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Contemporary Human Displacement: A Comparative Analysis Of Syria, Yemen, Honduras, And Venezuela, Rav Carlotti
Contemporary Human Displacement: A Comparative Analysis Of Syria, Yemen, Honduras, And Venezuela, Rav Carlotti
Dissertations, Theses, and Capstone Projects
What is causing the surge in human displacement around the world? Large-scale displacement in Syria, Yemen, Honduras, and Venezuela has generated unprecedented humanitarian crises in Latin America and the Middle East as millions of displaced people end up as refugees or immigrants. Humanitarian organizations like the UNHCR and host countries have had their resources overextended by these ongoing crises, and there is no end in sight. This thesis shows that contemporary human displacement is rooted in the increasing inability of governments to manage their societies amid great political demands and socio-economics strains. These causes are difficult to tackle because they …
Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal
Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal
Dissertations, Theses, and Capstone Projects
This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …
Breaking Cover: Confronting Crisis And Displacement In Timbuktu, Mali, Andrew Hernann
Breaking Cover: Confronting Crisis And Displacement In Timbuktu, Mali, Andrew Hernann
Dissertations, Theses, and Capstone Projects
In Spring 2012, a loose alliance of ethnic Tuareg nationalist and Jihadi-Salafist militant groups occupied Mali’s northern regions, forcibly displacing nearly 300,000 residents and ultimately imposing their harsh interpretation of shari’a among those who remained. Later, in January 2013, as these groups began marching towards southern Mali, the French army suddenly intervened, “liberating” urban centers in the North as the militants fled into the Sahara Desert and across the Algerian border. My research examines this period of occupation, displacement and intervention, which most Malians have come to term “the crisis.” Specifically, I analyze the cultural and religious frameworks through which …
What The Tides May Bring: Political "Tigueraje" Disposession And Popular Dissent In Samaná, Dominican Republic, Ryan A. Mann-Hamilton
What The Tides May Bring: Political "Tigueraje" Disposession And Popular Dissent In Samaná, Dominican Republic, Ryan A. Mann-Hamilton
Dissertations, Theses, and Capstone Projects
My dissertation is a historical and ethnographic project that delves into the conflictive relationship between the development of the Dominican state and the formation of the community of the port city of Samaná. The African diasporic community of Samaná has actively constructed the local space throughout shifting political projects, while sustaining their collective voices against the waves of dispossession crashing on their shores. Using a combination of archival research, participant observation, oral history and ethnography, I document multiple instances of state intervention to understand how the Samaná community has been coerced over time to consent to these processes. I juxtapose …
A House Without A Roof, Adam Golfer
A House Without A Roof, Adam Golfer
Theses and Dissertations
A House Without a Roof (AHWAR) is a project that scrutinizes the histories of violence and displacement connecting Europe, Israel, and Palestine. With photographs, appropriated imagery, and texts, I weave together fictions of my family history with representations from Israel’s founding and ongoing military occupation. Ethnic and national identities are ruptured and reassembled as the project interrogates contradictory histories and notions of selfhood. AHWAR questions how we understand global conflict and trauma in light of our individual experience.