Digital Commons Network^™

Rupture, Dionis Ortiz

Theses and Dissertations

I am an interdisciplinary artist working in painting, photography, printmaking, sculpture, video and installation. I employ these mediums to create a coming of age story as a Dominican New Yorker, exploring masculinity, vulnerability, the supernatural, family, and religion, as well as how culture plays a role in my community and in my life.

A Chair In The Woods, Victoria Dolloff

Theses and Dissertations

Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.

Other-Ing: Creating A Three-Dimensional Asian American Perspective, Caroline Yoo

Bachelor of Fine Arts Senior Papers

Through my thesis body of work “Other-ing,” my goal is to create a three-dimensional Asian American perspective. As a result of Western standards implemented as the norm, where colonialism is still prevalent and white still reigns supreme, the media has created an onslaught of fictional Asian characters to control this group. Representations, tropes, stereotypes have long shaped the Asian American community, so much so that it is often easier to understand these one-dimensional depictions rather than the complex reality of how an Asian American defines themselves. Not shying away from implicating myself in this systematic structure of racism, I become …

Es-Sen-Tial, Lyn A. Govette

Electronic Theses and Dissertations

This thesis is in support of the exhibition entitled ES-SEN-TIAL on display in Tipton Gallery located in Downtown Johnson City from February 27, 2017 to March 10, 2017.

The exhibition is a presentation in fiber medium of the human impact on the landscape, specifically using the extractive industry of coal mining as example. This is accomplished through the use of digital imagery printed on textiles, hand and machine embroidery, and surface design techniques of dyeing and layering. This body of work reflects the artist’s interest in art activism and the utilization of photography, fiber arts, ideas and techniques, as creative …

Artist Statement, Chaoyi Wu

CGU MFA Theses

I make my work to create an experience for the viewer, so that they can have their own experience of their world. Their bodies interact with my pieces to re-recognize themselves and their lives. In this experience their body is independent of everything else but their awareness. Their sense of movement, their vision and their tactile sensations come together into my artwork for them to have their own experience. This is what I call self-body awareness.

This Meanwhile, Nellie K. Ostow

Senior Projects Spring 2017

One point of departure:

I'm trying to slow down just enough to even begin to notice what's at work here. Not just the here, as in now, but the here as in the big, vast, complex here that we are all moving within and around. I realize that everything I make is/reflects part of me, but also part of every person I know, every person they know, all the times I've questioned brushing my teeth in both the morning and the evening, every time I notice a deer notice me, curled up with Matilda inside my mom- pressed up into …

Make It Point, Peter Avery Schreiber

Senior Projects Spring 2017

1. Finding a Willingness to Disappoint

Steel, latex paint, wood. An object that attempts to make a self-sufficient structure from a series of failed attempts. Hardware shows as an answer, but over and over, an answer isn’t enough. More than anything, each answer is the sum of its shape and weight, not its’ prescribed function.

2. My Own Sliding Self-Respect

Steel, enamel, latex paint, wood, light fixture, colored light bulb, extension cord. Scale is a measurement of self-worth. Some people know exactly how much space they take up, others lack a sturdy shape in their volume. And light takes up …

This System Has Failed Us, Kate Murray Bickhardt

Senior Projects Spring 2017

When I go to a courtroom the only color I see is orange. I don’t want to talk down to people. The projection is level to the floor. There are 2,500 napkins. They are the people, the garbage, and the repetition of the excess, and my hope of giving them importance. There are roughly 2,500 people in the Orleans Parish Prison on any given day, but the system is bigger than them. It’s more consuming and this is not nearly the amount of napkins it would take to represent the people in even just one state's carceral system. The space …

I Am The Luchadora: Countering Exotification Through Printed Installation, Margaret Landa Middleton

Honors Papers

In this body of work I use printmaking to look critically at the commercial consumption of Mexican culture in popular media, using my own experience as a mixed Mexican-American as a lens. I consider how my experience of cultural identity, family history, and assimilation has complicated my interaction with Mexican culture within the United States. My work questions how cultural identity is reduced to stereotypes, employing the reproducibility of print to mimic the proliferation of simplified and exotified portrayals of Mexican-Americans in popular culture. I attempt to contradict this assumed cultural experience by producing work that asserts my own. By …

Official Rebrand And The Importance Of Queer Adornment, Mi Leggett

Honors Papers

In altering and regenerating, I strip clothes from gendered confines. This reuse explores the value of originality and reinterpretation. This action is also one of empowerment in its disregard for the typical sanctity of consumer products. Furthermore, renewing old clothing references the psychological, political, and environmental consequences of excessive accumulation and consumption.

The parallel practices of art and fashion in my work inform each other in both their material and the contemplation of fashion's function. My fascination with the meaning behind personal style derives from how what we wear signifies, particularly within the queer communities of which I am a …