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Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet Aug 2019

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …


Staging Intersectionality: Power And Performance In American Cultural Texts, 1855-2019, Alexandra Reznik Aug 2019

Staging Intersectionality: Power And Performance In American Cultural Texts, 1855-2019, Alexandra Reznik

Electronic Theses and Dissertations

This study explores a diverse array of cultural texts, from literary representations to live performances, from the antebellum period to the contemporary moment,that highlight African-American women singer-celebrities navigating entertainment industries in the United States. Focusing on significant figures from the nineteenth century to the present including Elizabeth Taylor Greenfield (the first prominently known Black woman singer in the antebellum period), Pauline Hopkins (the late nineteenth- and early twentieth-century novelist and soprano), Sissieretta Jones (a twentieth-century soprano singer), and Beyoncé Knowles-Carter (a contemporary singer-celebrity, songwriter, and producer), this study re-imagines the archive of Black singer-celebrities by centering Black women’s performances and …


"I Like . . . Red Bone:" Colorism, Rappers, And Black College Sorority Women At A Predominantly White Institution, Whitney Frierson Aug 2019

"I Like . . . Red Bone:" Colorism, Rappers, And Black College Sorority Women At A Predominantly White Institution, Whitney Frierson

Graduate Theses and Dissertations

In this thesis, I examine black college sorority women’s views about skin tone bias in hip-hop culture. I conduct interviews with 12 black undergraduate women in Black Greek Letter Sororities at a predominantly white institution. Prior research finds that rap music sends skin color messages to adolescent women through lyrical content and music videos. I build on this work by exploring how the experiences of being in college shape black college sorority women’s views on skin tone bias and hip-hop. I find that time in college has been an important life stage in which black sorority women gained an increased …


The Tragic Mulatta Trope: Complexities Of Representation, Identity, And Existing In The Middle Of The Racial Binary, Madeline Stephens May 2019

The Tragic Mulatta Trope: Complexities Of Representation, Identity, And Existing In The Middle Of The Racial Binary, Madeline Stephens

Chancellor’s Honors Program Projects

No abstract provided.


Queering Dominant Modes Of Writing And Identity Formation In Audre Lorde’S Zami: A New Spelling Of My Name, Charlie Martin Apr 2019

Queering Dominant Modes Of Writing And Identity Formation In Audre Lorde’S Zami: A New Spelling Of My Name, Charlie Martin

Cultural Studies Capstone Papers

As part of a historical formation of marginalized authors who interrogate dominant modes of writing and identity formation in their work, self-described “Black lesbian mother warrior poet” Audre Lorde remakes and reimagines dominant conventions of identity and literary genres in her novel Zami: A New Spelling of My Name to articulate her unique subjectivity as a Black American lesbian writer. Drawing on the work of scholars and activists in the fields of queer theory and feminism, including Cheryl Wall, Eve Kosofsky Sedgwick, and Audre Lorde herself, Charlie Martin uses textual and contextual analysis to examine the indelible link between Lorde’s …