Digital Commons Network^™

Autoethnography As Self-Portrait: An Autoethnographic Analysis Of Trauma-Sensemaking Through Art, Kally Werning

All Theses

This project thesis is centered around coping with early onset childhood trauma through an autoethnography of narrative and art creation. The goal of this project is to understand more deeply how the art making process synthesizes or disrupts trauma sense-making through the introspective lens of the artist as scholar. The project consists of an interactive art exhibit and this written scholarly analysis of the creation and display of this exhibit. This includes an introduction to my life as a trauma survivor and Greek-American woman, informed by communication scholarship and other relevant fields regarding narrative theory, Greek history, religious and trauma …

Weaving In Mythology: Women’S Agency And Portrayed Character, Molly Mcleod

Honors Theses

Although weaving would have been a daily activity for many people in the ancient Greek world, the nature of the practice remains somewhat unknown to the modern view. The archaeological record contains loom weights and spindle whorls, but the looms and textiles themselves have almost entirely decomposed. Scholars have attempted to reconstruct what weaving looked like in the ancient world through a combination of literary sources, archaeological methods, and visual representations. Based on this research, and in order to better understand the process and difficulties of ancient weaving, I have constructed and woven fabric on a model of an ancient …

How Translations Affects Understanding In Euripides’ Medea, Alexis Nicole Candido

Honors Theses

This thesis considers Medea, from Euripides’ Medea, in her role as mother, wife, and a Woman of Corinth. Previous literature has considered the context within which Medea can be viewed as an icon for feminism in the modern world. Utilizing the translations from George Theodoridis, David Kovacs, Gilbert Murray, E. P. Coleridge, and Cecilia Luschnig, as well as my own translation, I investigated how Medea’s story can be viewed differently when carefully selecting words as a translation of the original Greek from her famous “Women of Corinth” speech. Each translation has similarities and differences, but they all portrayed a slightly …

Divine Or Demonic? A Social Approach To Epilepsy From Greco-Roman Antiquity To The Early Middle Ages, James Nicholas Sumrall

Honors Theses

This thesis seeks to evaluate how epilepsy was defined, perceived and understood in ancient Greece and Rome, as well as how these ideas were adapted and changed during the early centuries of Christianity. To this end, the thesis is divided into six parts. The Introduction briefly explains epilepsy and discusses how the social approach method can be applied to the disease. Chapter I introduces the Hippocratic understanding of epilepsy and outlines the Greco-Roman religious concepts of pollution and purification, which frequently informed ancient perceptions of epilepsy. The first chapter also analyzes the general relationship between disability, disease and divine selection …

“Oh, Phaedrus, If I Don’T Know My Phaedrus I Must Be Forgetting Who I Am Myself”: Glimpses Of Self In Divine Erotic Madness, Jared De Uriarte

Senior Projects Spring 2018

Senior Project submitted to The Division of Social Studies of Bard College.

Citation Methodologies In Eusebius’ Historia Ecclesiastica And Other Ancient Historiography, Justin Otto Barber

Electronic Theses and Dissertations

This dissertation examines ancient historiographic citation methodologies in light of Mikhail Bakhtin’s dichotomy between polyphony and monologization. In particular, this dissertation argues that Eusebius of Caesarea’s Historia ecclesiastica (HE) abandons the monologic citation methodology typical of previous Greek and Hellenistic historiography and introduces a polyphonic citation methodology that influences subsequent late-ancient Christian historiography to varying degrees. Whereas Pre-Eusebian Greek and Hellenistic historiographers typically use citations to support the single authorial consciousness of the historiographer, Eusebius uses citations to counterbalance his own shortcomings as a witness to past events. Eusebius allows his citations to retain their own voice, even when they …

A Reassessment Of Athenian Tribute, Christine Bannan '14

College Honors Program

The marble stones which serve as the primary evidence of the Athenian Tribute Quota Lists are difficult to work with because they are so fragmentary, and because their contents are multidimensional. A newly conceived digital edition addresses issues inherent in the print medium, which has long served as the basis for scholarship on the lists. This paper is meant as a guide to understanding the Athenian Tribute Quota Lists, the principles I have defined for work on this edition, and a guide to the future study of Athenian imperial tribute.

I have created a diplomatic edition which incorporates original photography …

From Daimon To Demon: The Evolution Of The Demon From Antiquity To Early Christianity, Hailey Marie Fuller

UNLV Theses, Dissertations, Professional Papers, and Capstones

One of the most fascinating entities of religious thought is the demon, which is still pervasive in both religious and popular culture today. The demon is something that is present not just in various religious texts, but is also a staple of the modern horror film. The question at hand in this thesis is whether or not the demon was always considered to be synonymous with evil. The demon itself has existed in religious culture and magic practice since antiquity, but most scholars tend to either ignore the entity, or conflate it with ghosts or minor gods. This thesis traces …

`Thanatosepoesen' Changing Attitudes In Athenian Mourning: A Study Of Funerary Vase Painting, 900-404 Bc, Heather Quinn Elizabeth Deason

Wayne State University Theses

Literature and archaeological findings have been valuable resources for understanding how the ancient Athenian buried the dead. Grave excavations tell historians a great deal about burial practices. However, so much more can be learned about these practices through the art found in graves. The painted image not only tells us what occurred on the day a person died and his subsequent burial, but it even illustrates the years of mourning which followed for the living. These vessels chronicle the importance people placed on the varying aspects of death and the funeral ritual. From the Geometric period of the tenth century …