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Yeah You Write: Authenticity And Authority In Katrina Literature, Terri Coleman
Yeah You Write: Authenticity And Authority In Katrina Literature, Terri Coleman
Masters Theses
No abstract provided.
Mental Illness In Early American Fiction: Charles Brockden Brown And The Sentimental Novelists, Katie E. Walk
Mental Illness In Early American Fiction: Charles Brockden Brown And The Sentimental Novelists, Katie E. Walk
Masters Theses
The late eighteenth and early nineteenth centuries witnessed the development of the United States of America as a new nation. This development brought with it new ideologies and social and political change; included in these changes was the way that sexual conduct outside of marriage was dealt with. Because the emerging legal system became less concerned with matters of morality, some people became frightened that sexual promiscuity would become rampant. The sentimental novel or seduction tale became a means of attempting to control sexual behavior when the law was not able to step in.
The way that madness, a term …
The Shadow Of The Hyperobject In Thomas Pynchon's V. And Gravity's Rainbow, Trevor Martinson
The Shadow Of The Hyperobject In Thomas Pynchon's V. And Gravity's Rainbow, Trevor Martinson
Masters Theses
No abstract provided.
The Lyric And The Lathe: Dreams Of Perfect Poetic Efficiency, 1800-1917, Steven A. Nathaniel
The Lyric And The Lathe: Dreams Of Perfect Poetic Efficiency, 1800-1917, Steven A. Nathaniel
Masters Theses
This study examines patterns of efficiency in the poetry and theory of William Wordsworth, Hilda Doolittle, and other figures from the Modernist and Romantic periods. I begin by defining perfect efficiency as occurring when energy transforms, without loss, inside a closed energy system, and I offer perpetual motion machines as hypothetical examples of this impossible state. I then demonstrate the process of efficiency in William Wordsworth's poetry, which begins with circumlocutory poetic cycles but contracts into terse repetitions. Since technical efficiency is calculated by the formula output/input, poetry's subjectivity makes poetic efficiency difficult to measure. However, I suggest that repetitions …