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The Essential Guide To Playing And Creating Music Online Together, Rebekah Wilson
The Essential Guide To Playing And Creating Music Online Together, Rebekah Wilson
Journal of Network Music and Arts
No abstract provided.
Telematic Performance In Electronic Dance Music (Edm), Yongsi Wang
Telematic Performance In Electronic Dance Music (Edm), Yongsi Wang
Journal of Network Music and Arts
This paper aims to discuss to what extent telematic performances within the framework of the “Beyond Time and Space - London Tokyo Online 2023” initiative serve as a comparative paradigm to physical live performances, particularly in the domains of technical exigencies, artistic expression, and audience engagement.
Central to this study is the “Beyond Time and Space - London Tokyo Online 2023” event, a simultaneous, interactive electronic live music performance connecting physical venues in London and Tokyo. Through JackTrip and Open Broadcaster Software (OBS), this event aspired to explore the applicability and limitations of telematic technology in live electronic music performance …
Kompost*Klang*Küche*: Telematic Worlding With Glitch, Hannah Vyborg Walter, Robert Torche, Cedric Spindler, Eric Larrieux, Patrick Muller
Kompost*Klang*Küche*: Telematic Worlding With Glitch, Hannah Vyborg Walter, Robert Torche, Cedric Spindler, Eric Larrieux, Patrick Muller
Journal of Network Music and Arts
This paper explores concepts and practices of telematic performances, particularly through the lens of the project kompost*klang*küche*. It emphasizes spatial discontinuity within networked artistic collaborations, as opposed to immersive continuity.
Telematic performance formats utilize network technologies to facilitate low latency artistic endeavors across geographical divides, creating a complex interplay between local, remote, and intermediary spaces. In this context, we interpret spatial configurations from a phenomenological point of view as telematic SPACE in which technical components are in place in three spaces (local, remote and intermediary space) while practiced, embodied and inhabited in an anthropological space, where the overlay and dynamics …
How To Be In Two Places At Once: A Search For The Immersive Experience In Renaissance Music And Visual Arts., Andrew Hallock
How To Be In Two Places At Once: A Search For The Immersive Experience In Renaissance Music And Visual Arts., Andrew Hallock
Journal of Network Music and Arts
Immersion is a hot topic, but it is often invoked in a vague or shallow way. This essay aims to arrive at a more nuanced consideration of the immersive experience by presenting some perhaps surprising arguments from the past—from Renaissance music and visual arts—drawing parallels with our own time, and positing that the Network Arts can take inspiration from this history to enhance its own immersive endeavours. Four interrelated topics serve as the basis for this investigation: miniature devotionalia, polyphonic canons, anamorphic puzzles, and early cosmology. By using perspective to disclose hidden meanings, ideas, and realities, these varied practices draw …
Connectivity, Presence, And Time: A Pedagogical Experience With Telematic Music, Cássia Carrascoza Bomfim, Alexandre Ficarelli, Danilo Rossetti
Connectivity, Presence, And Time: A Pedagogical Experience With Telematic Music, Cássia Carrascoza Bomfim, Alexandre Ficarelli, Danilo Rossetti
Journal of Network Music and Arts
This article aims to discuss the notions of connectivity, presence, and time in the specific context of telematic music. To do so, we describe the work of the Telematic Ensemble LaFlauta, formed by students and professors from the University of São Paulo, Ribeirão Preto campus, for performance at the NowNet Arts Conference 2023.4 This work involved rehearsals and performances of three compositions dedicated to the group: Virtual Studies (2023) by Paulo C. Chagas, Modules 2 - My Words (2023) by Cássia Carrascoza, and Textural Studies (2023) by Danilo Rossetti. We conclude that the positive results of telematic music in a …
Editorial, Sarah Weaver