Digital Commons Network^™

Style Guide Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Copyright Clcweb: Comparative Literature And Culture ©Purdue University, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Why Are Those Women So Angry? (Alienating People Of Good Will), Janet Bing

English Faculty Publications

(First paragraph) Until quite recently, I dismissed criticisms of "angry feminists" as a sexist stereotype. I was tired of hearing people say, "I believe in equal pay for equal work, but I dislike those bra-burning feminists!" Perhaps I'm too young, but almost all of my friends are feminists, and I have yet to meet anyone who has burned her bra, so this comment always strikes me as bizarre. However, recently I have begun to think seriously about the power of stereotypes and the ability of people to disregard messages they do not want to hear. I now realize that feminists …

Toni Morrison's Argument With The Other: Irony, Metaphor, And Whiteness, Roy Francis Smith

Theses Digitization Project

Black people, and blackness as a general symbol, has traditionally occupied a marginal or disadvantaged position in American literature, as opposed to representations of white people and whitness as a general symbol. Morrison's fiction in effect reverses this representation and positions white people in the position of the Other.

Text And Context: Nineteenth-Century American Women's Fiction And Kate Chopin's "The Awakening", Cynthia Nicole Eddy

Dissertations, Theses, and Masters Projects

No abstract provided.

Authorship And Individualism In American Literature, Valerie Ann Debrava

Dissertations, Theses, and Masters Projects

A look at the genre of American literary history, as well as at the careers of four nineteenth-century writers, this neo-Marxist study treats the lives and works of Walt Whitman, Emily Dickinson, and Elizabeth and Richard Stoddard through the productive circumstances of their writing, and through our expectations as consumers of their personalities and texts. Typically, Whitman and Dickinson are recognized as creative individualists who defied the literary and social conventions of their time, while the Stoddards---when they are recognized at all---are remembered in less daring terms. Many critics today regard Elizabeth Stoddard's first novel, The Morgesons, as an unsentimental …

Far From "Everybody's Everything": Literary Tricksters In African American And Chinese American Fiction, Crystal Suzette Anderson

Dissertations, Theses, and Masters Projects

This dissertation examines trickster sensibilities and behavior as models for racial strategies in contemporary novels by African American and Chinese American authors. While many trickster studies focus on myth, I assert that realist fiction provides a unique historical and cultural space that shapes trickster behavior. John Edgar Wideman, Gloria Naylor, Frank Chin and Maxine Hong Kingston use the trickster in their novels to articulate diverse racial strategies for people of color who must negotiate among a variety of cultural influences. My critical trickster paradigm investigates the motives and behavior of tricksters. It utilizes close literary readings that are strengthened by …

Audre Lorde's Expansive Influence On Black Lesbians: Jewelle Gomez, Cheryl Clarke, And Kate Rushin, Denise L. Fitzer

Masters Theses

Audre Lorde, who named herself black, feminist, lesbian, mother, poet, and activist, was a pioneer for black lesbians everywhere. In her poetry and prose, Lorde challenged the myths and taboos associated with black women, lesbians, and feminists. Although her work focused on a broad range of topics that illuminated her many identities, she concentrated most heavily on issues of multiple oppression and its resulting fear and silence. In naming herself, Lorde urged others to do the same — to fight the self-imposed and socially-imposed silence surrounding triple oppression.

Countless women from the black community of writers have paid tribute to …

"Retracing Our Steps": Storytelling, Time, And Traditional Referentiality In Mama Day And Absalom, Absalom!, Christine Ann Roth

Masters Theses

Gloria Naylor and William Faulkner turn to the history and tradition of oral storytelling in their novels. Mama Day and Absalom, Absalom! especially present the concepts and techniques of the storytelling act. The complexities of the audience-performer dynamic and non-linear time in an oral storytelling event create obstacles for the teller (the writer) and confuse the role of the audience (the readers). Writers create the role of listening audience for the readers, changing the accepted rules of the readers by asking them to become participants. In Mama Day and Absalom, Absalom!, Naylor and Faulkner create connections between audience …

Narratives Of Survival, Linda Niemann

Linda G. Niemann

No abstract provided.