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Figurative Painting And It's Reverberation In Pairs, Carol Crampton Adams Nov 1976

Figurative Painting And It's Reverberation In Pairs, Carol Crampton Adams

Dissertations and Theses

The thesis discusses twelve paintings completed during the period of study from October of 1974 to November of 1976 and presented at the Art and Architecture Gallery, November 8, 1976 - November 26, 1976.


Supergraphics In The Portland Environment, John Earl Allgood Jun 1976

Supergraphics In The Portland Environment, John Earl Allgood

Dissertations and Theses

It is my purpose in this thesis to explore supergraphics ln the Portland area. I intend this thesis to be used as a source book for teachers wishing to implement supergraphics programs in their schools. I plan to divide my thesis into _ two areas: First, a survey of supergraphics in the Portland environment, and second, ' a survey of Portland area schools that have implemented supergraphlc projects or programs.

A substantial portion of the information compiled for this thesis comes from conversations with Portland area graphic designers, architects and teachers. I have included photographs of what I consider to …


Three-Dimensional Wall Sculpture, Evelyn Franz May 1976

Three-Dimensional Wall Sculpture, Evelyn Franz

Dissertations and Theses

The thesis discusses five sculptures completed during the period of study from October 1974 to May 1976 and presented at the Department of Art and Architecture Gallery May 26, 1976-June 1 J, 1976.


A Series Of Sculptures, John Redman May 1976

A Series Of Sculptures, John Redman

Dissertations and Theses

A Description and Analysis of Sculptures completed during the last year of the MFA Program, and presented in public showing April 1-23, 1976.


An Exploration Of The Familiar And Nostalgic, Laura Paul May 1976

An Exploration Of The Familiar And Nostalgic, Laura Paul

Dissertations and Theses

This thesis discusses forty paintings completed during the period of study from October of 1974 and presented at the Art and Architecture Gallery, May 26, 1976-June 11, 1976.


Portraits Of Logan, Leroy Lawson May 1976

Portraits Of Logan, Leroy Lawson

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

The purpose of this thesis is to explain some of the historical and personal developments in the painting of portraits.

For this project, eleven models were selected all of whom showed a wide range of emotional types and were painted in oil on canvas. The subjects were placed in shallow space, and color was explored as an emotional element. The personal experiences were evaluated and ideas for future development were suggested.


The Feasibility Of Using Thermography To Detect Subsurface Voids In Painted Wooden Panels, Bruce Frederick Miller Jan 1976

The Feasibility Of Using Thermography To Detect Subsurface Voids In Painted Wooden Panels, Bruce Frederick Miller

Honors Papers

Thermography is a technique whereby the structure or condition of an object is studied by means of precisely measuring temperature variations over the surfaces of the object. The research which is described in this thesis was undertaken to determine whether thermographic techniques could be applied to the field of art conservation to detect subsurface voids within painted wooden panels. It must be stressed, however, that this research was carried out as a feasibility study with no attempt being made to establish or refine a technique that could be immediately applied to the examination of works of art.

The text of …


Dialogues In Light And Temperature, Stephen Althouse Jan 1976

Dialogues In Light And Temperature, Stephen Althouse

Theses and Dissertations

The work illustrated and discussed in this paper was exhibited in the Anderson Gallery, Virginia Commonwealth University, November, 1974, as my graduate show. Presented here is a written explanation of the work contained in that show.


Fibers And Fabrics In Stuffed Sculpture, Carol Ann Haskell Kessler Jan 1976

Fibers And Fabrics In Stuffed Sculpture, Carol Ann Haskell Kessler

Masters Theses

This thesis is a report of my experiences with fibers and fabrics in producing sculptural forms. They begin with my use of fibers in unstuffed sculpture and proceed to the use of stuffing materials in many varieties. To give an historical perspective, included are a number of related works, both primitive and recent. For the purpose of critical analysis, each sculptural form is pictorially presented and discussed.


Ruth Twigg Carr: A Visual Interpretation, Belinda Carr Beccue Jan 1976

Ruth Twigg Carr: A Visual Interpretation, Belinda Carr Beccue

Masters Theses

No abstract provided.