Digital Commons Network^™

Why Are The Children Dying?: Mixed-Race Children In Chang-Rae Lee’S First Five Novels, Holly E. Martin

Asian American Literature: Discourses & Pedagogies

The mixed-race children in each of Lee’s first five novels constitute an overarching set of symbols, reflecting, at first, society’s intolerance of miscegenation and its resulting mixed offspring, as demonstrated in the dysfunctional behaviors of the parent(s) (or society) and the death or disappearance of the mixed-race child. Then, later in the novel, a second mixed-race child’s birth, or its impending birth, signifies an acquired racial awareness on the part of the parent(s) and an overcoming of trauma that leads to hope for a more tolerant and understanding social environment for the mixed-race child.

Commuters, Wanderers, And 'International Mongrels': Resistance And Possibility In Post-Immigrant Literature, Leslie Singel

Theses and Dissertations

The recognizable motifs of the immigrant tale have been upended, as the traditional

narrative has been adapted to capture the multitude of directions, individuals, nations, and paths

of the twenty-first century migrant. In four chapters, I examine selected works from the authors

Colum McCann, Junot Díaz, Jhumpa Lahiri, and Chimamanda Ngozi Adichie to argue for a new

designation, “post-immigrant literature.” Post-immigrant literature treats critically the themes of

loss, regret, and forced assimilation from perspectives shaped by post-colonial, post-modern and

post-identity politics thinking. Rather than narratives stressing the limitations imposed by

deterministic social forces, post-immigrant texts posit more agency, and anxiety, …

Accounting In Fiction, S. Ray Granade

Articles

A bibliography of fiction in which accountants are characters, or in which accountancy plays a part in the plot.

Book Of Empire: The Political Bible Of U.S. Literary Modernism, Barry Hudek

Electronic Theses and Dissertations

“Book of Empire” reveals that contrary to what is often suggested by scholars, modernism is not a moment of secularization and declining faith and that the Bible is actually a resource for mounting a radical critique of empire, nation-building, and racial oppression that defies conservative notions supporting those undertakings. For Willa Cather, William Faulkner, and Zora Neale Hurston, the Bible is a source of moral authority they use to challenge the imperialist, colonialist, and nativist projects of the twentieth-century U.S. In rebranding the Bible as politically radical, these writers are not denying the authority of the Bible, but are re-appropriating …

American Culture Of Servitude: The Problem Of Domestic Service In Antebellum Literature And Culture, Andrea Holliger

Theses and Dissertations--English

My dissertation argues that domestic service alters a culture’s relationship to the laboring body. I theorize this relationship via popular literary and cultural antebellum texts to explore the effects of servitude as a trope. Methodologically, each chapter reads a literary text in context with social and legal paradigms to 1) demonstrate that servitude undergirds myriad articulations of antebellum power and difference; 2) show how servitude inflects the construction of these paradigms; and 3) trace Americans’ changing relationship to the concept of servitude from the Early Republic through the Civil War.

I begin with James Fenimore Cooper’s The Pioneers (1823), exploring …

When Choice Is An Illusion: Suppression Of Women In William Styron's "Holocaust" Novel, William Sewell

Research & Publications

This article examines how Styron shapes Sophie's Choice through Southern Gothic literary techniques. In particular, we will explore the development of Sophie, who throughout the story served as the Gothic archetype of the "damsel in distress." She is a heroine who lacks agency,a character with "a tendency to faint and a need to be rescued– frequently." Ultimately, the harsh suppression of female identity entrenched in Gothic literature contributes to the "unimaginable pain" that forces female characters like Sophie to make their "choice." Finally, we will examine how Sophie, controlled throughout her life, really does not have a real "choice" when …