Digital Commons Network^™

“Sounds Like” Redemption? On The Musicality Of Species And The Species Of Musicality, Tyler Yamin, Alice Rudge

Faculty Journal Articles

Popular and academic studies of music frequently claim that human musicality arose from the so-called ‘natural world’ of non-human species. And amid the anxieties produced by the Anthropocene, it is thought that the possibility of reconnecting with the natural world through a renewed appreciation of music’s links with nature may usher in a new era of posthuman environmental consciousness, offering repair and redemption. To critique these claims, we trace how notions of ‘musicality’ have been applied to or denied from non-human entities across diverse disciplines since the late nineteenth century. We conclude that such debates reinforce the separation that they …

The Music Of Democratic Kampuchea: Revolution Songs As Public Pedagogy, Anissa Jade Lesh

Masters Theses

The Communist Party of Kampuchea (CPK) which ruled Cambodia from 1975 to 1979 utilized a variety of methods to ensure control over the country and its people. Among these methods were the creation and dissemination of revolutionary songs which extolled the virtues of the CPK, instilled fear, and provided explicit instructions on how to serve the Ângka (the organization). While scholars unanimously recognize the use of music as public pedagogy during the regime, there are very few works which explore the songs, their lyrics, or how the music itself reflected their intended sociopolitical purpose. Through the transcription, translation, and analysis …

Collective Expressions Of Monacan Indian Nation Identity: A Communicative Arts Genre Study, Gretchen E. Casler-Cline

Masters Theses

This study considers the current communicative arts practices of the Monacan Indian Nation, an Indigenous Virginia tribe of approximately 2500 people located in Amherst County, Virginia. Historically the tribe was a large nation that extended from the falls of the James River near Richmond, Virginia to the Southwestern portions of the state near Roanoke and now the Monacan Indian Nation homeland is at Bear Mountain in Amherst County, Virginia. The study was conducted through interviews and observations at tribal events such as the annual Powwow and culture class, as well as consistent attendance and participation as a musician at St. …

Palestinian Evangelical Christian Music In Bethlehem, Israel/Palestine, Abby Smith

Senior Honors Theses

Often the story of the Israeli-Palestinian conflict is portrayed as Jewish vs. Muslim, Hebrew vs. Arab. There is little room in the international dialogue for minorities such as Arab Christians. Though Palestinians have a rich culture of Arabic musical and poetic heritage, they are unable to produce their own new songs. In this study I interviewed three members of Immanuel Evangelical Church on their experiences and opinions on local Christian worship. The findings show that Palestinian Christians may feel unable to write worship music because of a prevalent feeling of inadequacy and a lack of musical training. I propose several …

01 Traditional Songs Introduction, William Donner

Sikaiana Traditional Songs

This is an introduction to Sikaiana songs. It includes a discussion of the social cultural context of song composition and singing. There is a discussion of the different features of song production and a list of different song genres. Most of the discussion is concerned with traditional song expression that are part of derived form changes associated with colonialism and modernization.

Jigs, Reels, And “Realness”: An Investigation Of Ideas Of Authenticity And Tradition In New England French Canadian Music, Lowell Ruck

Honors Projects

Franco-American culture is increasingly recognized as an integral part of the heritage of Maine and New England, and has attracted growing academic attention in recent years. But while many scholars and cultural promoters focus on the French language in their work on this subject, few studies have considered the position of traditional music in Franco-American communities in the 21^st century. This thesis examines French Canadian traditional music as it is played in New England and the ways in which musicians think about authenticity and tradition in their art. Using material from ethnographic interviews, it illuminates how musicians draw from …

Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey

Yale Journal of Music & Religion

While much ink has been spilled by musicologists on the legal standing of music in Islamic jurisprudential scholarship, few scholars have offered as comprehensive a view as Lois Ibsen Al-Faruqi. Thirty-five years after her major works on this issue, this article seeks to reassess her model of musical legitimacy within Muslim scholarship. Al-Faruqi places Qur’ānic recitation at the apex of a unidirectional continuum of sound art, with genres less similar to the recitation of the Qur’ān located progressively further away from it. Based on fieldwork in the Sultanate of Oman in 2015-17 and engaging with recent reinvigorations on the anthropological …

Hip-Hop's Diversity And Misperceptions, Andrew Cashman

Honors College

The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of …

“Give Me Some Beautiful Holy Images That Are Colorful, Play Music, And Flash!” The Roma Pilgrimage To Csatka, Hungary, István Povedák

Journal of Global Catholicism

This study introduces the Csatka pilgrimage, which is one of the most significant festive events for Roma in Central and Eastern Europe. Csatka, a small and secluded village, became one of the most important pilgrimage sites for Roma since the mid-20th century. Tens of thousands of Roma, entire families from Hungary and the surrounding countries arrive to the feast on Nativity Day at the beginning of September. For them, however, the rite is not only about religious actions, but also about their powerful role in strengthening Roma ethnic identity. Through the analysis of the rite, we can gain a good …

Nature And The Spirit: Tri Hita Karana, Sacred Artistic Practices, And Musical Ecology In Bali, Hao Huang, Joti Rockwell

EnviroLab Asia

Bali is notable for the degree to which music, dance, and visual art permeate everyday life--a result of historically rooted and continuously evolving religious philosophies and rituals. With this context in mind, we wondered what role the arts play, and can play, in addressing environmental concerns.

The Mulberry Tree, The Birds And The Divine In The Music Of The Dotār In Khorāssān (Iran), Farrokh Vahabzadeh

Yale Journal of Music & Religion

The relationship between music and environment plays an important role both in musical compositions and in research on music. The paper is about an anthropological study on the relationship between music of the long-necked lute dotār and the environment, in the region of Khorāssān in Iran. By examining the close relationship between the mulberry tree, birds, metaphor and music of dotār, we will try to show how the environmental factors, data or aspects can be directly or indirectly related to the music, particularly through the symbolism of Sufi beliefs in the region. These relationships to the nature are strongly linked …

Understanding Burning Man Through Fundamental Religious Studies Theories, Tio Lloyd

Summer Research

Burning Man is an arts gathering that has taken place every year up until 2020 in the Black Rock Desert of Nevada. The gathering brought together more than 70,000 “burners” in 2017 to create a massive community for nine days on a dry lake bed. The temporary city provides a space to explore and more deeply understand humanity and humanity’s relationship to religion. The event is unique, it is the participants’ responsibility to put on the show. Themed camps, art displays, and interactive settings are created by burners, for burners. A climactic burning of “The Man,” a massive wooden figure, …

Thinking Through Tubes: Flowing H/Air And Synaesthesia, Stephen P. Hugh-Jones

Tipití: Journal of the Society for the Anthropology of Lowland South America

The tube, as both object and concept, has cropped up from time to time in the ethnography of lowland South America, most notably in Rivière and Lévi-Strauss’s discussions of blowpipes, hair tubes and pottery and in Hill and Wright's writings on Yuruparí flutes and trumpets. Using data from Northwest Amazonia, this paper first seeks to provide a more rigorous definition of the tube as a concept, exploring its various manifestations and relating these to the body as an image of totalization and detotalization. With reference to myths about creation and Yuruparí, the paper then argues that flows from tubes provide …

The Strategies And Risks Of Performing Citizenship And Rights Through Music, Carolin Mueller

Biennial Conference: The Social Practice of Human Rights

My work explores the capacity of cultural producers to perform “insurgent citizenship,” a term theorized by James Holsten (2008) to describe how the peripheries of social organization can propel alternative modes of civic participation, through music. I utilize Engin Isin’s performative dimension of citizenship (2017) to investigate such forms of insurgent citizenship as they evolve in social and cultural peripheries of the contemporary arts and culture industry in the city of Dresden, Germany to identify the pathways they open to socio-political participation and autonomy for refugees.

While Germany understands itself as a nation of culture, cultural policy unevenly addresses the …

Wilgus, Donald Knight (Fa 1203), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1203. Student folk studies projects collected by Professor Donald Knight “D. K.” Wilgus while teaching folk studies classes at Western Kentucky University. Most of the items collected are from south central Kentucky, but also includes items from Indiana, Ohio and Tennessee.

Songs From Home: A Study Of Musical Traditions Amongst Iraqi Refugees, Moira Rose Dunn

Anthropology: Student Scholarship & Creative Works

Families relocating to new communities face the hardships of learning how to navigate in a new legal and cultural environment and can also experience an interruption of past forms of passing down cultural, personal, or familial traditions, such as music. My research asks the following questions: how does music exist in the memories and daily life of Iraqi refugees in the Quad Cities, and how does the community provide specific expressive outlets for them? Using a combination of interviews with resettled Iraqi refugees and community members who try to reach out to them and participant observation, this research focuses on …

Jesse Routte: Using Style To Signify Injustice, Emma Nordmeyer

Race, Ethnicity, & Religion

Jesse Routte, first African-American student to graduate Augustana, made national headlines in 1947 for wearing a turban on a visit to Alabama. In this paper, I explore how Routte's stylistic choices uprooted and questioned the racism of the Jim Crow era.

Distillation Of Sound: Dub In Jamaica And The Creation Of Culture, Eric J. Abbey

Wayne State University Dissertations

In the early 1970s, the culture of Jamaica shifted politically and culturally with the introduction of the mixing board in music. This writing centers on the ways in which technology created a culture of dub reggae that has gone on to affect the world. The major albums and engineers that influenced this change are the focus here. By doing so, we can view how large changes in technology affected the society of Jamaica and how this led to significant cultural development. With Raymond Williams’ definition of culture and Thomas Vendrys’ structure of Dub music, the culture is defined, furthered, and …

Unmasking Hybridity In Popular Performance, Hannah M. Harder

Student Publications

This paper explores cultural hybridization in popular music and the eroticization of the exotic eastern aesthetic. Using musicology and anthropology as tools, the paper examines varying perspectives of the artists, audience and marginalized groups. Although cultural appropriation has been used recently as a blanket buzzword in mainstream dialogue, it does provide a platform to discuss complex issues on gender, race and sexuality that has been muddled by colonial mentalities.

Music In The Northern Woods: An Archaeological Exploration Of Musical Instrument Remains, Matthew Durocher

Dissertations, Master's Theses and Master's Reports

Archaeological and historical literature neglects music and sound. The quantity and distribution of musical remains found during archaeological excavations at Coalwood, a Cleveland-Cliffs Iron Company (CCI) logging camp active from 1901-1912 in the Upper Peninsula of Michigan, addresses the importance of music to the people that lived there. Musical reed plates from harmonicas, concertinas, and accordions were recovered and examined. These musical remains have traditionally been ignored as a diagnostic artifact, but here, I use them as primary evidence to access the daily lives of people in the northern woods. To do this, I will present how CCI developed Coalwood …

The Village Of Hope: Community Reformation In Post-Katrina New Orleans, Milan Miller

Senior Projects Spring 2018

As an interdisciplinary senior project, this anthropology and film thesis investigates the social- cultural impact of community reformation post-disaster and the role of Musicians’ Village, a neighborhood formed after the storm, in post-Katrina New Orleans. I believe that the story of New Orleans cannot be told without the traditional Black cultural preservers at the center of its narrative, therefore I examine how the formation of Musicians’ Village in post-Katrina New Orleans contributes to our understanding of the post-disaster recovery of New Orleans and the role of its cultural preservation. To do proper research about Musicians’ Village, I found it both …

Mansfield, Sherry R. And Bruce Greene (Fa 1112), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1112. Student folk studies project titled: “Just a Man—Captain William Hicks” which includes an interview of C. Jeff Hicks, the son of Confederate Captain William Hicks. The interview includes a description of the life of the son and his father while living in Barren County, Kentucky and Sumner County, Tennessee.

Nau, Kathy (Fa 1061), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1061. Paper titled “Iowa Fiddle Tunes” by Kathy Nau in which she writes about her project documenting fiddle tunes collected by Bill Hamilton of Winfield, Iowa. Includes annotated music for approximately 23 tunes.

The Harmony Of Studying, Aaron Mccartney

Ethnographies of Parkland Student Life

This poster is the result of an ethnography assignment for Anthropology 103. The aim of the research project was to discover what music Parkland students listen to when they study and to see if there is a preferred music genre. The student visited common study spaces around Parkland College and interviewed some students who were listening to headphones while studying. 85% of the students interviewed listen to music on a regular basis to help them study both when studying at Parkland and when studying elsewhere. They generally preferred it without lyrics so that the music would not distract them while …

Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore

Senior Projects Spring 2017

A joint senior project submitted to the divisions of arts and social studies. This project aims to reconsider the 'album' as a format of music distribution that has effects on the consumption-of and relationship-with music as commodity. This project consists of writing and recorded-music-making. Please email tom (at) dpimusic (dot) com for a link.

From Dreamers To Dangerous Women: A Shift From Abstinence And Hypersexuality To Sexuality With Shame In Pop Music Listened To By Tween Girls In 2006 And 2016, Jaclyn Griffith

Honors College Theses

This thesis contains a comparative study of the most popular female artists or femalefronted groups among tween girls in the years 2006 and 2016. During the tween years girls construct their identities, develop sexual beliefs, and interact with potentially influential media texts.1, 2, 3 Based on survey data of fifty-seven female students ages twenty to twenty-four in a mid-Atlantic university, Hannah Montana/Miley Cyrus, Hilary Duff, and The Black Eyed Peas were remembered as the musical artists they most often listened to in and around the year 2006. An analysis of the music videos, lyrics, and public personas of these artists …

Elmore, Harold W. (Fa 975), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 975. Project titled: “Transcriptions of stories, song lyrics and calls.” Project includes survey sheets with brief descriptions of stories, song lyrics, doodle bug charms, and calls from Edmonson County and Warren County, Kentucky. Sheets include a brief description, informant’s name, and some with motif index number.

Mission In Evolving Cultures: Constructively Managing Music-Related Conflict In Cross-Cultural Church Planting Contexts, David R. Dunaetz

Selected Faculty Publications

The choice of music, an essential element of worship and church life, must be addressed in cross-cultural church planting contexts. As cultures evolve, church planters are faced with choices about musical styles that may lead to interpersonal conflicts within the church. The purpose of this study is to empirically examine factors that may enable cross-cultural church planters to constructively manage music-related conflicts when they arise. Members of church plants, like all people, have various goals when entering into such conflicts. They are concerned about the content of the conflict (i.e., the musical style) and thus have content goals. They are …

The Symphony Of State: São Paulo's Department Of Culture, 1922-1938, Micah J. Oelze

FIU Electronic Theses and Dissertations

In 1920s-30s São Paulo, Brazil, leaders of the vanguard artistic movement known as “modernism” began to argue that national identity came not from shared values or even cultural practices but rather by a shared way of thinking, which they variously designated as Brazil’s “racial psychology,” “folkloric unconscious,” and “national psychology.” Building on turn-of-the-century psychological and anthropological theories, the group diagnosed Brazil’s national mind as characterized by “primitivity” and in need of a program of psychological development. The group rose to political power in the 1930s, placing the artists in a position to undertake such a project. The Symphony of State …

Brame, Lawrence R. (Fa 861), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 861. Collection consists of Negro spirituals collected from individuals in Kentucky. Song lyrics are provided along with the names of sources who provided each song. This project was conducted by Lawrence R. Brame for a folk studies class at Western Kentucky University.