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Ghost Water Exhibition, Michael G. Sharp
Ghost Water Exhibition, Michael G. Sharp
Theses and Dissertations
The Ghost Water exhibition of artworks by Michael Sharp was comprised of four main works titled: 30 x 60 Minute Grid Series, Suspension, History/Prehistory, and Lake Bonneville Remnants. The artwork was created as a reaction to the land that once held the prehistoric Lake Bonneville and to its current remnant Great Salt Lake. The work explores the dialogue between absence and presence.
Uncanny Bodies In Sacred Settings: Creating The Divine In Rodney Smith's Photography, Rebecca Leigh Langham
Uncanny Bodies In Sacred Settings: Creating The Divine In Rodney Smith's Photography, Rebecca Leigh Langham
Theses and Dissertations
The photographer Rodney Smith shows us images of real things and people, but real things and people that aren’t positioned in real ways and places people would actually be. Instead, he uses something very familiar to each of us–the human body–and consistently puts it in very unfamiliar situations. By using something so intimately familiar to each of us as the body in weird ways, he automatically jars our own experienced sensations. And this jarring of familiar sensations, this defamiliarization of something so familiar to us, is what typically results in what literary critics term the feeling of the uncanny. What …
Alice Brill's Sao Paulo Photographs: A Cross-Cultural Reading, Danielle Jean Hurd
Alice Brill's Sao Paulo Photographs: A Cross-Cultural Reading, Danielle Jean Hurd
Theses and Dissertations
In this thesis I consider the influence of Alice Brill's transnational background on her photographs of 1950s São Paulo. Brill was born in 1920 to a Jewish-German family. In 1934 she immigrated to São Paulo where she involved herself in local artistic circles. From 1946-47 she received a grant to study at the University of New Mexico and with the Art Students League in New York. Brill learned photography during her time in the United States, hoping to create documentary photo-essays in Brazil which she could send to American illustrated magazines. None of Brillss works were published in the United …
Between The Camera And The Gun: The Problem Of Epistemic Violence In Their Eyes Were Watching God, Katherine Ann Rich
Between The Camera And The Gun: The Problem Of Epistemic Violence In Their Eyes Were Watching God, Katherine Ann Rich
Theses and Dissertations
Since the 75th anniversary of the 1928 Okeechobee Hurricane in 2003, a growing number of journalists and historians writing about the disaster have incorporated Zora Neale Hurston's 1937 novel Their Eyes Were Watching God as part of the official historical record of the hurricane. These writers often border on depicting Their Eyes as the authentic experience of black migrant workers impacted by the hurricane and subsequent flood. Within the novel itself, however, Hurston theorizes on the potential epistemic violence that occurs when a piece of evidence—a photograph, fallen body, or verbal artifact—is used to judge a person. Without a person's …