Playwriting Commons^™

Flaws In My Father | Better Engaging With Trauma, Grief, Loss, And Pain Through Storytelling., Neil Fontano

Theatre & Dance ETDs

In this essay, I will review my playwriting methodology and growth as an artist during my time as a Dramatic Writing Candidate at the University of New Mexico. I will begin by examining my personal narrative and the initial impulse to apply for and accept a position in the Dramatic Writing Program. I will continue by dissecting my own writing methodology and its numerous influences: a sense of place, character, and time. Further, I will give an explanation of and demonstrate my own methods developed during my second year work on “Thelonius | My Brother’s Keeper.” In addition to academic …

True Theatricality: What Separates Live Theatre From All Other Entertainment, Sarah Michelle Beattie

Senior Honors Theses

In order to better understand the art of live theatre in comparison to its many counterparts, an in-depth study of the elements of live theatre that separate it must be accomplished. Through Aristotle’s The Poetics, to many contemporary studies of theatricality, to recent scripts incorporating those elements and effectively using them, the analysis of theatricality can be applied to an original script of its own kind. Some elements that have been discovered are double casting, expression through song, and even a break in the classic two act structure. The application of these elements of theatricality present a lot more issues …

Rained In: An Original Musical, Naomi Krizner

Honors Scholars Collaborative Projects

This musical confronts the perception of mental illness in an allegorical story that recounts an encounter between Tate, an estranged man inhabiting a cave who is taunted by two demons, and Emsley, a young girl brimming with innocence and curiosity.

Limboland: A One-Act Play About Death, For Kids, Megan Huggins

Honors Scholars Collaborative Projects

LimboLand: A One-Act Play about Death, for kids

Megan Huggins

Thesis Director: James Al-Shamma, Ph.D

Thesis Committee: Shawn Knight, Jessica Mueller

A loose adaptation of Dante Alighieri’s epic poem Inferno, LimboLand uses Alighieri’s model of the nine circles of Hell to illustrate the five stages of grief. In a script designed for theatre for young audiences, Dante, a young child, travels through different rooms as he attempts to cope with and understand his sister’s death. Dante follows Virgil, an older child, who knows a lot about the afterlife system without understanding any of it. The play includes an appendix …

Baton Rouge Slam!: An Obituary For Summer 2016: A Critical Performance Ethnography Of Eclectic Truth Poetry Slam, Joshua Hamzehee

LSU Doctoral Dissertations

This critical performance ethnography presents the theory, methodology, and practice surrounding the fieldwork, scripting, and performance of Baton Rouge SLAM!: An Obituary for Summer 2016. As participant-observer, director, and co-performer, I unpack social drama, performance ethnography, and slam culture by employing a lens rooted in critical race theory. Local poets permitted me to de- and re-contextualize their interviews into ensemble scenes and theatricalize their slam poems about the recent summer’s charged events. One year later, this involved and embodied process of ethnographic bricolage became the ensemble cast performance of Baton Rouge SLAM!: An Obituary for Summer 2016. Community members and …

Hero: The Musical, Owen Mefford

Gatton Academy Student Research Outcomes

Over the past year and a half, I, aided by my research mentor, have undertaken the process of writing the libretto for an original stage musical. The concept is an idea I have somewhat developed for years, that of a musical based on a spoof of the superhero genre and its many tropes. The musical follows Danny, a young college kid who has just moved to the big city and gains the power to freeze time. As he becomes a blossoming super hero, he must balance his romantic interest in his friend Sam, a reporter, with his new duties. Along …

Movie Macabre, Brigid Shannon Pfeifer

Senior Projects Spring 2020

Senior Project submitted to The Division of Arts of Bard College.

Our Grandparents/旧识, Yibin Wang

Senior Projects Spring 2020

A Theater and Performance senior project centering on the question of "how can we be more connected to our grandparents through playing them in front of a camera on stage?" Through exploring this question, the actor would present real stories about their grandparents on stage.

Surrogate Memories In Animation And Sound, Jared Duesterhaus

Theses and Dissertations

A document in support of my exploration into memory in relation to the mediums of animation, sound, and theater. A reflection on remembering as a creative act.

Times Strikes Back, Nirobi Shakan Coleman

Senior Projects Fall 2020

Senior Project submitted to the Division of Arts of Bard College

Great Balls Of Fire: Exploring The Theatricality Of Professional Wrestling, Paul Alistair Nicholson

Senior Projects Spring 2020

For my senior project I wanted to stage a pro wrestling match. Yes, that silly cross between sport and entertainment where bodybuilders in tights pretend to fight over shiny belts that validate their status as being the best ‘pretend fighters’ in the world. Actually, that is taking it a step too far. Pro wrestlers may not be considered legitimate athletes, they are entertainers after all; however they are able to draw audiences that rival many sporting and theatrical spectacles. It is not just their incredible feats of athleticism, but something to this form that has captivated fans around the world …

Toy Box, Jane M. Colon-Bonet

Senior Projects Spring 2020

Senior Project submitted to The Division of Arts of Bard College.

This Is The Knot In My Stomach, Macey Clarice Downs

Senior Projects Spring 2020

This is a story about two young women who think they will be friends forever. They learn that forever comes and goes in the blink of an eye. They are not particularly exceptional--they don't shatter any glass ceilings, they make silly mistakes, they never know what to wear to school tomorrow. But we get to watch them do the most exceptional thing any of us will ever do: grow.

Sarah Kane's Post-Christian Spirituality In Cleansed, Elba Sanchez

All Master's Theses

The existing scholarship on the work of British playwright Sarah Kane mostly focuses on exploring the use of extreme acts of violence in her plays. However, few scholars like Dr. Graham Saunders and Anabelle Singer can trace it back to the rejection of her Christian beliefs during her adolescence. This thesis explores how Kane used violence and images of impalement, dismemberment, and cross-dressing in her third play, Cleansed as a vehicle to examine and validate her notions of gender and sexuality as well as her developing post-Christian spirituality. Through the critical textual analysis of Cleansed in conjunction with scholarly literature …

We Was Somebody, Kyle Rodgers, Abigail Kay, Md

Phase 1

As the number of people who inject drugs (PWID) in Philadelphia increases, more healthcare professionals find themselves treating patients suffering from IV drug addictions. Unfortunately, many of these busy healthcare professionals have little education on the biochemistry of addiction and obstacles between people who inject drugs (PWID) and their recovery. We Was Somebody, a fictional play inspired by the stories of PWID in Kensington, Philadelphia, aims to promote understanding and empathy for the complexity of addiction and ultimately improve the quality of healthcare provided to the human beings affected by it.

The content of the play comes from peer-reviewed …

Adaptation Of The Novel "Silas Marner" Into A One-Act Play And Performance, Melaney Douglass

Electronic Theses and Dissertations, 2020-

As a teacher of high school theatre, I aspire to create powerful and thought-provoking theatre with my students. For my thesis, I adapted George Eliot's classic novel Silas Marner into a one-act play. I researched the novel and the necessary aspects of writing a one-act play. I explored the overriding themes in the novel. I researched and applied the techniques, skills and literary mechanics necessary to construct a one-act play. I recorded the creative process with my students as we, the director and actors, produced this original one-act for public performances. I reflected on this thesis journey and objectively critiqued …

A Note From The Editor, Kamryn A. Dehn

Ideas: Exhibit Catalog for the Honors College Visiting Scholars Series

This is a letter from the editor Kamryn Dehn regarding the first issue of this volume. It details how theatre can be utilized to promote social change, and discusses how Tasia Jones focuses on the Black experience in some of her works.

My Hall. A Stage Play And My Hall: Excavating, Shaping And Sharing The Memory Of Hale School’S Memorial Hall Through A Site-Specific, Staged Performance. An Exegesis, Julia Jarel

Theses: Doctorates and Masters

This thesis provides a case study which investigates the notion that a building which is historically and architecturally significant to a community holds that community’s memories within its walls. It argues that, in collaboration with the members of that community, these memories can be excavated, revealed and woven together to form a piece of site-specific theatre which can then be performed by and for those community members. It proposes that this intergenerational, creative collaboration may enhance the community members’ understanding and appreciation of the significance of the building, its place in the community and their place within it.

The site …

Have A Good One: A Writer’S Search For Place, Rafael Gallegos

Theatre & Dance ETDs

In this personal essay I will summarize my creative journey as a writer throughout my time in the Dramatic Writing program at the University of New Mexico. I will explore how the notion of home has shaped me and my work, focusing on my childhood in Lubbock, Texas, my theatrical coming of age in New York City, and my return to Albuquerque in search of my personal voice. I will present two works that illustrate my maturation as a dramatist and my focus on community and place as thematic throughlines. Have a Good One is a play set in a …

Adaptations: Blood And All You Zombies, Nolan Atterbury

Honors College Theses

The author describes the experience of adapting two different short stories for the stage, one as a solo playwright and one as part of an ensemble performance workshop.