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Recent Articles in History of Religions of Eastern Origins
Shinto And Buddhist Metaphors In Departures, Yoshiko Okuyama
University of Nebraska Omaha
Shinto And Buddhist Metaphors In Departures, Yoshiko Okuyama
Journal of Religion & Film
Cinematic language is rich in examples of religious metaphors. One Japanese film that contains religious “tropes” (figurative language) is the 2008 human drama, Departures. This paper focuses on the analysis of religious metaphors encoded in select film shots, using semiotics as the theoretical framework for film analysis. The specific metaphors discussed in the paper are the Shinto view of death as defilement and Buddhist practices associated with the metaphor of the journey to the afterlife. The purpose of this paper is to augment the previous reviews of Departures by explicating these religious signs hidden in the film.
Shugendo Now, Jonathan Thumas
University of Nebraska Omaha
Shugendo Now, Jonathan Thumas
Journal of Religion & Film
This is a film review of Shugendo Now (2010) directed by Jean-Marc Abela and Mark Patrick McGuire.
India-Pakistan Relations: International Implications, Alka Jauhari
Sacred Heart University
India-Pakistan Relations: International Implications, Alka Jauhari
Government and Politics Faculty Publications
India’s independence in 1947 from the British colonial rule and its subsequent division into two nations – India and Pakistan - has sowed the seeds of continuing conflict between the two countries since their independence. The partition of India was primarily based on the religious divide between the two communities – the Hindus and the Muslims. After India’s partition, the major issue of conflict between the two countries has been the Muslim dominated northern state of Jammu and Kashmir, currently a part of India. This bilateral conflict has had international implications over the years. Decades of conflict, which includes three major ...
Henry Clay Morrison “Crusader Saint”, Percival A. Wesche
Asbury Theological Seminary
Henry Clay Morrison “Crusader Saint”, Percival A. Wesche
Heritage Material
No abstract provided.
Mythological Links To Shinto Architecture, Grace B. Djokoto
Kennesaw State University
Mythological Links To Shinto Architecture, Grace B. Djokoto
Oglethorpe Journal of Undergraduate Research
The practice of shrine worship has been present in Japan for centuries. The construction of shrines emanated from the belief that the kami, or spirits, needed a dwelling place. The many elements of the shrine have a connection to an aspect of the Shinto mythology. This investigation examines the major elements of a Shinto shrine and the mythological significance of each.
Deronda And The Tigress: Judaism, Buddhism, And Universal Compassion In George Eliot’S Daniel Deronda, Joshua Frank Moats
University of Tennessee, Knoxville
Deronda And The Tigress: Judaism, Buddhism, And Universal Compassion In George Eliot’S Daniel Deronda, Joshua Frank Moats
Masters Theses
Many scholars have discussed Judaism and the ethics of George Eliot in Daniel Deronda, but few have explored the impact of Buddhism upon the novel. This thesis is the first study to demonstrate the influence of Buddhism upon George Eliot's fiction. By tracing Eliot's interest in the emerging field of comparative religion, I argue that Buddhism offered Eliot a unique religion that was compatible with her secular humanism. Although Buddhism appears explicitly in Deronda in only a few instances, I contend that Eliot uses the tradition of Jewish mysticism known as Kabbalism as the predominant theology in Deronda ...
The Reenchantment Of Eschatology: Religious Secular Apocalypse In Akira Kurosawa’S Dreams, Justin Heinzekehr
University of Nebraska Omaha
The Reenchantment Of Eschatology: Religious Secular Apocalypse In Akira Kurosawa’S Dreams, Justin Heinzekehr
Journal of Religion & Film
The possibility of nuclear destruction in the modern world has created a secular eschatology which, unlike religious eschatologies, creates nihilism and apathy rather than ultimate meaning. The Japanese film Dreams, by Akira Kurosawa, depicts this secularized eschatology as well as a counter-apocalyptic utopia. However, Kurosawa does not merely repeat the Western visions of nuclear apocalypse, but uses Japanese folk religion as a lens through which this apocalypse can be viewed. By doing so, Kurosawa creates a specifically Eastern response to nuclear destruction: a “religious secular” eschatology. Despite its lack of critical success, Dreams provides a valuable alternative for Western theologians ...
Evidence For Two Mūlasarvāstivādin Vinaya Traditions In The Gilgit Prātimokṣa-Sūtras, Christopher D. Emms
McMaster University
Evidence For Two Mūlasarvāstivādin Vinaya Traditions In The Gilgit Prātimokṣa-Sūtras, Christopher D. Emms
Open Access Dissertations and Theses
The Sanskrit prātimokṣa-sūtras contained in the Gilgit Buddhist manuscripts have been identified as belonging to the Mūlasarvāstivāda school. However, the identification of these manuscripts as Mūlasarvāstivādin texts is problematic. A key factor for determining the school affiliation of a prātimokṣa is the rule order. The Gilgit prātimokṣa-sūtras, however, differ in their rule order. In this thesis, I explore the relationship of these Gilgit prātimokṣa-sūtras to Mūlasarvāstivādin literature. In order to do so, I have conducted a comparative analysis of the Gilgit prātimokṣa-sūtras focusing on differences in rule order in Gilgit Serials 2, 3a, and 4b/4c ...
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Popular Articles
The Impact Of The Reformation On The Fine Arts, John Wilsey
Structure And Meaning In Lamentations, Homer Heater
Shinto And Buddhist Metaphors In Departures, Yoshiko Okuyama
The Prophet Jeremiah As Theological Symbol In The Book Of Jeremiah”, Gary Yates
King Of Masks: The Myth Of Miao-Shan And The Empowerment Of Women, Kevin Dodd
Changing Channels: The Bhutanese Middle Path Approach To Television
Skepticism: David Hume, Gary Habermas
What Is The New Covenant "Law" In Jeremiah 31:33?, Olufemi Adeyemi
Monotheism, Polytheism, Monolatry, Or Henotheism? Toward An Assessment Of Divine Plurality In The Hebrew Bible, Michael Heiser
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