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The Performativity Of Shrines In A Byzantine Church: The Shrines Of St. Demetrios / Перформативность Усыпальниц В Византийской Церкви: Святилища И Реликварии Св. Димитрия, Jelena Bogdanović
The Performativity Of Shrines In A Byzantine Church: The Shrines Of St. Demetrios / Перформативность Усыпальниц В Византийской Церкви: Святилища И Реликварии Св. Димитрия, Jelena Bogdanović
Jelena Bogdanović
Within the Byzantine ecclesiastical tradition, shrines — architectural structures which both enclosed and revealed saints’ remains — defined human bodies within the church space in a remarkable way. Starting in the fourth century, it became customary to exhume and move entire bodies, to permit their fragmentation, and to expose them in architectural settings other than the altar table in the sanctuary space. This practice echoed popular and private piety, which included reporting of miracles of saintly relics that recalled Gospels’ miracles and the hope for corporeal salvation. -- В византийской церковной традиции усыпальницы представляли собой архитектурные конструкции, которые одновременно и …
Manufacturing A Socialist Modernity: The Architecture Of Industrialized Housing In Czechoslovakia, 1945–56, Kimberly E. Zarecor
Manufacturing A Socialist Modernity: The Architecture Of Industrialized Housing In Czechoslovakia, 1945–56, Kimberly E. Zarecor
Kimberly E. Zarecor
Although it is difficult to see the crumbling, gray facades of the former Eastern Bloc as great testaments to the potentials of modern architecture, these buildings did reflect a dedication to technological innovation, social equality, and formal clarity unrivaled in the twentieth century. Built in an era that the West has commonly portrayed as one of rupture, isolation, and deprivation, socialist architecture in Eastern Europe was in fact connected to contemporary experiments in the West and to the specific legacies of the region's interwar years. Focusing on the intersection of architects, housing design, and the state apparatus between 1945 and …
Forgotten Serbian Thinkers—Current Relevance: Preface To The Special Issue, Jelena Bogdanović
Forgotten Serbian Thinkers—Current Relevance: Preface To The Special Issue, Jelena Bogdanović
Jelena Bogdanović
The 2009 national convention of the Association for Slavic, East European, and Eurasian Studies featured a panel on Forgotten Serbian Thinkers. Scholars who are working in the United States and abroad presented their research on the contributions of individuals representing various disciplines. The articles in this special issue of the Serbian Studies expand on these topics and bring forward contributions about forgotten Serbian intellectuals who have marked their respective professions in architecture, astronomy, literature, and philosophy, but who have been “forgotten” either in Serbia or outside Serbia. Paradoxically, most of these thinkers were forgotten exactly because they were living and …
On The Architecture Of The Konaks In Serbia (1804–1830s), Jelena Bogdanović
On The Architecture Of The Konaks In Serbia (1804–1830s), Jelena Bogdanović
Jelena Bogdanović
The First National Uprising of the Serbs against the Ottoman Turks in the Belgrade paşalik (Smederevo Sandjak, also known as the Morava administrative division of the Ottoman Empire) in 1804 was the major event in the political history of the Balkans. Led by Đorđe Petrović—Karađorđe (Black George) (1762–1817), the Uprising (1804–13) was the first autonomous attempt of the subjugated to set themselves free from Ottoman rule. Initially local in scope and aims, the Uprising ultimately enabled the development of modern Serbia as well as the national development of other countries in the Balkans. Judging by the scope and quality of …
The Ready-Made: Duchamp's Thing, Daniel J. Naegele
The Ready-Made: Duchamp's Thing, Daniel J. Naegele
Daniel J. Naegele
Marcel Duchamp fully appreciated the twentieth century's proclivity for certainty and classification and this attitude became an essential component of his art. In this he was not unlike Freud or Einstein or, in his immediate artistic milieu of belle ipoque Paris, Stravinsky or Raymond Roussel. Of the playwright Roussel, Duchamp once noted with admiration that "starting with a sentence ... he made a word game with kinds of parentheses ... His word play had a hidden meaning ... It was an obscurity of another order. Roussel had economically undermined the totalizing tendency of word order, throwing all of its accepted …