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The Judge’S Hold: A Struggle For Voice In Cormac Mccarthy’S Blood Meridian, Daniel R. Johnson Jan 2014

The Judge’S Hold: A Struggle For Voice In Cormac Mccarthy’S Blood Meridian, Daniel R. Johnson

Pell Scholars and Senior Theses

Cormac McCarthy's Blood Meridian is a novel that provides a clear critique on the ways in which the American west was acquired. The text is awash with gratuitous violence, symbolism and storytelling, together creating a piece that offers a modern interpretation of American identity. This analysis will approach the novel by examining a struggle for voice between the two main characters Judge Holden and The Kid in the narration. In doing so, it will be shown that Blood Meridian uses Holden's voice to suppress all other worldviews within the text in order to show the invulnerability of the political rhetoric …


Explaining The Unexplainable: A New Cultural Outlook On H. P. Lovecraft’S Cthulhu Mythos, Erika L. Mutter Jun 2013

Explaining The Unexplainable: A New Cultural Outlook On H. P. Lovecraft’S Cthulhu Mythos, Erika L. Mutter

Pell Scholars and Senior Theses

Although the majority of the scholarship on H. P. Lovecraft focuses on the idea of nihilism as the purpose of the Cthulhu mythos, the exploration of three stories The Nameless City, The Whisperer in Darkness, and The Shadow over Innsmouth disproves this overly basic and irrelevant reasoning. Through a cultural studies lens, there is a parallel between the curiosity and fear surrounding the other within the text and those same emotions felt towards the immigrants coming into America during the 1920s. This argument analyzes the transformation of the relationship between the narrator and the aliens, showcasing how this otherness can …


Mind The Gap: An Analysis Of The Function Of Love In The Works Of Tom Stoppard And C.S. Lewis., Jacqueline C. Lawler Aug 2012

Mind The Gap: An Analysis Of The Function Of Love In The Works Of Tom Stoppard And C.S. Lewis., Jacqueline C. Lawler

Pell Scholars and Senior Theses

Writers C.S. Lewis and Tom Stoppard, though philosophically different, both write about love that embodies the natural law. The natural law can be defined as law that is inherent in man and can be discerned by reason rather than by revelation. Both writers use their observational style in order to reason their way to nearly identical laws of love. Stoppard’s The Invention of Love, Arcadia, Rock ‘n’ Roll and The Real Thing will be analyzed using the framework of C.S. Lewis’s book, The Four Loves.