, and personal concern.
A Narrative Of Resilience: Margaret Morton's Photographs Of Homelessness In New York City, Sara Rappa
A Narrative Of Resilience: Margaret Morton's Photographs Of Homelessness In New York City, Sara Rappa
Dissertations and Theses
No abstract provided.