Digital Commons Network^™

Only The Earth Remains: Exploring The Machine In Selected Lyric Poetry Of Robinson Jeffers, Mark Hutton

Electronic Theses and Dissertations

In The Machine in the Garden: Technology and the Pastoral Idea in America, Leo Marx “evaluates the uses of the pastoral ideal in the interpretation of American experience” (Marx 4). While Marx explores ways that pastoralism has been impacted by factors such as industrialism, it is the purpose of this project to explore Marx’s assertion regarding the presence of the figurative and literal machine within the poetry of Robinson Jeffers.

Jeffers’ poetry is generally located within the landscapes of California. His lyric poetry has a distinct connection to the land and is driven by inhumanism, which works to shift …

Breaking The Cycle Of Silence : The Significance Of Anya Seton's Historical Fiction., Lindsey Marie Okoroafo (Jesnek)

Electronic Theses and Dissertations

This dissertation examines the feminist significance of Anya Seton’s historical novels, My Theodosia (1941), Katherine (1954), and The Winthrop Woman (1958). The two main goals of this project are to 1.) identify and explain the reasons why Seton’s historical novels have not received the scholarly attention they are due, and 2.) to call attention to the ways in which My Theodosia, Katherine, and The Winthrop Woman offer important feminist interventions to patriarchal social order. Ultimately, I argue that My Theodosia, Katherine, and The Winthrop Woman deserve more scholarly attention because they are significant contributions to women’s …

Reading The Culture Wars In The New Academic Novel, 1984-Present, Ian Butcher

Electronic Theses and Dissertations

The “new academic novel” emerged in the 1980s as what had previously been a cloistered, insular genre began to engage much more directly with the social and political import of universities and the people who work in them. I argue that an important strand of this development centres on a group of novels that through their depiction of recent developments in academia—the threat of political correctness, the so-called theory wars, the growth of contingent labour, and the elevation of a corporate logic above educational concerns—document the emergence of neoliberalism as the dominant logic of American higher education and the American …

One Or Two Things I Know About Us: Narrative Strategies For Autoethnography, Self-Representation And Healing In Four Memoirs By Poor-White Women From The U.S. South, Joseph Aaron Farmer

Electronic Theses and Dissertations

This dissertation examines autobiographical writings by formerly poor white Southern women, who are rarely considered as a group and are more typically studied with “rough South” male writers, which would suggest that few women have contributed their own gendered experience to discussions of class, race, and sexuality vis-à-vis Southern poverty. Correcting this assumption, I examine formative statements by women from poor white backgrounds, including Roxanne Dunbar-Ortiz’s Red Dirt, Janisse Ray’s Ecology of a Cracker Childhood and Wild Card Quilt, Dorothy Allison’s Trash, and Jeannette Walls’s The Glass Castle. Each of these writers engage in narrative strategies that do not defend …

Book Of Empire: The Political Bible Of U.S. Literary Modernism, Barry Hudek

Electronic Theses and Dissertations

“Book of Empire” reveals that contrary to what is often suggested by scholars, modernism is not a moment of secularization and declining faith and that the Bible is actually a resource for mounting a radical critique of empire, nation-building, and racial oppression that defies conservative notions supporting those undertakings. For Willa Cather, William Faulkner, and Zora Neale Hurston, the Bible is a source of moral authority they use to challenge the imperialist, colonialist, and nativist projects of the twentieth-century U.S. In rebranding the Bible as politically radical, these writers are not denying the authority of the Bible, but are re-appropriating …

A “Human Endeavor”: Killing In Contemporary U.S. Combat Narratives, William Mackenzie

Electronic Theses and Dissertations

This PH.D dissertation aims to develop a 3-D numerical model of dam-break flows on movable beds. Three tasks are defined to accomplish the goal of this study. The first task is developing a 3-D hydrodynamic model to simulate dam-break flow on fixed beds with simple geometry and test the water surface tracking technique. This model solves the Reynolds-averaged Navier-Stokes (RANS) equations using a finite-difference method on rectilinear, staggered grids. The volume-of-fluid (VOF) technique with SOLA-VOF advection scheme is used to capture the free surface motion. The developed model is tested using several experimental dam-break flows and the VOF technique is …

Cold War New York: Postmodernism, Lyricism, And Queer Aesthetics In 1970s New York Poetry, Jared James O'Connor

Electronic Theses and Dissertations

This thesis explores the poetry of Joe Brainard and Anne Waldman, two poets of the critically neglected second-generation New York school. I argue that Brainard and Waldman help define the emerging discourse of postmodern poetry through their attention to cold war culture of the 1970s, countercultural ideologies, and poetic form. Both Brainard and Waldman enact a poetics of vulnerability in their work, situating themselves as wholly unique from their late-modernist predecessors. In doing so, they help engender a poetics concerned not only with the intellectual stakes but with the cultural environment they are forced to navigate. Chapter 1 explores Brainard's …

“There Was That In Her Face And Form Which Made Him Loathe The Sight Of Her”: Disfiguration And Deformity Of Female Characters In 19th Century American Women’S Literature, Kelsi E. Cunningham Miss

Electronic Theses and Dissertations

Rebecca Harding Davis, Sarah Orne Jewett, and Mary Wilkins Freeman challenge the way that society treats and views the disabled and deformed. Through different representations of the disabled characters, the three short stories by these authors reveal the realities that women faced in the 19^th century in response to rigid beauty standards and expectations. The authors in this study address the marginalized position of the disabled characters and show how society’s attempts to “normalize” the women confine them to a fixed identity. Analyzing the texts in relation to disability studies and the authors’ perceived effectiveness of social charity will …

"Goo-Prone And Generally Pathetic": Empathy And Irony In David Foster Wallace's Infinite Jest, Benjamin L. Peyton

Electronic Theses and Dissertations

Critical considerations of David Foster Wallace’s work have tended, on the whole, to use the framework that the author himself established in his essay “E Unibus Pluram” and in his interview with Larry McCaffery. Following his own lead, the critical consensus is that Wallace succeeds in overcoming the limits of postmodern irony. If we examine the formal trappings of his writing, however, we find that the critical assertion that Wallace manages to transcend the paralytic irony of his postmodern predecessors is made in the face of his frequent employment of postmodern techniques and devices. Thus, there arises a contradiction between …

The American Pastoral Tradition And The Stories Of Breece D'J Pancake, Christopher Blackburn

Electronic Theses and Dissertations

In the late twentieth century, Breece Pancake carried on the American pastoral tradition by both featuring and modifying characteristics of early American pastoral literature. Breece Pancake does not directly imitate his predecessors, but instead brings the spirit of the nearly 200-year-old tradition in which he participates to a twentieth-century audience. Part of the enduring relevance of the literature in the American pastoral tradition, including The Stories of Breece D’J Pancake, is that at the heart of these stories is a theme that has defined and continues to shape the American experience: the struggle with living in liminal spaces.

Female Art And Artisans In Edith Wharton’S The House Of Mirth, The Custom Of The Country, And “Roman Fever”, Julia B. Welch

Electronic Theses and Dissertations

In early twentieth century old and new New York social circles, the marriage market’s commodification of women acted as the controlling factor for relationships, female power, and personal identity. When considering Wharton’s works for the first-hand viewpoint that she provided of the marriage market, it becomes clear that her interest in art plays heavily into the way women comport themselves within her novels. In order to discuss this relationship in Edith Wharton’s works, I’ve created terms that delineate the various ways female characters respond to the pressures of the marriage market. The best way to analyze Wharton’s women is by …