Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 4 of 4
Full-Text Articles in Entire DC Network
Connected Painted Rectangles Experiments In Quantitative Shape And Contrasting Elements, Ann Shiogi
Connected Painted Rectangles Experiments In Quantitative Shape And Contrasting Elements, Ann Shiogi
Dissertations and Theses
The thesis consisted of a series of paintings in which the canvases were individually painted in a predetermined way, then arranged and assembled more spontaneously in a final wall construction. Narrow limitations, such as working with only horizontal and vertical compositions and contrasting colors were specified. By working within a method or procedure, and by remaining strict to these guidelines, the ideas inherent in the paintings emerged and were then promoted.
The dominant ideas that developed out of the process of making the paintings were the use of both "found" shapes--found in leftover lengths of support material--and "found" means of …
Painter's Wilderness, Eddie Peters
Painter's Wilderness, Eddie Peters
Dissertations and Theses
Painter's Wilderness is a transition between painting strictly from imagination to painting with the use of drawings and sketches to interpret and authenticate an observation. The transition became an exploration of value patterns, compositional shapes and color correspondence in building a technically successful painting while allowing the piece to have its own life.
Narrative Painting, Gina Strecker Wilson
Narrative Painting, Gina Strecker Wilson
Dissertations and Theses
The thesis is in the form of a commentary on the development of meaning and content within work done for the Department of Art Graduate Program.
Moving Pictures, Melissa Ann Mcclure
Moving Pictures, Melissa Ann Mcclure
Dissertations and Theses
My thesis work includes 10 large drawings that explore the narrative qualities of line movement. I use line in these drawings as a recording device to document both the physical activity of the process and the personal experience that the lines represent. Through this work I attempt to develop a language of visual imagery that is autobiographical in nature. A system of personal symbols and recurring forms make up the structure of this visual vocabulary. Line movement and rhythm provides a sense of the dialog.