Emmie And The Enchanted Orchid: Portraying Positive Disability Representation In Children's Media,
2021
Western Kentucky University
Emmie And The Enchanted Orchid: Portraying Positive Disability Representation In Children's Media, Adrianna Waters
Mahurin Honors College Capstone Experience/Thesis Projects
Disability representation in media and storytelling is often negative or inaccurate, with disability narratives equating disability to evil or lesser than abled bodies. The harmful representation is especially prevalent and dangerous in children’s media as the depiction of characters with disabilities may be children’s first introduction to disability, and thus the portrayal is likely to stay with them, especially as stories for adults continue to perpetuate the inaccurate representation of disabilities. “Emmie and the Enchanted Orchid”: Portraying Positive Disability Representation in Children’s Media seeks to examine the harmful portrayal of disabilities in children’s media while also recognizing how disability can …
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre,
2021
Western Kentucky University
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre, Claire Wilson
Mahurin Honors College Capstone Experience/Thesis Projects
In musical theatre, “cut songs” are the pieces of music that are removed from a show, whether the cut occur in the early creative stages, a pre-Broadway run, minutes before opening night, or even for a major revival years after its initial debut. These songs easily go unnoticed, as some are never made public while some are sneakily recycled for other musicals. Cut songs, though greatly varying in quality, are still works of art that at one time fulfilled their sacred duty of entertaining an audience and required just as much artistic effort to produce as the songs that survived …
New Play Collaborations,
2021
CUNY City College
New Play Collaborations, Kathleen Potts
Open Educational Resources
This is a syllabus for a New Play Collaborations course, which explores the creative, collaborative process of creating a new play. It is comprised of sets of actors, directors, and playwrights, who will team up to create a number of original works for the stage.
Direction Of The Play: Another One,
2021
Central Washington University
Direction Of The Play: Another One, Chris Hansen
All Graduate Projects
Another One
Written and Directed by Chris Hansen, Spokane Falls Community College Theatre Department
Produced November 2020
This project encompasses the selection, research, casting, production, and post-production process of the play, Another One, for Spokane Falls Community College Theatre Arts Department. Documentation includes: analysis of the play for our program, research, script analysis, scenic and technical challenges of our time, a record of the production period and a post-production evaluation.
La Résistance: An Original Screenplay,
2021
Western Washington University
La Résistance: An Original Screenplay, Luke Griffin
WWU Honors College Senior Projects
La Résistance is an original screenplay set in 1944 France, focused on a protective young woman struggling to keep her resistance group united and alive as they hunt, and are hunted by, a cold, calculating Milice captain. This first draft explores the ideological divide within the French Resistance alongside the more abstract ideas of why someone fights and what they do when they lose sight of what they fought for to begin with.
Renouncing Chance: A Comprehensive Analysis Of Brian Friel’S Faith Healer,
2020
Murray State University
Renouncing Chance: A Comprehensive Analysis Of Brian Friel’S Faith Healer, Forest Clark, Forest C. Clark Mr.
Honors College Theses
Faith Healer by Brian Friel is a play about trauma, addiction, co-dependency, and the inconsistencies of multiples perspectives upon the same narrative. This in-depth academic analysis attempts to examine the themes at play, as well as break-down the script and the characters who are a part of it.
Lemonade Stand: An Original Theatre For Young Audiences Play For Neurodiverse Children,
2020
Bowling Green State University
Lemonade Stand: An Original Theatre For Young Audiences Play For Neurodiverse Children, Kate Tayler
Honors Projects
Lemonade Stand is an original play a Theatre For Young Audiences-style play written with accessibility in mind for neurodiverse children, especially with ADHD and autism.
The Gilded Finch: An Exploration Of Class Conflict,
2020
Liberty University
The Gilded Finch: An Exploration Of Class Conflict, Mattea Harrison
Senior Honors Theses
Research is applied to create a play exploring the conflict between two women in the American upper class at the end of the nineteenth century. Both Mrs. Astor and Mrs. Vanderbilt’s family, wealth, and relationships were researched through studying primary and secondary accounts of their lives and times. A study of the women has produced a comprehensive picture of their motivations in their lives’ actions. The relationships between the women and their daughters has also been examined and applied. These two women are interesting characters in history to examine due to their family history and the families that they married …
Making A Musical: The Art Of Adapting A Film Or A Book For The Stage,
2020
Winthrop University
Making A Musical: The Art Of Adapting A Film Or A Book For The Stage, David Wohl
Winthrop Faculty and Staff Publications
Over the past 100 years, stage musicals have been made from original works as varied as straight plays, novels, magazine articles, movies, short stories, poems, and biographies. This article explores two original works (a film and a novel) created separately by two faculty members at a historically black university in West Virginia and which were turned into staged musicals produced by professional theatre companies in 2019. The article includes information and advice on the adaptation process from composers, playwrights, and other collaborators.
A Reflective Practitioner Case Study Approach To Researching Verbatim Theatre,
2020
Flinders University
A Reflective Practitioner Case Study Approach To Researching Verbatim Theatre, Sarah Peters
The Qualitative Report
The Reflective Practitioner Case Study (RPCS) methodology, as defined by John O’Toole in Doing Drama Research (2006), is situated within the broader category of qualitative practice-led research, with a focus on inducing practice based data for analysis and research. This article details my application of the RPCS methodology when researching the process and impact of verbatim theatre practice within the context of writing and performing the verbatim play bald heads & blue stars. I provide examples of the triangulated documentation of the creative process, demonstrate strategic planning for the induction of data in order to research the values that influence …
A Screenplay For Bystander Intervention For Sexual Harassment Scenarios For College Students,
2020
California Polytechnic State University, San Luis Obispo
A Screenplay For Bystander Intervention For Sexual Harassment Scenarios For College Students, Shanti Herzog
Journalism
This project was developed to describe the drafting of a screenplay for an interactive, virtual reality sexual harassment training module for students of the California Polytechnic University, San Luis Obispo. The research began with the examination of the prevalent and persisting issue of sexual harassment within college campus communities, and how to present college students with the tools to intervene as bystanders, thus encouraging them to intervene when encountering sexual harassment scenarios. The resulting screenplay was written to provide college students at Cal Poly with strategies to identify and take action when encountering sexual harassment, especially in small group gatherings …
Aligning Assessments With Course Outcomes,
2020
CSUSB
Aligning Assessments With Course Outcomes, Carol Damgen, Carol L. Damgen
Q2S Enhancing Pedagogy
This reflection is based on an educational assignment from my Oral Interpretation of Literature course at California State University, San Bernardino, May 2019.
A consistent focus and goal for me as an educator is to align assessments with course outcomes.
The learning outcome for this class session focused on the cognitive approach- “students will develop the skills to communicate an oral interpretation of literature to an audience with believability, dramatic action and honesty.”
The intention of this class period was for my students to clearly understand the difference between acting, reading and oral interpretation. Oral Interpretation is a type of …
Planning An Effective Class Session,
2020
CSUSB
Planning An Effective Class Session, Carol Damgen, Carol L. Damgen
Q2S Enhancing Pedagogy
This reflection is based on an educational assignment from my Intro to Theatre course at California State University, San Bernardino, April 2019.
As an educator, I am always interested in combining new techniques with tried and true approaches. My hope is twofold- enhance my students learning and keep me inspired.
The concept of a beginning, middle and end in all classes, provides structure for your students and keeps the pedagogy focused.
I incorporated the “I do, we do, you do” approach to support a well-balanced framework for the class period. This technique is a creative take on a beginning, middle …
Developing And Using Grading Guides, Checklists, And Rubrics,
2020
CSUSB
Developing And Using Grading Guides, Checklists, And Rubrics, Carol Damgen, Carol L. Damgen
Q2S Enhancing Pedagogy
This reflection is based on an educational assignment from my Intro to Theatre Arts course at California State University, San Bernardino, May 2019.
Providing students guidance when taking on a new assignment is essential. This direction may be achieved through a variety of sources: lectures, videos, examples of past students work, rubrics etc.
One approach, which may benefit the learner in the immediate and have a lasting impression, is teaching students to use the grading tool at hand (rubric/checklist) to improve assignments.
Following an example you have provided, the instructor will work with their students to use either a checklist …
Selections From & The Process Of Creating "My Blue Scarf: The Story Of Ruth, A New Play",
2020
Seattle Pacific University
Selections From & The Process Of Creating "My Blue Scarf: The Story Of Ruth, A New Play", Abigail Jane Ayulo
Honors Projects
My Blue Scarf: The Story of Ruth, A New Play, provides an adaptation of the Hebrew Book of Ruth that is focused on minority and female voices and experiences. It employs Hebrew poetic verse forms to pay homage to the story’s origins. This style contributes to diversity of voices in English-speaking theatre outside of Western poetics. My Blue Scarf shares a well- known and multicultural story to contribute to the diversity of contemporary American theatre and promote conversation about cross-cultural relationships in a time of division and prejudice. This project consists of eight selected scenes from the larger play and …
Black Expressions Of Dillard University: How One Historically Black College Pioneered African American Arts,
2020
University of New Orleans
Black Expressions Of Dillard University: How One Historically Black College Pioneered African American Arts, Makenzee Brown
University of New Orleans Theses and Dissertations
The proposed public history project, Within These Walls (WTW), will be one component of a larger exhibit produced by Dillard University’s, Library Archives and Special Collections entitled The Star Burns Bright: History of Dillard’s Theatrical and Musical Arts, Faculty and Students. WTW will focus on Dillard’s historic African American faculty, students and alumni who became prominent painters, musicians, writers, actors and directors among them Adella Gautier, Randolph Edmonds, Ted Shine Frederick Hall, Theodore Gilliam, and Brenda Osbey. This exhibit will also highlight the many art programs, across genres, offered at the university between 1935 and 1970. This exhibit will demonstrate …
The Green Poem: An Original Play In Two Acts,
2020
College of the Holy Cross
The Green Poem: An Original Play In Two Acts, Emily Arancio
College Honors Program
An original play in poetic dialogue based on the philosophy of Lucretius.
Flipping The Script: Gabriela Silang’S Legacy Through Stagecraft,
2020
Dominican University of California
Flipping The Script: Gabriela Silang’S Legacy Through Stagecraft, Leeann Francisco
Humanities & Cultural Studies | Senior Theses
Flipping the Script: Gabriela Silang’s Legacy through Stagecraft is a chronicle of the scriptwriting and staging process for Bannuar, a historical adaptation about the life of Gabriela Silang (1731-1763) produced by Dominican University of California’s (DUC) Filipino student club (Kapamilya) for their annual Pilipino Cultural Night (PCN). The 9th annual show was scheduled for April 5, 2020. Due to the limitations of stagecraft, implications of COVID-19, and shelter-in-place orders, the scriptwriters made executive decisions on what to omit or adapt to create a well-rounded script.
In this chronicle, scriptwriters’ choices in character development and musical elements in the show are …
A Poetic Ethnodrama: Discussing The Impact Of The Pressure To Publish On Creative Writers' Production,
2020
East Tennessee State University
A Poetic Ethnodrama: Discussing The Impact Of The Pressure To Publish On Creative Writers' Production, Abby N. Lewis
Electronic Theses and Dissertations
This study examines the presence of the pressure to publish while in college as an undergraduate or graduate student, and the impact that pressure has on students’ ability to produce creative work. After interviewing participants, the researcher created an ethnodrama to best represent participants’ emotions and unique experiences with publishing while in school. An examination of the literature reveals that master’s-level students are often overlooked in scholarly research on the subject of publishing. This study uses a qualitative research method to identify key emotional experiences from students at the master’s and undergraduate level in the hopes of providing a platform …
An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities.,
2020
University of Louisville
An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu
Electronic Theses and Dissertations
This thesis reflects my process assimilating into the role of Chelle in the production of Detroit '67 at the University of Louisville. Although there have been instances of actors crossing lines of gender, nationality, race, and even sexuality, to perform roles in contemporary theatre, discussion about generational differences is almost non-existent. Through historical research, first-hand interviews, and conventional acting methods, I explore the world of my role, searching for spirituality, authenticity, and identity. Additionally, I explain my use of The WAY Method ®, a process I began creating in 2014 to help actors be clear with who they are before …