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Homeland Insecurity, Amy Chen
Homeland Insecurity, Amy Chen
Bachelor of Fine Arts Senior Papers
Homeland Insecurity is a project born out of a life’s worth of marginalization, internalized racism, and forced assimilation. It presents common experiences and emotions that are located between cultures, questioning what it means to inhabit a homeland that exists as a hybrid mental space. As I progress through life, my parents’ culture—my heritage—becomes more and more distant, yet like many non-white children of immigrants, I will continue to carry it in my face as a physical reminder of a life I do not know. Influenced by acculturation theory, my work explores this culture that never quite belonged to me to …
Getting Located: Queer Semiotics In Dress, Callen Zimmerman
Getting Located: Queer Semiotics In Dress, Callen Zimmerman
Dissertations, Theses, and Capstone Projects
The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …
Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti
Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti
Electronic Thesis and Dissertation Repository
This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. By focussing on artist-led and institutional initiatives, I emphasize the importance of art in both community and narrative-building.
This research has taken the form of a written dissertation and two adapted projects, and positions …
Mis Jarrones, Marco Sebastián Arroyo Hoebens
Mis Jarrones, Marco Sebastián Arroyo Hoebens
Masters Theses
This thesis offers an insight into the complex relationship between identity, memory and the creative process. A Q&A follows, designed to deepen the understanding of the self in different situations, places, cultures and design objects.
Apparently, memory has a leading role in triggering creative processes and this has forced me to do further research on my own past and on the objects that my memory retains. In the end, this “research on the self” has produced an interesting view on this particular creative process of designing.
Bitter Son, Adam Chuong
Bitter Son, Adam Chuong
Masters Theses
This thesis concerns itself with centering the experiences of Asian Americans in order to better understand the complexities of the Asian American diasporic experience. The title of this thesis, 苦儿, roughly translates into English as “bitter son,” and is phonetically pronounced in Mandarin as “queer.” It lives directly at the intersection of these identities — Asian, American, Queer. This body of work is an act of making space and taking up space in an institution and discipline that has not largely been concerned with minority identities, or when it has, it has been misguided and prone to tokenism. It is …
Journey To My Roots, Ainura Ashirova Barron
Journey To My Roots, Ainura Ashirova Barron
MSU Graduate Theses
This autobiographical body of work is a visual journey that involved the investigation of my personal identity and roots as well as the exploration of my cultural history through a process that relied on photographs, stories and family traditions, such as crafting. I consider this process and practice to be my passage into a globalized society while simultaneously finding my niche in my newly adopted country of America.
A Journey Into My Mind, Shen Chen Hsieh
A Journey Into My Mind, Shen Chen Hsieh
MSU Graduate Theses
During my time as a student in the MFA in Visual Study Program, I have been interested in creating imagery that expresses my inner world that is based on my emotional experience. I believe my identity is influenced by my multi-cultural background, relationships, daily moments and my own introverted personality. I continue to experiment with various mediums and visual styles to communicate these feelings. Drawing, silk-screen printing, mixed media, and three-dimensional sculpture are the main mediums in my artwork. Exploring diverse mediums provides me opportunities to develop my self exploration in my images. I seek to express and understand the …
The Invocation, Zeinab Saab
Getting Dressed And Being Dressed: A Constructed Autobiography Of Identity, Jana Jarosz
Getting Dressed And Being Dressed: A Constructed Autobiography Of Identity, Jana Jarosz
Dissertations, Theses, and Capstone Projects
This written and visual capstone project examines how feminist theories surrounding the construction of a gendered subject are related and situational to the narrative of a lived body experience within a layered context of clothing. It opens up a discussion concerning the negotiated space between an individually-empowered, subject-in-process and the boundaries of social expectations outlining gender and cultural identities. The thesis introduces the concept of using an automediality framework to connect the material culture of clothing to still and motion imagery with text as a way to encapsulate and illustrate the fluid nature of becoming. It concludes by suggesting that …
The Wild Beasts, Peter Cochrane
The Wild Beasts, Peter Cochrane
Theses and Dissertations
The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …