Playwriting Commons^™

Child Of Divorce: A Play, Nate Myers

Honors College Theses

No abstract provided.

Direction Of The Imaginary Invalid By Molière Translated By Charles Heron Wall Adapted By Kimberly Dorman, Kimberly S. Dorman

All Graduate Projects

This project comprises of the selection, research, casting, adaptation, production and post-production process of The Imaginary Invalid. Documentation and research include adaptation, analysis of the play as a production vehicle for our program, research, script analysis, outcome goals, a record of the production period, and a postproduction evaluation.

Ua68/6/2/5 Potter College Of Arts & Letters English Student Organizations Dramatics Club, Wku Archives

WKU Archives Collection Inventories

Records of the Dramatics Club.

The Master And His Master, Kristýna Petišková

Senior Projects Spring 2019

Senior Project submitted to The Division of Arts of Bard College.

Baby Snooks And Daddy: A Little Gal's Journey To Joy And Jell-O, Sofia Luella France

Senior Projects Spring 2019

A little girl in pursuit of Jell-O can do anything! In this Theater and Performance project Baby Snooks just wants a happy, gelatinous Halloween, but will Daddy’s petty pranks get in the way? Worry not, Baby Snooks saves the spooky day, and finds herself along the way. Come on pumpkin heads! It’s time for a treat!

Josephine Baker & Me: Black Femme Identity In Performance, Meghan Gwinn

Scripps Senior Theses

The paper explores the complicated intersection between Black womanhood and performance by considering Josephine Baker as a site to engage the concept of “performing identity.” It discuss both the development of burlesque and the history of Josephine Baker to provide a foundation for the investigation of her early-career movement and visual practices. Then, the paper explore these hallmarks through Sherril Dodds’ “critical components of neo-burlesque striptease” writ into her book, Dancing on the Canon: Embodiments of Value in Popular Dance. The second half of this document includes a script of CATHARSIS, a self-devised solo show created to process one’s personal …

The Wow Factor: Lesbian Representation And Impact In Late-20th Century Theatre, Brenna L. Maginness

Honors Undergraduate Theses

The intent of this thesis is to investigate the influence of 1980's and 1990's lesbian playwrights on modern queer representation in theatre. By analyzing the successful works of troupes and artists born out of the Women's One World (WOW) Café, it became apparent that the greatest changes in lesbian portrayal on stage came from queer and feminist authorship. Additionally, WOW Café became the common denominator in the success of many lesbian playwrights due to the freedom it gave its writers and performers. As an independent theatre, WOW allowed its members to experiment with few rules, and offered a stage to …

El Paseo De José Moreno Arenas: Fotografiando Los Rincones Lorquianos Con Una Lente Miope En Federico, En Carne Viva, Polly J. Hodge

World Languages and Cultures Faculty Books and Book Chapters

"Un gallo con su canto de quiquiriquí es la primera imagen que pinta Federico García Lorca en su obra breve escrita en 1925, El paseo de Buster Keaton. Un estudioso de esta obra de Lorca ha interpretado esta imagen simbólicamente en términos históricos: el anuncio de un nuevo amanecer para la industria cinematográfica, ya que en 1927 el cine mudo experimentó su transición al cine sonoro (Allen 23) .1 De una manera semejante, aunque se abre sin quiquiriquí, la obra Federico, en carne viva (2019)2 anuncia una nueva etapa en la producción teatral de José Moreno Arenas. Este experto en …

Defending Eulalie, Mimi Ayers

University of New Orleans Theses and Dissertations

No abstract provided.

Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright

MSU Graduate Theses

Hollywood and Theatre have been partners in producing entertainment for over 100 years. The relationship was fruitful for both parties, but Hollywood moguls and playwrights battled over ownership of the work and crafting of its creative nucleus, story and character. Theatre was the dominant entertainment right before the rise of motion pictures. Once Hollywood’s talkies closed the curtain on silent films, playwrights had a high creative worth to movie makers. In the cinema, story and dialogue were essential for its survival and growth. Playwrights were courted by the Hollywood studio heads but were not offered equal partnership as they were …

Dialogues On Voluntary Action And New Commons, Roger A. Lohmann

Faculty & Staff Scholarship

This volume contains a suite of seven one-act plays originating in political and civic themes, voluntary action and new commons, and associated with the 2012 President election.

The Hidden History Of 'Oklahoma!', Daniel Pollack-Pelzner

Faculty Publications

Daniel Pollack-Pelzner explains that contemporary reinterpretations of the classic American musical Oklahoma! may be getting back to its root: it's based on a play by a gay Cherokee man.

Nuevaz Voces: Northeastern's 10-Minute Playwriting Festival, Sarah J. Fabian, Jim Blair, Becca Peterson

Faculty Research and Creative Activities Symposium

No abstract provided.

Into The Woods

Taylor Theatre Playbills

The playbill for Taylor University’s performance of Into the Woods. Music and lyrics by Stephen Sondheim, and book by James Lapine.

Performed November 9-11, 16-18, 2018 at the Mitchell Theatre.

Into the Woods is a combined narrative of the stories and plots of several Brothers Grimm and Charles Perrault fairy tales.

Theatre And The Overwhelming Question: Why Make Theatre In These Times?, Mónica Valeria Sánchez

Theatre & Dance ETDs

The following essay communicates my journey as a longtime theatre artist as I have navigated my way through the discipline, and towards the craft of playwriting. My intention to study in the program was soon escalated by an existential turning point subsequent to the neoliberal agenda that gained momentum pre, post, and during the election of 2016. This thesis is in response to the question, "Why make theatre now?" I approach this query through the themes and the characters in my plays; through a socio-cultural-historic lens, and via an examination of the creative process as it relates to the metaphysics …

The Amish Project

Taylor Theatre Playbills

The playbill for Taylor University’s performance of The Amish Project by Jessica Dickey.

Performed September 13-16, 2018 at the Mitchell Theatre.

In October of 2006, a gunman walked into an Amish schoolhouse…in this stunning tour-de-force, a single actress plays a host of characters in an Amish community devastated by that terrible tragedy. Jessica Dickey’s fictional exploration of the Nickel Mines Schoolhouse Shooting is a tale of redemption that forges a path of forgiveness and compassion in the aftermath of inexplicable violence. Featuring alum Morgan Morton(Turner ’16) and designed by all theatre alumni, this production is a unique experience for the …

Should Theatre Disappear Like Soap Bubbles?, Erin Lee

Proceedings from the Document Academy

I recently read an excerpt from a 2004 interview with Peter Hall where he claims that he was happy for his materials to disappear "like soap bubbles" (Reason, 2006). One of the fundamentally difficult things about archiving theatre, aside from its ephemeral nature, is the approach that creatives take to their work. Not only do we need to battle the format of live performance but we also need to convince many creatives, not all I must add, that their work can and should remain in the Archive for use in the future. There are glimmers of potential in the area …

The Lab Report, Volume 12, Issue 02, Todd Ristau

Lab Reports

Vol. 12, No. 02 (July, 2018)

• Summer 2018 Comes to a Close
• Student Spotlight: Ally Thomas
• Guest Profile: Erin Quinn Purcell and Jay Reiss
• Overnight Sensations
• Emma in Complexland
• Sean Abley Plays Open in Two Different Festivals
• Decision Height at New River Stage
• Jonathan G Galvez play in Planet Connections Fetivity
• Cabaret Workshop with Ruth Margraff
• Susie Young in Spring Awakening at MMT
• Dramaturgy Research Luncheon
• Song of Bernadette Jones at Fresh Fruit Festival
• Kevin D. Ferguson Wins Grant
• Neeley Gossett Recognition
• Kate Lowry Teaching in Texas
• Showcases for Advanced Performance, Directing, and Advanced Scene Study
• Playwright’s Festival
• Guest Respondent …

Bringing Life To Theatre: A Scenic Designer's Role In Creating "The Wild Party", Matthew Carlin

Honors College Theses

The purpose of this paper is to examine the research that goes into designing the scenic elements of a musical. I was the scenic designer for Pace School of Performing Arts’ production of Michael John LaChiusa and George C. Wolfe’s The Wild Party in the fall of 2017. Directed by Roger Ellis, our version of the vaudeville-style musical was done in an immersive, in-the-round style. As the scenic designer for this production I was strongly focused on the research aspect of the design process. We consulted several art movements and architectural styles, as well as mythology, film and literature in …

The Director's Role In The Development Of A New Play, Andrew Mullins

Honors College Theses

Over the course of May 2017 - February 2018, I examined the role of a theatre director in the development of a new play. The play that I directed was written by Brandon Adam, and is titled Nice Jewish X. We developed the play using three different forms of performances as guideposts and opportunities for feedback. The three forms of performance were a closed cold reading, a rehearsed open reading, and a fully staged and produced production. Over the course of this process, I worked closely with the playwright and helped facilitate his creative process, as well as explored …