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Foglio, Syracuse University
Foglio, Syracuse University
School of Architecture - All Scholarship
Foglio is a publication that covers the work produced by students and faculty of Syracuse University during their time in Florence. This edition covers the topics of urbanism as well as many contemporary issues.
Syracuse University School Of Architecture Lecture Poster - Spring 1998, Syracuse Architecture
Syracuse University School Of Architecture Lecture Poster - Spring 1998, Syracuse Architecture
School of Architecture Lectures Series
Poster for Lecture.
Architecture And The Production Of Postcard Images: Tradition Vs. Critical Regionalism In Curitiba, Clara Irazabal
Architecture And The Production Of Postcard Images: Tradition Vs. Critical Regionalism In Curitiba, Clara Irazabal
Clara Irazabal
In Curitiba, Brazil, the building of architectural monuments that make use of a direct vocabulary of tradition has been one of the major means to construct the city image in the last two decades. The government of Curitiba has plagued the city with foreign-styled landmarks mostly based on selective samples of European traditions. Such attempts strive to construct a city image that creates a sense that Curitiba has a heritage connected with the European established traditions. Examples of those ethnic landmarks are the Polonaise Memorial, and the German, Italian and Portuguese parks. Such monuments depict a cosmopolitan, international city, freed …
Object, Image, Aura: Le Corbusier And The Architecture Of Photography, Daniel J. Naegele
Object, Image, Aura: Le Corbusier And The Architecture Of Photography, Daniel J. Naegele
Daniel J. Naegele
Returning to his studio one evening at dusk, Wassily Kandinsky was enchanted by "an unexpected spectacle." He suddenly saw "an indescribably beautiful picture, pervaded by an inner glow," he wrote in his "Reminiscences" of 1913 . "At first, I stopped short and then quickly approached this mysterious picture, on which I could discern only forms and colors and whose content was incomprehensible. At once, I discovered the key to the puzzle: it was a picture I had painted, standing on its side against the wall." Kandinsky was deeply affected, and the next day attempted a re-creation of his impression of …
An Interview With Ezra Stoller, Daniel J. Naegele
An Interview With Ezra Stoller, Daniel J. Naegele
Daniel J. Naegele
Ezra Stoller's ‘first photograph that ever amounted to anything’ was of Alvar Aalto's Finnish Pavilion at the 1939 New York World's Fair. Aalto was just forty-one years old at the time and soon he — like Gropius, Breuer, Mies, Mendelsohn and so many other German architects and artists — would escape the war in Europe by moving to America. Most of them stayed on, preaching their message in major universities, and finding in this ‘land of hyperreality’ fertile ground for the manifestation of their architectural beliefs. They and their followers —together with the immigrants Saarinen and Kahn and, most importandy, …
Creating A Ruin In Colonial Cusco: Sacsahuaman And What Was Made Of It, Carolyn S. Dean
Creating A Ruin In Colonial Cusco: Sacsahuaman And What Was Made Of It, Carolyn S. Dean
Andean Past
No abstract provided.
The Inca Compound At La Centinela, Chincha, Dwight T. Wallace
The Inca Compound At La Centinela, Chincha, Dwight T. Wallace
Andean Past
No abstract provided.
Reconstructing The Great Hall At Inkallacta, Vincent R. Lee
Reconstructing The Great Hall At Inkallacta, Vincent R. Lee
Andean Past
No abstract provided.
Editor's Preface Andean Past 5, Daniel H. Sandweiss
Lithic Provenience Analysis And Emerging Material Complexity At Formative Period Chiripa, Bolivia, David L. Browman
Lithic Provenience Analysis And Emerging Material Complexity At Formative Period Chiripa, Bolivia, David L. Browman
Andean Past
No abstract provided.