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Material Melancholy: Stranded Objects In Modern Southern Women's Writing, James Travis Rozier
Material Melancholy: Stranded Objects In Modern Southern Women's Writing, James Travis Rozier
Electronic Theses and Dissertations
This dissertation traces the origins and uses of a specifically southern obsession with the past. Examining how southern women writers represent the compulsion to remember, I demonstrate how, in their narratives, efforts to retain intimate relationships with an idealized past obstruct characters' ability to live in the present. Their fiction aligns neatly with the dynamic described in psychoanalysis as 'melancholia’—not least because, in each case, these relationships with the past are typically ambivalent or even destructive, and the melancholic subjects must 'work through' their damaging attachments. Typical psychoanalytic approaches, however, have neglected how such troubled remembering might be influenced by …
Speaking In Wild Tongues: The Borderlands Of Eudora Welty And Alice Walker, Sara Gabler Thomas
Speaking In Wild Tongues: The Borderlands Of Eudora Welty And Alice Walker, Sara Gabler Thomas
Electronic Theses and Dissertations
In Borderlands/La Frontera Gloria Anzaldúa describes her experience undergoing a dental procedure as a battle between her wild tongue and the dentist. Beginning with a discussion of Anzaldúa’s concept of the wild tongue, this project asks how writers across the US South depict unruly tongues and infelicitous speech. Methodologically, this thesis inverts the comreading model in literary studies of reading Third World writers through First World theorists. Instead, beginning with Anzaldúa, I propose to reverse this process and assert a new reading methodology of reading First World writers through Third World theorists. The trope of the wild tongue will mobilize …
Organic Angels: Innocence, Conversion, And Consumption In The Antebellum American Novel, Laura Jean Schrock
Organic Angels: Innocence, Conversion, And Consumption In The Antebellum American Novel, Laura Jean Schrock
Electronic Theses and Dissertations
Midcentury American novelists variously reworked the traditional conversion narrative to reflect a marked cultural shift in attitude towards human "nature," newly conceived as innocent and inclined to salvation. This liberalized aesthetic of conversion takes shape through the trope of the "organic angel," a developmental female figure whose journey from childhood innocence to saintly womanhood merges the processes of sexual maturation and Protestant conversion. Because she purifies self-interested desire by redirecting it towards spiritual ends, the organic angel provides a symbolic reconciliation of the young nation's budding imperial capitalism with its millennial expectations. While traditional emphasis on a maternal ethos at …
Thin Bodies, Elizabeth Meliza Tran
Thin Bodies, Elizabeth Meliza Tran
Electronic Theses and Dissertations
Thin Bodies, is a fictional thriller revolving around a retrospective, female voice. It is a short novel-length view into the insular community of the sorority, specifically in the U.S. Deep South. The town and university are both fictional, as are the characters, sororities, and events, but they are based in realistic institutions of socialization and community. Sarah Beth, our protagonist and narrator, considers her coming-of-age through her recruitment, initiation, ensuing leadership, and eventual fall from grace in her sorority, Theta Kappa. The group of women that this novel intends to characterize struggle with identity and how they are perceived against …
I Have Been Somewhere: Place In The South Carolina Poems Of Nikky Finney And Kwame Dawes, Purvis L. Cornish
I Have Been Somewhere: Place In The South Carolina Poems Of Nikky Finney And Kwame Dawes, Purvis L. Cornish
Electronic Theses and Dissertations
The following thesis focuses on the role of “place” in the poems of two black South Carolinian poets, Nikky Finney and Kwame Dawes. Borrowing from cultural and humanistic geographers’ myriad understandings of place, as well as philosophers’, I examine the ways in which Finney’s Rice and Dawes’s Wisteria function as meditations on and transmutations of the South Carolina low country in both its physical and non-physical dimensions, ultimately shedding light on historically silenced and marginalized emplaced realities. I also examine how Finney and Dawes employ different strategies of emplacement and their influence on the poems’ structure and meaning. In the …