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Taira's Reflections, Taira Schurman, Melisa Achoko Allela, Movement Lab Jan 2024

Taira's Reflections, Taira Schurman, Melisa Achoko Allela, Movement Lab

Student Reflections

No abstract provided.


Motion Capture For Orature Wintersession 2024 | Syllabus, Melisa Achoko Allela, Movement Lab Jan 2024

Motion Capture For Orature Wintersession 2024 | Syllabus, Melisa Achoko Allela, Movement Lab

Course Materials

This winter session course invites students to explore motion capture through the lens of traditional oral storytelling practices. Students will actively identify the unique and distinguishing features of orature, and leverage their own cultural backgrounds, personal perspectives, and idiosyncrasies to create motion capture data that can be used in crafting an immersive digital retelling of a folktale.


Session 3 | The Oral Storyteller, Melisa Achoko Allela, Movement Lab Jan 2024

Session 3 | The Oral Storyteller, Melisa Achoko Allela, Movement Lab

Course Materials

Presentation for the Motion Capture and Orature course offered during the 2024 Wintersession.


Deep Roots, New Shoots: Modern And Contemporary African Art From The Kam Collection, Charles Mason, Andie Near Jan 2024

Deep Roots, New Shoots: Modern And Contemporary African Art From The Kam Collection, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for the exhibition: Deep Roots New Shoots: Modern and Contemporary African Art from the KAM Collection. Exhibition dates: January 12 – May 18, 2024. Charles Mason, author. Andie Near, photographer, designer.


Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins Jan 2024

Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins

Faculty Books & Book Chapters

Since the mid-twentieth century, music has played a central role in encounters and interactions between the people of Japan and those of African descent. It proved far more effective for pro- moting interracial dialogue and understanding than efforts in the early 1900s to foster an alliance against white supremacy and imperialism. This essay unpacks the ways that encounters with Black music transformed Japanese musicking and generated knowledge and empathy for people of African descent among Japanese. Personal interactions between Black and Japanese musicians constituted a process of “grassroots globalization” that circumvented the dominance of American mass media in representing African …