Latin American Literature Commons^™

The Anxiety Of Sameness In Early Modern Spain. Manchester: Manchester University Press, 2016. Isbn: 978-1-7849-9120-3., José Luis Gastañaga

Dissidences

No abstract provided.

Javier García Liendo. El Intelectual Y La Cultura De Masas. Argumentos Latinoamericanos En Torno A Ángel Rama Y José María Arguedas. West Lafayette: Purdue Up, 2017., Fernando Fonseca Pacheco

Studies in 20th & 21st Century Literature

Review of Javier García Liendo. El intelectual y la cultura de masas. Argumentos latinoamericanos en torno a Ángel Rama y José María Arguedas. West Lafayette, Indiana: Purdue University Press, 2017.

Alan West-Durán. Cuba: A Cultural History. London: Reaktion Books, 2017. 288 Pp. Isbn: 978-1780238395., Pilar Cabrera Fonte

Dissidences

No abstract provided.

Patricia L. Swier And Julia Riordan-Goncalves, Eds. Dictatorships In The Hispanic World: Transatlantic And Transnational Perspectives. Madison, Nj: Fairleigh Dickinson Up, 2013, Bécquer Seguín

Studies in 20th & 21st Century Literature

Review of Patricia L. Swier and Julia Riordan-Goncalves, eds. Dictatorships in the Hispanic World: Transatlantic and Transnational Perspectives. Madison, NJ: Fairleigh Dickinson UP, 2013.

Peter Kalliney. Modernism In A Global Context. London: Bloomsbury, 2016., Kevin C. Robbins

Studies in 20th & 21st Century Literature

Review of Peter Kalliney. Modernism in a Global Context. London: Bloomsbury, 2016. 190 pp.

Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016., Tanya Gonzalez

Studies in 20th & 21st Century Literature

Review of Paulina Palmer's Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016. viii + 204 pp.

Experimental Writing, Experimental Reading, Warren Motte

Studies in 20th & 21st Century Literature

The notion of "experimental writing" is difficult to define with any kind of precision. Most of the time it is invoked in a largely offhanded manner, as if its meaning were immediately clear to everyone, obviating the need for further discussion. That assumption is a matter of expediency rather than anything else, for even a cursory glance at the way people use the term quickly reveals that the way we understand it varies considerably, changing over both time and cultural space. This essay seeks to examine how the idea of the experimental expresses itself in the tradition of the twentieth-century ...

Sttcl Editorial Board

Studies in 20th & 21st Century Literature

STTCL Editorial Board

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Studies in 20th & 21st Century Literature

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Segunda Parte De La Historia General Llamada Índica (1572) De Pedro Sarmiento De Gamboa. Estudio Y Edición Anotada., Aleksín H. Ortega

All Dissertations, Theses, and Capstone Projects

Pedro Sarmiento de Gamboa’s History of the Incas (1572). A Critical Study and Annotated Edition.

by Aleksín H. Ortega

Pedro Sarmiento de Gamboa wrote his polemic and undoubtedly political History of the Incas at the request of Francisco de Toledo (Viceroy of Peru, 1569-1581). Toledo wanted to deliver to the Spanish King a version of Incan history which could subsequently be used as an ideological tool in the search of legal and moral arguments to defend the Andean colonization by the Spanish monarchy. Since his arrival to the Peruvian territories, Toledo embarked on a long personal visit ...

Espacios Alternativos Y Nomadismo En Tres Poetas Salvadoreñas De La Guerra: Leyla Quintana, Kenny Rodríguez Y Eva Ortiz, Juana M. Ramos

All Dissertations, Theses, and Capstone Projects

This dissertation analyzes the literary production of Leyla Quintana, Kenny Rodríguez, and Eva Ortiz, three Salvadoran poets who participated actively in the Civil War of El Salvador (1980-1992), and produced their literary work in that same period. It explores, from the perspective of Nomadism developed by Rosi Braidotti, the resignification of the feminine subjectivity, as well as the construction of new figurations in order to articulate a counter discourse that challenges the official hegemonic and heteropatriarcal narrative. In the same order, it questions the validity of the cultural codes established and imposed by those groups that hold the political and ...

Míguez Cruz, Cristina. El Criminal Imaginado. Estética, Ética Y Política En La Ficción Latinoamericana (1990-2010). New York: Peter Lang, 2013. Isbn: 978-1433120657., Claudia Salazar Jiménez

Dissidences

No abstract provided.

Nogueira, Fátima. Poéticas Del Devenir: Lispector Y Valenzuela. Santiago De Chile: Ril Editores, 2016. Isbn: 978-9560103710., Sharon Magnarelli

Dissidences

No abstract provided.

Kerr, Lucile, And Alejandro Herrero-Olaizola, Eds. Teaching The Latin American Boom. New York: Mla, 2015. Isbn: 978-1-60329-192-7., Jose Herbozo

Dissidences

No abstract provided.

“La Frida No Envejeció, Yo Soy La Frida Envejecida”. La Ultima Performance De Pedro Lemebel, Fernando A. Blanco

Faculty Journal Articles

A partir de su último encuentro con Pedro Lemebel, el articulista lee la proxémica de dicha cita como un epígrafe performático que permite ordenar de manera comprensiva y especulativa la producción transmedial de Lemebel (crónica, novela y performance). Se concluye que, en sus distintas acciones, los textos de Lemebel funcionan como herramientas de un operador de la historia cultural chilena a través de la manipulación de los signos del cuerpo homosexual.

Mexican Working-Class Literature, Or The Work Of Literature In Mexico, Eugenio Di Stefano

Foreign Languages and Literature Faculty Publications

Working-class literature has never had a wide audience in Mexico, always overshadowed by other types of literature, such as the novel of the Mexican Revolution, the regionalist novel, and the indigenous novel. Nevertheless, there is no better place, as this chapter will suggest, to consider the status of literature and its relationship to history and ideology than from the genre of work and the worker. Approaching working-class literature as an evolving genre in relation to different modernization projects, this chapter will map out similarities and point to differences between various labor literatures—including proletarian literature in the 1930s, the testimonio ...

Literary And Cinematic Representations Of Neoliberal Forms Of Contemporary Violence In Latin America With Special Interest In Mexico And Colombia, Ivan De Jesus Iglesias

Theses and Dissertations

In the last decades, with an increased rhythm and greater intensity, the so-called neoliberal violence has come to play a relevant role within the history of world societies. The Latin American institutional, political, social, and economic changes of the 1970’s and 1980’s, especially those produced under dictatorships, contributed to create the conditions for the implementation of the processes of economic liberalization and global market as part of the concept of institutional modernization and cultural globalization that gave rise to the neoliberal mentality. In this context, neoliberalism becomes hegemonic as a mode of discourse and is incorporated into the ...

Voiceless Victims In Sin Tetas No Hay Paraíso, Henry James Morello

CLCWeb: Comparative Literature and Culture

In his article "Voiceless Victims in Sin tetas no hay paraíso" Henry James Morello discusses Gustavo Bolívar's Sin tetas no hay paraiso. The novel is, in Bolívar's words, his way of bringing attention to the problem of young women in Colombia using prostitution in order to pay for plastic surgery a very specific problem facing the youth of Colombia. However, at what price is the success of the novel? Or, rather, who is compromised as a result of this cultural phenomenon? The author may have intended to write a novel that called attention to the problems facing Colombian ...

Las Enseñanzas De Rosario Castellanos. Literatura, Historia Y Política, Eduardo Torres Alonso

Eduardo Torres Alonso

No abstract provided.

From Locus Amoenus To Locus Horribilis: Provincial And Urban Spaces Of Cultural (Re)Assertion And Hegemony In Yates And Sigel’S When The Mountains Tremble And Bustamante’S Ixcanul, Katrina Abad

Views from Below: The Underdog in Contemporary Latin American and Spanish Film

The trope of locus amoenus, or the idyllic representation of heaven on earth, and its counterpart locus horribilis, or the mundane incarnation of hell, was first critically defined by Ernst Robert Curtius in 1953 and identified in religiously influenced literature as early as Latin and medieval European works. Since then, the locus theory has appeared in numerous secular texts and films, such as Marcelo Ferrari’s Sub Terra (2004), as a means of distinguishing the once-pristine ‘purity’ of provincial spaces from the physically and metaphorically cramped mines and buildings produced by an urbanized modernity. This essay seeks to translate the ...