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Whitewashing Who We Worship: Amelioration And Cultural Imperatives In Neil Gaiman’S American Gods, Samantha Bauer
Whitewashing Who We Worship: Amelioration And Cultural Imperatives In Neil Gaiman’S American Gods, Samantha Bauer
Electronic Theses and Dissertations
Neil Gaiman’s novel American Gods creates a penetrating and sharp commentary on the state of essentially, every aspect of contemporary American society by populating it with myths that arrives on American shores over countless generations. From the characters to the settings, Gaiman utilizes the often-overlooked fact that myths can be found in every aspect of life. In many ways, Gaiman is building, or perhaps evolving, Joseph Campbell’s The Hero With A Thousand Faces and Roland Barthes’ Mythologies to discuss the unique nature of contemporary myths and how ancient myths still play a role in our society. I contend that in …
Book Of Empire: The Political Bible Of U.S. Literary Modernism, Barry Hudek
Book Of Empire: The Political Bible Of U.S. Literary Modernism, Barry Hudek
Electronic Theses and Dissertations
“Book of Empire” reveals that contrary to what is often suggested by scholars, modernism is not a moment of secularization and declining faith and that the Bible is actually a resource for mounting a radical critique of empire, nation-building, and racial oppression that defies conservative notions supporting those undertakings. For Willa Cather, William Faulkner, and Zora Neale Hurston, the Bible is a source of moral authority they use to challenge the imperialist, colonialist, and nativist projects of the twentieth-century U.S. In rebranding the Bible as politically radical, these writers are not denying the authority of the Bible, but are re-appropriating …
Representation Of The American South In Marvel Comics, 1963-2016, Katherine Gill
Representation Of The American South In Marvel Comics, 1963-2016, Katherine Gill
Electronic Theses and Dissertations
My work tracks the role of the American South and Southern characters in Marvel Comics, from 1963 to 2016. This thesis spring from a simple question: how stereotypical does this Northern industry portray the American South? To achieve this goal, I read a lot of comics, applying literary theory (such as Patricia Yeager and Tara McPherson) as well as American cultural studies (1980s televangelism and the history of human trafficking in America) to my findings. After reading multiple comic books from multiple sources, I settled on four different texts, each with a unique approach to portraying the South: the portrayal …