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Institutionalizing Environmental Justice: Race, Place, And The National Environmental Policy Act, Keith K. Miyake
Institutionalizing Environmental Justice: Race, Place, And The National Environmental Policy Act, Keith K. Miyake
Dissertations, Theses, and Capstone Projects
In this dissertation, I examine ways that the US National Environmental Policy Act of 1969 (NEPA) and its primary enforcement mechanism, the Environmental Impact Assessment (EIA) process, have reshaped the state as a site for racial and environmental conflict by institutionalizing a particular form of environmental justice within governmental decision making processes. Combining archival methods and legal analysis, I develop three case studies involving community struggles over the social production of space that each engage the EIA process to different effect. The case studies were selected based on what they reveal about the ways that the environmental justice framework intersects …
Media Representation Of Asian Americans And Asian Native New Yorkers’ Hybrid Persona, Min Huh
Media Representation Of Asian Americans And Asian Native New Yorkers’ Hybrid Persona, Min Huh
Dissertations, Theses, and Capstone Projects
Asian Americans, having been degraded in the realm of popular media and neglected in the consumer market, have been unable to obtain a voice or leave a trace in American pop culture. The meager representation that Asian Americans rarely have is highly controlled through a distorted lens, inclined to paint them in a grotesquely exaggerated light for comic relief. The absence of Asian Americans in the media has compelled the Asian American youth to adapt the personas of different cultures in their desires for social and cultural mobility. These factors have given birth to a hybrid persona among Asian Native …
Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso
Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso
Dissertations, Theses, and Capstone Projects
This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the New …