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Articles 1 - 30 of 62
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Aztlán Del Sol, Marcus Zúñiga
Aztlán Del Sol, Marcus Zúñiga
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.
Ethereal Axiom Paintings, Ophelia Cornet
Ethereal Axiom Paintings, Ophelia Cornet
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
Ophelia Cornet is a painter, illustrator, and installation artist. She was born in Belgium to a family of musicians and designers. After a life-threatening car accident in her early 20’s, Ophelia moved to New Mexico for the dry climate which would assist her recovery. Equipped with knowledge in photography and painting from Rutgers University, she continued her artwork. Today, Ophelia pairs photographed images and oil paint to fête female protagonists in an intimate otherworldliness, creating dreamlike snapshots of the human experience.
Ophelia has been Lead Art Instructor at the Albuquerque Museum for the past 20 years. She has facilitated many …
Cosmic Desert Art, Mike Graham De La Rosa
Cosmic Desert Art, Mike Graham De La Rosa
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
The Cosmic Desert are the designs inspired by chile hallucinations, desert creatures, and the long weird neon nights in the Borderworld. Made with love on the banks of the Rio Grande.
My family is originally from Northern Mexico but I grew up in Northern New Mexico down river of both where Al Hurricane and Nuclear Annihilation were originally created. Amongst chollas, rattle snakes, and river willow, the imagining of New Mexico permeates the landscapes. The Cosmic Desert is inhabited lowriders, taco trucks, neon adobe bars, cholas, native peoples, immigrants, punk rockers and cowboys. Just beyond the darkness, our imagination takes …
Paintings By Anita O. Rodríguez, Anita O. Rodriguez Ms
Paintings By Anita O. Rodríguez, Anita O. Rodriguez Ms
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
No abstract provided.
Those Streets That I Dare To Call My Barrio, Maria Jose Ramos Villagra
Those Streets That I Dare To Call My Barrio, Maria Jose Ramos Villagra
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
No abstract provided.
Missing, Murdered, Indigenous, Matthew Bollinger
Missing, Murdered, Indigenous, Matthew Bollinger
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.
Añiles De Mi Tierra, Francisco Lefebre
Añiles De Mi Tierra, Francisco Lefebre
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
This image painted in 1990 is an homage to my hometown, the village known as Wagon Mound. Wagon Mound is located in northern New Mexico in the County of Mora off of Interstate I25.
(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo
(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Introduction To Volume Xiii, Laura Golobish, Andrea Quijada, Amy C. Hulshoff, Eleanor Kane, Breanna Reiss, Jeannette Martinez
Introduction To Volume Xiii, Laura Golobish, Andrea Quijada, Amy C. Hulshoff, Eleanor Kane, Breanna Reiss, Jeannette Martinez
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Counter-Mapping As Display: Unfolding, Revealing, And Concealing Intermediary Spaces, Larson Ellen
Counter-Mapping As Display: Unfolding, Revealing, And Concealing Intermediary Spaces, Larson Ellen
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Severing Union: The Queer Performance Of Steven Paul Judd’S “Stop The Dapl”, Matthew Irwin
Severing Union: The Queer Performance Of Steven Paul Judd’S “Stop The Dapl”, Matthew Irwin
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Disciplinary Frontier(S) Between The “Americas”, Helen B. K. Marodin
Disciplinary Frontier(S) Between The “Americas”, Helen B. K. Marodin
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Artist Spotlight, Ben Schoenburg
Artist Spotlight, Ben Schoenburg
Hemisphere: Visual Cultures of the Americas
No abstract provided.
(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza
(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza
Hemisphere: Visual Cultures of the Americas
No abstract provided.
“Where Are You From?”: Using Critical Race Theory To Analyze Graphic Novel Counter-Stories Of The Racial Microaggressions Experienced By Two Angry Asian Girls, Talitha Angelica Acaylar Trazo, Woohee Kim
“Where Are You From?”: Using Critical Race Theory To Analyze Graphic Novel Counter-Stories Of The Racial Microaggressions Experienced By Two Angry Asian Girls, Talitha Angelica Acaylar Trazo, Woohee Kim
Intersections: Critical Issues in Education
This article uses critical race theory (CRT) to analyze two stories about racial microaggressions from Where Are You From?: Short stories about being Asian in America, the graphic novel written and illustrated by Talitha Angelica Acaylar Trazo in fulfillment of her undergraduate honors thesis. Where Are You From? visually historicizes the counter-stories of 48 Asian and Asian American students at a predominantly-white undergraduate institution. In this article, we examine these microaggressions in relation to institutional and structural racism and the intersections of race, gender, and power dynamics between white faculty and Asian female students. Furthermore, we propose …
"Better Than Seeing Fairy Tales": Contextualizing Curation In The Iberian Atlantic, Timothy A. Betz M.A.
"Better Than Seeing Fairy Tales": Contextualizing Curation In The Iberian Atlantic, Timothy A. Betz M.A.
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Intertextual Intimacy: An Investigation Of The Relationship Between Word And Image In Eighteenth-Century Quito, Leslie E. Todd
Intertextual Intimacy: An Investigation Of The Relationship Between Word And Image In Eighteenth-Century Quito, Leslie E. Todd
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Submission Information
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Artist Spotlight: "A Report To An Academy", Babak Shahsiah
Artist Spotlight: "A Report To An Academy", Babak Shahsiah
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Visual Representations, Liminal Identities, And Archival Homes: Giulia Nazzaro And Colette Montoya-Sloan In Conversation, Giulia Nazzaro, Colette Montoya-Sloan Mls
Visual Representations, Liminal Identities, And Archival Homes: Giulia Nazzaro And Colette Montoya-Sloan In Conversation, Giulia Nazzaro, Colette Montoya-Sloan Mls
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Topographical Violence And Imagining The Nation In Nineteenth-Century Argentina, Lauren A. Kaplan
Topographical Violence And Imagining The Nation In Nineteenth-Century Argentina, Lauren A. Kaplan
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Editor's Introduction To Volume X, Ryuichi Nakayama
Editor's Introduction To Volume X, Ryuichi Nakayama
Hemisphere: Visual Cultures of the Americas
No abstract provided.
A Mexican Angelus Novus, Popular Culture As Archive And Historiography, María Beatriz H. Carrión
A Mexican Angelus Novus, Popular Culture As Archive And Historiography, María Beatriz H. Carrión
Hemisphere: Visual Cultures of the Americas
No abstract provided.