Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities

PDF

City University of New York (CUNY)

Theses/Dissertations

1995

Articles 1 - 2 of 2

Full-Text Articles in Entire DC Network

Mary Mccarthy, Mary Gordon, And The Irish-American Literary Tradition, Stacey Lee Donohue Jan 1995

Mary Mccarthy, Mary Gordon, And The Irish-American Literary Tradition, Stacey Lee Donohue

Dissertations, Theses, and Capstone Projects

There is a distinct literary canon in the United States, composed of Irish-Catholic-American writers, which requires different modes of criticism or evaluation than other U.S. literatures, particularly the dominant, largely Protestant or Protestant-influenced, American literary canon. In addition, as a recently recognized literary tradition, many women writers have either been ignored or unnoticed because their works do not immediately fit into the evolving criteria of evaluation for the Irish-American literary tradition. My purpose in this study is not to survey the Irish-American literary canon, but to examine two women writers who have not always been admitted to an innately misogynistic …


From Idyll To Exile: The Transformed Self In The Early Works Of Johann Wolfgang Von Goethe, Elizabeth Powers Jan 1995

From Idyll To Exile: The Transformed Self In The Early Works Of Johann Wolfgang Von Goethe, Elizabeth Powers

Dissertations, Theses, and Capstone Projects

This dissertation examines works of Goethe's pre-Weimar period and his autobiography, Dichtung und Wahrheit, which reconstructs that early period as the emergence of poet and oeuvre in terms of the abandonment of the idyll. It disputes the traditional view of Goethe as the poet of experience ("Erlebnis"). It seeks instead to demonstrate that Goethe wrote in the manner of his poetic forebears–by the imitation of literary models–and that "experience" was created in his work by emptying these models of their communal content. Once liberated from traditional literary forms, the new subjective lyric voice was literally homeless and its encounters with …