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You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance
You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance
English Faculty Publications
James Baldwin, like innumerable other Black artists, has found that in his efforts to express the plight of the Black man in America, he has been forced to deal over and over again with that inescapable dilemma of the Black American - the lack of sense of a positive self-identity. Time after time in his writings he has shown an awareness of the fact that identity contains, as Erik Erikson so accurately indicates, "a complementarity of past and future both in the individual and in society." Baldwin wrote in "Many Thousands Gone," "We cannot escape our origins, however hard we …
Bosom Buddies And Lonely Hearts, Daryl Cumber Dance
Bosom Buddies And Lonely Hearts, Daryl Cumber Dance
English Faculty Publications
In Ossie Davis' Purlie Victorius, Ol' Cap'n nostalgically reminisces about the good old days when he enjoyed what he recollects as close loving relationships with Blacks. He recalls to Gitlow "how you and me growed up together. Had the same mammy - my mammy was your mother." And Gitlow responds, "Yessir! Bosom buddies." Despite the satire and irony with which Ossie Davis consciously invests this scene, it suggest to me another irony - one which Davis certainly did not intend - and that is that one of the images of the Black woman which has frequently been shared by …
Zora Neale Hurston, Daryl Cumber Dance
Zora Neale Hurston, Daryl Cumber Dance
English Faculty Publications
Some new information is occasionally being ferreted out that may help to cast additional light on some of these issues, but quite clearly Zora Neale Hurston will remain something of an enigma - too complex a figure to reach any easy conclusions about, except perhaps that she defies simple characterization. People responded to her (and still do) very emotionally: her detractors despise her bitterly; her defenders love her passionately. All agree that she was eccentric, colorful, entertaining, humorous, and unforgettable.
Perhaps the most crucial question to pose about her is why one of the most important figures in the Harlem …
Black Eve Or Madonna? A Study Of The Antithetical Views Of The Mother In Black American Literature, Daryl Cumber Dance
Black Eve Or Madonna? A Study Of The Antithetical Views Of The Mother In Black American Literature, Daryl Cumber Dance
English Faculty Publications
Within these two extreme views of woman - the mother who brings death and destruction versus the mother who brings life and salvation - where does the Black American mother stand? It seems to me that it would not be inappropriate to look at the literature, not as mere fiction, but rather as an interpretation and compilation of history, anthropology, sociology, psychology, and a host of other areas. Thus the true literary artist reveals life more accurately and with more insight than any historical facts and statistical details, because he deals with the truth of the human heart, with the …
Wit And Humor In The Slave Narratives, Daryl Cumber Dance
Wit And Humor In The Slave Narratives, Daryl Cumber Dance
English Faculty Publications
This passage suggests something of the nature of Black humor and the function it has served, not only in the slave narratives, but in the folk tales and throughout the history of recorded literature from William Wells Brown to Amiri Baraka. The life revealed in all of these sources is shown to often be alternately degrading and courageous, tragic and absurdly comic, hopeless and yet enduring; indeed that life could hardly ever be termed merely amusing. And the Black character, though he may be seen to laugh, can hardly be deemed carefree, unbothered, satisfied, even truly happy. Indeed the paradox …
You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance
You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance
English Faculty Publications
James Baldwin, like innumerable other Black artists, has found that in his efforts to express the plight of the Black man in America, he has been forced to deal over and over again with that inescapable dilemma of the Black American - the lack of a sense of a positive self-identity. Time after time in his writings he has shown an awareness of the fact that identity contains, as Erik Erikson so accurately indicates, "a complementarity of past and future both in the individual and in society." Baldwin wrote in "Many Thousands Gone," "We cannot escape our origins, however hard …