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Art and Design

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Masters Theses

2018

Art

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Equals: Redefining The Way Graphic Design And Narrative Film Combine To Create Visual Metaphor, Kevin Harris Dec 2018

Equals: Redefining The Way Graphic Design And Narrative Film Combine To Create Visual Metaphor, Kevin Harris

Masters Theses

This paper provides a methodology for combining Graphic Design and Narrative Film together in a way that creates a type of visual metaphor that is central to the story and characters of the film. Because visual mediums of communication are so intrinsically tied to verbal means of communication, this methodology is grounded in the linguistic study of poetry and metaphor. Thus, the concept of metaphor will be analyzed thoroughly in language, poetry, fine arts, and modern arts. The ways in which metaphor is created visually through the art forms of graphic design and narrative film will be of upmost interest …


Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp Oct 2018

Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp

Masters Theses

Abstract

Remains to be Seen, a multi-media installation, provides the opportunity for reconfiguration, re-contextualization and re-remembering of visual memory. Geoffry Cubit, a historian of memory, has noted that “memory has no fixed, stable, unitary meaning to which we can invariably recur: it has always been, and legitimately, a concept in flux and under review”.[1]My work in this exhibition (and as discussed throughout this paper) addresses the unstable and revisionist nature of memory—both culturally and individually. Additionally, I attempt to address how memory (collective, visual, familial and individual) is implicated in the creation of selfhood, of personal narrative, …


Mantle, David Hannon Mar 2018

Mantle, David Hannon

Masters Theses

Through a large-scale installation called mantle, I explore how the queer body becomes uncanny to the home through a human sized dollhouse and using scenic design ideas. Home for many is a safe place, but for queers, it can be a difficult one, wrought with not belonging in a childhood of heteronormativity. Being stuck in that heteronormative space is what I communicate through a stage set, composed of four theater flats, printed and collaged wallpaper, free-standing photos mounted on MDF, a giant necklace in a separate room, and impromptu pieces made in the space.