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"As A Bird Sings": Hannah Tapfield King, Poetess And Pioneer, Leonard Reed
"As A Bird Sings": Hannah Tapfield King, Poetess And Pioneer, Leonard Reed
BYU Studies Quarterly
Hannah Tapfield King (1807-1886), converted to The Church of Jesus Christ of Latter-day Saints in 1850 in Cambridge, England, and emigrated with her family to Utah. She was a prolific and popular writer of poetry, essays, and educational pieces for Utah's newspapers, and she had a reputation as a woman of refinement. From her autobiography one can see her complete devotion to the Church. She and her family sacrificed a comfortable middle class life in England running the family farm, and they suffered considerably in Utah's desert. Her husband, Thomas King, eventually joined the Church but was never active or …
King Of Masks: The Myth Of Miao-Shan And The Empowerment Of Women, Kevin Dodd
King Of Masks: The Myth Of Miao-Shan And The Empowerment Of Women, Kevin Dodd
Journal of Religion & Film
King of Masks represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original integrity and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the Buddhist myth of Miao-shan, which centralizes the Confucian value of filiality, is re-applied beyond its traditional scope and context. Thereby two prominent features of contemporary China are creatively addressed: the revival of …
Restoration Women Who Responded To The Spirit Before 1900, Bonnie Miller
Restoration Women Who Responded To The Spirit Before 1900, Bonnie Miller
Leaven
No abstract provided.
The Mother Figure In Contemporary Women’S Theater, Sanda Golopentia
The Mother Figure In Contemporary Women’S Theater, Sanda Golopentia
Studies in 20th & 21st Century Literature
Five French plays written by women playwrights between the years 1976–88 attest to significant changes in the dramatic presentation of the mother figure. The innovations occur at the general thematic level (with plays centered on the mother–daughter initiating encounter at the moment of giving birth/being born, the reversal of the mother–daughter roles later on in life, trial maternity, willful maternal eclipse, etc.) as well as at the level of the characters’ speech, the setting, and so on. While some of the plays (such as Chantal Chawaf’s Chair chaude, Denise Chalem’s A cinquante ans elle découvrait la mer and Loleh …