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Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez
Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez
American Studies ETDs
New Mexican visual art and culture, as molded by state-sanctioned endeavors, is often casted in order to conceal the tension, conflict, and violence of settler colonialism and imperialism. Widely known myths of empire, such as the Tricultural myth, create a visualizing enterprise through which settler colonial logics transit and create political material reality. This thesis explores the following questions: How do New Mexican Hispanos and queer Chicanxs position themselves in relation to the logics of settler colonialism and empire? How are they positioned in relation to settler colonialism and empire? On the one hand, I argue that the state of …
Terrorists, Zombies, And Robots: The Political Unconscious, Thematics, And Affectual Structures Of The Post-9/11 American Fear Narrative, Nathanael J. Cloyd
Terrorists, Zombies, And Robots: The Political Unconscious, Thematics, And Affectual Structures Of The Post-9/11 American Fear Narrative, Nathanael J. Cloyd
English Theses & Dissertations
This dissertation examines the post-9/11 American fear narrative across media and genre. First, it proposes the concepts of the fear narrative, the primary fear theme, and the secondary fear theme. Second, it proposes that the fear narrative has a long tradition in American culture, in which its themes have adapted and evolved in historically sedimented layers of development. Third, it proposes that American fear themes change depending on its historical context of production, its cultural regime, its genre, and the form of media in which it is expressed. To help uncover the political unconsciousness of the American fear narrative, it …
In Support Of Abstraction: Physical Interiority Beyond Postmodern Dance, Irene Hultman Monti
In Support Of Abstraction: Physical Interiority Beyond Postmodern Dance, Irene Hultman Monti
Dissertations, Theses, and Capstone Projects
I investigate how speculative philosophy informs critical thinking about dance and its performance, encompassing both the act of creating and the action of executing. Speculative thinking augments and draws out new experiences and realities in the artistic body. I will argue that speculative theories widen the understanding and implementation of dance and its performance through a combination of human and nonhuman forces. This broadened understanding encourages progress, transformation, and evolution within the field of dance. I discuss the human (that which is experienced through sensibilities, therefore tangible and understandable on a cognitive and practical level) and the nonhuman (forces beyond …