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Ephemeral Elsewheres: Locating Narratives Of Resignation, Resistance, And Refusal In The Poetry Of Black Cuban And Black Brazilian Women, Aidan Keys
Comparative Literature M.A. Essays
This essay dissects the language of Latin American revolution and nationalism to locate the body of the black woman and the appropriation of her image. In two seemingly incommensurable radical movements—the Cuban Revolution (1952-1959) and the Brazilian Unified Black Movement (1978-)—the contributions of Black women are unevenly recognized. Reading the poetry of cubanas Nancy Morejón and Georgina Herrera and brasileiras Sônia Fátima and Esmeralda Ribeiro, this essay claims that in both contexts, the Black woman is marginalized to a geographic “elsewhere.” Expanding on this term, coined by scholar Carol Boyce Davies, this essay further identifies temporal and ephemeral “elsewheres.” The …
The Portrayal Of Race And Gender In Revolutionary Cuban Cinema, Sarah Bartley
The Portrayal Of Race And Gender In Revolutionary Cuban Cinema, Sarah Bartley
Honors Theses
Cinema has been one of the most useful tools to portray the political and social beliefs prevalent during a given point in history. Following the Cuban Revolution, once-marginalized communities were given far more opportunity to participate in education, in the workforce, and in society. Institutionalized racism and sexism were combatted as Fidel Castro’s major areas of focus after the Cuban Revolution’s 1959 victory. Class issues were improved as the wealth inequality that had defined pre-Revolutionary Cuba was minimized following the nationalizing of private property. Despite these improvements, however, there remained sentiments of dissatisfaction regarding social issues in Revolutionary Cuba, including …
The Exile Of Assata Shakur: Marronage And American Borders, Joe Kaplan
The Exile Of Assata Shakur: Marronage And American Borders, Joe Kaplan
History Theses
Former Black Panther, Assata Shakur, now living in exile in Cuba after breaking out of a U.S. prison, is a self-described escaped slave, or maroon. Shakur has adopted this identity to underscore how practices and ideologies developed under slavery continue to structure Black life in the Americas, and how resistance strategies produced by this historical milieu remain salient in critiques of modern U.S. state power. The transnational nature of Shakur’s flight points to the use of borders as a highly effective, yet overlooked, tactic of Black resistance that has both historical and contemporary relevance. For maroons, borders mark hard distinctions …