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Eyes Open In The Dark, Brittany A. Forrest

Electronic Thesis and Dissertation Repository

An unusual dissertation that presents a science fiction autobiographical narrative, following a trial of trauma and identity dysphoria. Through a trans-queer biological female lens, the vulnerable tone of the author invites the reader into wording that describes matters they will care for on a human level. This study probes the question of what lives within the silence of our perceptions by appraising reverberations between interactions that coerce the human condition. Interrogating memory is inevitable when questioning how defense mechanisms interrelate and adapt to human needs. This study penetrates the complexities of perception fabrications, power dynamics, sensory perceptions, systemic moralities, and …

Unfurling Blue Carpet Memories, Sara Ahli

Masters Theses

Glass is an amorphous solid, existing in a liminal space, embodying indeterminacy. Its states of transformation from viscous flow to structural solidity carry the imprints of bodily influence. With the direct intention of using glass as a conduit to explore materiality, memory, and self-awareness, I construct a language of embodiment that arises through a series of performative encounters between my physicality and glass in the hot shop.

The mediating process I employ to create and arrive at the glass artwork I make is as necessary as its final form. Motivated by the desire to claim agency over my personal narrative, …

Modern Times, Will Beattie

Masters Theses

At the intersection of glass, photography and sound lies issues of perspective, framing, and information. These factors as well as the conceptual space between object and image offer an opportunity to explore the way we register narrative through contradicting signifiers. Glass historically has been used as an instrument to reveal spaces, moments, and phenomena previously imperceptible to the human eye. This rendering of previously unseen spaces through language, technology or vision, may work to reorient the viewers’ perspective and allow for a new understanding of the world. The power of disruption as a potential catalyst is central to my studio …

Snowstorm, Caleb Shafer

Masters Theses

This thesis explores the connection between memory and place-building, focusing on how personal narratives and physical models compress details to reveal their core essence. Memories serve as a bridge between time and space, allowing for a non-linear experience of time and offering a unique perspective on the existence and transformation of places. Although this compression involves some loss, it generates new narratives and insights into life while examining the power structures and cultural systems inherent in representation.

Umbrales (Thresholds), Maureen Scally

Masters Theses

Umbrales is Spanish for Thresholds.

Thresholds are by nature ambivalent spaces, inviting two distinct realities into play. As an artist, I materialize my experiences as a migrant into an architectural form. A series of textile walls shape a space that is simultaneously interior and exterior so that the audience circulates in the negative space in between. It is in the construction of this threshold condition — a simultaneous placement, neither here nor there — that a complex narrative of place unfolds.

Soft Procedures, Alec Figuracion

Masters Theses

Looking through the soft lens — from the vantage point of a place one calls home, and steered by an interiority that feels a little too much sometimes — I am interested in the hazy, undefined subjects and instances that occur around the peripheries of our lenses: fuzzy imprints of memories, shifting notions of home, and shapeless narratives. Working primarily with the moving image, I investigate the multiple threads that might exist between them, and persistently shift and adjust the focus ring on the camera lens so as to embrace and celebrate multiplicities, and our collective definitions of softness.

Reflections Of Little Red Dot: An Interactive Mixed Reality Archival Experience, Chloé Lee

Theses and Dissertations

It has been nearly a decade since I last visited Singapore, a place I am connected to yet an outsider. Reflections of Little Red Dot is a mixed-reality experience that animates my archive of drawings, videos, and 3D imagery from everyday Singaporeans in 2015, the year their country celebrated its 50th birthday.

Walking through this liminal mixed reality space, we hear how citizens are personally affected by the rapidly developing landscape and erasure of personal and historical sites of significance while reflecting on our collective agency to shape the future of our environments. We are invited into homes where loved …

Welcome To The Apocalypse, Demetrius E. Wilson

Theses and Dissertations

DW’s abstract, vibrant, and bipolar paintings stem from a place of personal biography and collectively shared experience. In this paper, he examines the apocalypse, human nature, tragedy, and the demise of adolescence in our era in the face of increasing technological advances.

Past And Future Winds, Alicia Ehni

Theses and Dissertations

Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.

False Eidetic, Zach Sockol

Student Projects

Do memories still exist if they are forgotten?

Memories define the soul. They are created to outlast the experience, but what is left behind? A moment in time captured with the lens of the mind, it is intangible. These memories shape our worldview, our thoughts, our reality. It is the culmination of these experiences that makes us who we are, yet through reminiscence, those moments are viewed so clearly in your mind that to you it is the truth, only to hear someone else remember it completely differently. Does this mean our memories aren’t real? Will we ever be able …

To Excavate An Absence, Margaret Compton

Graduate Theses

This thesis is an exploration of memory’s fluctuating aspects, utilizing natural materials and casting processes to create a sculptural body of work deeply rooted in materialized metaphor. Examining the relationship between mold and cast, part and whole, and interior and exterior, I utilize casting as a framework to understand the duality of remembering and forgetting. Memories, much like the natural landscape, are ephemeral, fading, and fracturing over time. Both external environments and internal mental landscapes share the common language of erosion, existing as present or absent, remembered or forgotten. Conestee Nature Preserve in Mauldin, South Carolina, serves as my “site” …

Just Out Of Reach, Haley Inyart

Graduate Theses and Dissertations

Just Out of Reach explores memory through personal objects, inviting viewers to connect with their own experiences. The installation delves into the fragility of memory, using hanging objects to evoke nostalgia and reference the passage of time. These objects serve as placeholders, drawing on significant moments with people from the past. Through watercolor painting and collage, the work explores how memories fade over time, evoking feelings of home, family, and the passing of fond moments. Themes of pattern, repetition, and structure emerge as recurring motifs throughout the work, echoing the inherent orderliness of memory and its reliance on familiar frameworks. …

Porous, Janice A. Agustin

Graduate Theses and Dissertations

Porous presents sensory modalities to convey the theme of memories, creating an active site that resists erasure as an immersive art installation. Through a collage of multichannel video performances, Porous is an assemblage of fragmented, abstract, and non-linear aspects of memory. These videos are portals to sites of resistance, collaged and entangled as the essence of memories. All videos touch slightly on the wall, displaying their interconnectedness. The videos coexist with layered audio and live water ambient noise.

Affectionate Facsimiles, Julio C. Williams

Theses and Dissertations

The paintings in Affectionate Facsimiles are journeys into the expansiveness of color and memory via the accumulation of gestural action. Sporadic freneticism is used to archive desire and time and their relationship to identity. Thin and translucent layers are built up in bursts of intensity as palimpsests of intentioned labor.

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

Place-Conscious Vs. Place-Bound, Julie Avetisyan

Theses and Dissertations

Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.

Gathered Vessels, Marguerite E. Mccoy

Electronic Theses and Dissertations

My journey with ceramics is a path paved with the memories of my mother's kitchen, travels across Europe, and a deep love for creating spaces where people can come together. From the warmth of a mug that fits just right in your hands, to the gentle sounds of water playing in a fountain I've crafted, my work is about making those little moments of connection feel extra special. I create ceramics that are meant to be picked up, used, and loved - pieces that carry a bit of my story to join in with yours. Whether it's joining in your …

Ice Cream Social, Caleb M. Wagner

Senior Projects Spring 2024

Collecting objects has always been a large part of my practice. The things I have accumulated have a history of touch: from the previous owner(s) and the touch of my own. I hold personal memories and relationships with the objects, and also acknowledge that there has been someone before me who has done the same. In this way, the object serves as a vessel of association. It possesses different relationships with each person or object they interact with.

Throughout my collection of two dimensional objects, I have gathered an extensive amount of old photographs. For the photographer and the people …

Recollection, Shelby Ann Theis-Lukenbill

MSU Graduate Theses

My work is inspired by life's transient nature and objects' enduring capacity to house memories. The delicate sculptures I create combine second-hand objects with paper to capture the essence of moments and possessions that define personal histories. The objects I use represent more than their form or chemistry; they are imbued with fragments of history and memory that I am driven to preserve. In this work, the sentimental nature and purpose of my belongings hold an equal or greater value than the physical nature and purpose of those belongings. I illuminate an object’s sentimentality by combining its form with painted …

At The Table, Payton Olivia Brown

Graduate Theses, Dissertations, and Problem Reports

This written document is the accompanying thesis for my Master of Fine Arts exhibition, At the Table. This document, as well as my artwork, investigates the profound impact that food has on one’s life by strengthening connections with others, upholding traditions, and cherishing memories. It also elaborates on the inspirations, research, and experimentation utilized in the process of creating the exhibition. Through an array of paintings, mixed media, and sculptural work, this exhibition is intended to depict my own personal experiences and memories in relation to food.

Although I am making autobiographical artwork, I am also trying to portray the …

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …

Food For Thought: Rituals In Place Based Learning, Natalia Pilato

International Journal of Lifelong Learning in Art Education

In my mother’s kitchen lasting bonds among family, friends, and newcomers are created. Using that space as a point of departure, I explore the significance of pedagogical places outside of classrooms that serve as flavorful ingredients for performative and participatory learning. This article articulates ways in which rituals associated with Sicilian cultural traditions are interwoven and complicit in establishing dispositions for socially engaged learning and teaching in the arts, showing how an ethic of care can transcend generations. With a focus on place-based learning, making art and enjoying food are investigated to show how healthy productive relationships, appreciation for beauty, …

Vanitas, Sae Jung Oh

Masters Theses

Vanitas is a tribute to the missing pieces within the reconstruction of human memory, places, and data. It is a cartography of words, including home, apartment complex, reconstruction, mourning, archive, memory, memorialization, a god within, collective memory, photogrammetry, cyberspace, omnipresence, meandering, heterotopia, alleyway, construction site, and mirror. I invite readers to meander in the map of relations and be lost in the topography. What can you discover when you meander? What happens when you renounce being a subject and become an object seamlessly blended into the topography?

From John Street To Union, Andrew Shea

Masters Theses

I have been making paintings constructed loosely from my experience of walking about one mile each morning from my apartment in Fox Point to my studio in downtown Providence, and of walking back each night. My goal is to rediscover the feeling of these outdoor places—their lights, atmospheres, colors, and topographies—through the process of painting inside the studio. As such, the visual representations of these paintings are not straight-forward and objective, but oblique and affective.

I hope that these works draw one’s attention to the idiosyncrasies of natural life and to the particularities of weather. I want the paintings to …

A Room Full Of Pigeons And Three Spectators, Dina Khorchid, Dina Nazmi Khorchid

Masters Theses

My work explores themes of identity politics, domesticity, land and memory access - in relation to my own lived experiences as a Palestinian refugee, a daughter of a missing war casualty and an artist.

In this thesis book, I present a cumulation of thoughts, emotions and findings, along with a selection of works from the last two years.

During my time at the Rhode Island School of Design, messenger pigeons took over my studio, channeling physical and mental realms of grief and remembrance. By looking closely at the bird’s aesthetics and behaviorisms in my first semester, their resting deceased bodies …

Cuando Lloro, Melissa Medina

Masters Theses

There are moments where I am suddenly hit with a deep sentimental longing for a time that no longer exists, one that has transformed into a deep nostalgia, one that becomes more and more conflicted as time passes. Often thought of as a yearning for a recent past, or homesickness, nostalgia can be difficult to define. Although the concept and emotion associated with nostalgia may seem familiar, the word is in fact complex. Nostalgia, for the immigrant, is an escape from their marginalization; an opportunity to embrace the complexities. Painting then becomes an embrace, a direct connection between the present …

Objects And Apparitions: A Portable Museum, Yesuk Seo

Masters Theses

My work transcends the boundaries between painterly printmaking and sculpture. Through hand-pulled silkscreen prints, I create abstract pixelated images depicting our constantly changing relationship with meaning and reality. Memories are often glamorized and distorted whether it is our childhood home, our neighborhood, or the city. My practice archives my family history and traces patterns in memory and space by using invisibility as a phenomena to render newer explorations of abstraction, in time and in urban landscapes. Objects & Apparitions: A Portable Museum, pairs moiré patterns of ghostly printmaking with wooden objects in specific arrangements. It captures my nomadic journey between …

Rooted In Topsoil, Jiaying Wang

Masters Theses

Disillusioned by my transnational identity, I have come to realize that my sense of belonging is no longer attached to any physical location, but instead to a state of mind, to an intimacy with the world. My notion of home is an obscure and unsettled—at times utopian—idea, which can be infinitely decoded, re-positioned and re-established psychologically. This thesis is an investigation of that liminal state, questioning the paradoxical place at the intersection of longing and belonging, interior and exterior, rootedness and uprootedness. Through a collection of short essays that accompany projects, I seek to unpack the precarious emotional complexities that …

Melting, Dripping, Becoming: The Operations Of Memory From The Perspective Of Wax, Naomi Yu

Bachelor of Fine Arts Senior Papers

In my thesis, I explore how different compositional and material techniques are used to re-create a memory. Looking at artists such as Kiki Smith, Guadalupe Maravilla, and Anselm Keifer, I investigate the ways in which they utilize 2D and 3D materials to re-create feelings of memory.

I argue that the art object can conserve and portray memory through metaphorical acts of preservation. I will be specifically studying the acts of encasing and layering as a means to simulate the feelings of memory. I argue that these metaphorical actions create an artificial sense of time that imbues these objects with created …

Forget Us Not, Jamie Harris

MFA in Visual Art

I create because I mourn, to seek comfort in the knowing and sharing of Suppressed Histories, and to find joy in the rediscovering of lost stories. I create the vessel, which for me is akin to the human body. A form containing memories, wisdom, a soul, and a space for transportation between plains. I paint to capture moments in times of joy and sorrow. To make memoriam, I pay homage to past, present, and future.