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Power Structures, Michael A. Whitehead
Power Structures, Michael A. Whitehead
LSU Master's Theses
Power Structures is a series of drawings and prints inspired by my fixation with the intricate utilitarian architecture and dystopian atmosphere of Louisiana’s petrochemical corridor. The architectural forms within this body of work juxtapose components of disparate industrial sites to form ruinous monuments to power and progress. The Power Structures are composites of photographs, technical drawings, and memories I have made in my time studying Cancer Alley. I introduce machined aircraft components, gate valves, and various fasteners into the architectural forms of petrochemical plants as elements of misdirection, blurring the line between reality and memory, fact and fabrication.
Taking (Birth) Control: Empowerment Through Contraceptive Education, Meghan Saas
Taking (Birth) Control: Empowerment Through Contraceptive Education, Meghan Saas
LSU Master's Theses
TAKING (birth) CONTROL is a body of work that educates women on their options for contraceptives, and empowers them to claim their right to choose if—and when—to have a child. Utilizing graphic design and letterpress printing processes, I created a visual system consisting of carefully honed typographic, color, and graphic styles. The bulk of the materials make up an educational toolkit for use at Delta Clinic of Baton Rouge, one of only three remaining abortion providers in Louisiana. Delta Clinic was in need of comprehensive and affordable materials for their patients on the subject of contraception. The toolkit consists of …
Safe Haven, Korey Burns
Safe Haven, Korey Burns
Electronic Theses and Dissertations
Safe Haven is a body of work that reflects my interest in different cultures that have similarities to my personal background. Recreating familiar symbols, colors, textures, and finishes, I create wearable sculptures that communicate memories based upon historic imagery from areas that have impacted my life. By being able to clasp a necklace or pin a brooch on, the viewer physically engages with the work. This interaction resembles my own experiences within the areas I traveled and artists that I have met. With the combination of different metalworking techniques and personal experiences, I am able to developed work that adorns …